User reviews

This is not a movie for fans of the usual eerie Lynch stuff. Rather, it's for those who either appreciate a good story, or have grown tired of the run-of-the-mill stuff with overt sentimentalism and Oprah-ish "This is such a wonderful movie! You must see it!"-semantics (tho' she IS right, for once!).

The story unfolds flawlessly, and we are taken along a journey that, I believe, most of us will come to recognize at some time. A compassionate, existentialist journey where we make amends för our past when approaching ourt inevitable demise.

Acting is without faults, cinematography likewise (occasionally quite brilliant!), and the dialogue leaves out just enough for the viewer to grasp the details od the story.

A warm movie. Not excessively sentimental.

"A truly nice story with a moral about brotherly love" describes this odd David Lynch film. This was especially "odd" because it wasn't the kind of film Lynch had been putting out in the last 15 -20 years. Those were dark and shocking films (Blue Velvet, Wild At Heart, Mulholland Drive) and this is the opposite. I know it disappointed a lot of his fans. Others were delighted by it. Count me as one of the latter, and I own all three of those "dark" films, too.

This was another supposed-true life story, here detailing an elderly man's trip in a seated lawnmower from western Iowa all the way to Wisconsin to see his ailing brother who he hasn't talked to in years but wants to see before the latter dies. Well, I guess that premise - an old man driving a lawn mower 400 miles - still makes this an "odd" film of sorts, so Lynch stays in character with that!

Richard Farnsworth plays the title role. He is the type of guy, face-wise, voice-wise, low-key personality-wise, that just about everyone likes. The wrinkles on his face tell many a story. It was so sad to hear what happened to him in real life a year after this film was released.

The first 25 minutes of this film isn't much, and not always pleasant as it shows the main character's adult and mentally-challenged child (Sissy Spacek) and her tragic past, but once Alvin Straight (Farnsworth) begins his trip, the story picks up. I played this for several friends and they thought the film NEVER picked up, but I am more generous with it. I think it's a hidden gem. To them, it was a sleeping pill.

I found his trip pretty fascinating but you have to realize in advance this is NOT going to be a suspenseful Lynch crime story. It IS slow and if that's okay with you, you might like this. Charm enters the picture in some of people Alvin meets along the way, such as a wayward young girl running away and some nice town folks who help the old man out when he gets in trouble. (Henry Cada as "Daniel Riordan, is a standout in that regard.) Harry Dean Stanton gets third billing, but that's a joke: he's only in the final few minutes of the movie!

The Iowa scenery is pleasant. I lived there for several years and can attest to the rolling hills and the rich soil. It's a nice state with nice people....like this movie.

Perhaps more than many films, this one is not for everyone. For some folks the idea of slowing down, reflecting and allowing things to happen in their own time is a good description of their personal hell. For others an approach like this speaks to some deep part of themselves they know exists, some part they long for contact with.

I suppose it's a function of where I am in my own life these days, but I count myself in the camp of the latter group. I found the meditative pace of this film almost hypnotic, gently guiding me into some realm almost mythological. This is indeed a journey story, a rich portrayal of the distance many of us must travel if we are to come full circle at the end of our days.

Much as been written of Mr Farnsworth's presentation of Alvin Straight, though I'm not sure there are words to express the exquisite balance of bemused sadness and wise innocence he conjured for us. Knowing now that he was indeed coming to terms with his own mortality as he sat on that tractor seat makes me wish I had had the opportunity to spend time with him before his departure. I hope he had a small glimmer of the satisfaction and truth he had brought to so many people, not just for "acting" but for sharing his absolute humanity with such brutal honesty.

Given the realities of production economics, I'm not sure full credit has been given Mr Lynch for the courage he showed in allowing the story to develop so slowly. An outsider to film production, I nonetheless understand there are few areas of modern life where the expression "time is money" is so accurately descriptive. Going deep into our hearts is not an adventure that can be rushed, and to his credit Mr Lynch seems to have understood that he was not simply telling a story--he was inviting his viewers to spend some time with their own mortality. No simple task, that.

If you'd like to experience the power of film to take introduce you to some precious part of yourself, you could do worse than spending a couple of hours with The Straight Story. And then giving yourself some time for the next little while simply listening to its echoes in the small hours of the night.

A beautiful and very emotional "Harry and Tonto"-styled movie experience as Oscar-nominee Richard Farnsworth (playing the real-life Alvin Straight) decides to travel on his old riding John Deere mower from Iowa to Wisconsin to see his ailing brother (Harry Dean Stanton) because his driver's license has been revoked, he doesn't like public transportation and he has no one else to drive him. The two brothers have not been on speaking terms for many years and now the clock is literally ticking on one last chance for them to see one another and hopefully make amends for past mistakes. Sissy Spacek gives one of her finest performances as Farnsworth's slightly mentally retarded daughter and the supporting players are all real and heartfelt caricatures of America's heartland. Outstanding film-maker David Lynch (to me the finest living American director, along with Martin Scorsese) goes totally out-of-character with a 180-degree turn from whacked triumphs like "The Elephant Man", "Blue Velvet", "Twin Peaks: Fire Walk With Me" and "Mulholland Dr.". He quietly and methodically creates a G-rated family film that has deep messages for people of all ages and backgrounds. He paints a picture of America where the old ways of life are still the most important. Farnsworth (who is a total revelation) was in excruciating pain throughout filming due to terminal cancer and terrible arthritis. Notice he stands very little in the movie and he is almost always filmed from the waist up. Sadly this would be his final performance as he committed suicide shortly after his Oscar nod. He did become the oldest nominee ever in the Best Actor category, but really that will become trivial as time passes and his role will be the thing that shines brightly forever. Truly a legacy production for all involved. 5 stars out of 5.

No matter where you are on your journey, the meanders past, present and still to come, you'll take something from this endearing tale about an elderly man and his adventures on a very long journey to see his brother by mini tractor. Meeting and interacting with numerous people on his way, who each have a relatable story to share, along with a few the old timer shares with us - you're left feeling reflective on your own directions, what they mean and where it is they're taking you, and those around you too. Beautifully performed, filmed and scripted, it's never too late to rebuild bridges broken, or indeed, build new ones into the future.

Who would have thought that a movie about a man who drives a couple hundreds of miles on his lawn mower to see his brother, could possibly be good cinema? I certainly didn't. I thought I knew what to expect: one of the most boring experiences of my life. Well I was as wrong as I haven't been wrong too often yet, because this is one of the best, most realistic and honest Hollywood films I've ever seen...

Giving a short resume of "The Straight Story" isn't very difficult. It's about an old and stubborn man who steps on his lawn mower and drives off to another state to pay his brother a visit when he hears that the man has had a severe stroke. That's already special on itself, but what makes it even more special is the fact that he hasn't seen his brother in ten years because of some stupid argument. In the meantime he has his share of bad luck and problems, but he also meets a lot of people whose lives he influences in one way or another with his philosophical approach to life. Despite all the difficulties he drives on for weeks, not knowing if he will reach his goal: seeing his brother again before it's too late...

I can easily understand why there are people who don't like this movie and that's also the reason why I will not say that these people don't have a heart or things like that... This movie hasn't got any flashy action scenes, it is as slow as the lawn mower the man is driving on and no, you don't have to watch it for the nice soundtrack either, because there isn't any. But why should you watch it then? Well, the simple answer is the story. I haven't seen such a touching movie with such a powerful story very often and the fact that this actually comes from Hollywood and - to make things even better - from the Disney Studio's (that's right, the same studios that overwhelm us with sugar sweet nonsense) makes it even more special. I'm not ashamed to admit that I had the tears in my eyes a couple of times while watching it, probably because the whole situation of not seeing someone for many years because of some stupid argument is all too realistic for me.

Some people will argue that the story is very shallow, but I really don't agree with that. Perhaps it is because they only see that old man driving on his lawn mower and don't want to think any further. If you look close enough than you'll understand that this man is doing all this because he knows he has once been wrong, that only his pride stood in the way of seeing his brother again and that he wants everybody else to see that too, so they won't make the same mistake. If that isn't deep enough, how much deeper does a story have to go for you then?

I would also like to add that this movie really had it all. Some beautiful landscapes (finally an American movie that shows something else than the skyline of New York, Chicago or some other big city), some very fine acting by Richard Farnsworth, Sissy Spacek,... and a very understandable way of telling despite the fact that this is a David Lynch movie. I know now that I was completely wrong by assuming that this movie wouldn't be to my taste. It's one of the very best movies I've seen in a long time. This movie aimed for my heart and hit the bull's eye. I give it the full 10/10.

I have always been a fan of David Lynch and with this film Lynch proved to critics that he has the talent, style, and artistic integrity to make films outside of the surreal aura that he's become known for in the past decade. As much as the film is G-rated, it's pure Lynch in style, pacing, and tone. The film moves at a masterfully hypnotic pace and is filled with scenes of genuine emotion and power.

The cinematography is terrific, as is to be expected from a Lynch film, and the transitional montage sequences are breathtaking. It's also very refreshing to see a film where the characters are all friendly, kindhearted folk and not unmotivated characters that are clearly labeled as being either "good" or "evil".

Richard Farnsworth turns in a beautiful performance as do the rest of the cast, most notably Sissy Spacek in an endearing performance as his daugher, and Harry Dean Stanton in a small but infinitely crucial role.

With this film, David Lynch proved to critics that he could make a powerful moving motion picture just like he did in the 80's with 'Blue Velvet' and 'The Elephant Man'. Critics seemed to lose faith in the past decade after he produced such surreal films as 'Twin Peaks: Fire Walk With Me' and 'Lost Highway' but with this film he showed that there was method to FWWM and LH, and it looks as if critics finally caught on with his recent film 'Mulholland Drive', considering the high praise it's received and the Oscar nomination for Lynch.

'Straight Story' is to me one of the most moving motion pictures I've ever seen. It's a loving story about family, friendship, and the kindness of strangers. I would highly recommend it.

After seeing this film I feel like I know just a little bit more about the USA. David Lynch is synonymous with shock value and weird for weirdness sake, and indeed these elements are not missing from The Straight Story. However it is in a light that I have not witnessed from Lynch before. We begin with a simple family living a quiet life but end up with an array of absurdly interesting characters with depth in their lives that cannot be apparent from their introduction. Especially moving was the bar scene with two WWII veterans discussing the events of fifty years ago and how it still affected their current lives and emotions. If you are looking for Wild at Heart or Dune, don't look here. But if you are looking for real people with real stories this is the film for you.

Alvin Straight is a 73-year-old Veteran living in Laurens, Iowa with his daughter Rose. Though Straight can barely walk, he refuses a Zimmer frame, opting instead to make use of two canes to get around. One day, Straight discovers that his estranged brother Lyle- who lives some 240 miles away in Wisconsin- has had a stroke and is near death's door. Having no automobile but wanting to see his brother, the strong-willed Straight decides to use his lawn-mower to make the journey, despite the daunting nature of the task. On an odyssey through the American countryside, will Straight make it all the way to Wisconsin before his John Deere breaks down?

Based on true events, David Lynch's 'The Straight Story' is a beautiful film that works as a lyrical ballad for the American landscape and a moving character study both. John Roach and Mary Sweeney's screenplay weaves a powerfully unaffected tale that speaks volumes about the human condition. Like Hemingway, the dialogue is simple and profound, and the story full of subtleties. As Straight embarks on his quest, we learn of his life- as well as the lives of the characters he encounters along the way- and the film becomes a tapestry of American Midwestern existence.

Containing much warm-humor and genuine drama, 'The Straight Story' is Lynch's least abstract film and arguably his most emotionally percipient. As Straight plods ever onward, his mower straining over hills, the simplicity of the central narrative disappears, and the film becomes epic in scale. Like a Greek tragedian, Lynch uses Straight's story as a canvas to explore human nature, connecting with the audience on a deeper, more profound level. By the time the credits roll, viewers will have gone on an emotional journey as lengthy and impactful as Straight's 240-mile quest; and one just as memorable.

Often, Lynch uses the same core crew for his films, and 'The Straight Story' reunites him with many of them; cinematographer Freddie Francis being just one. Francis captures the majesty of the American landscape incredibly, putting one in mind of the work of Néstor Almendros and Haskell Wexler from Terence Malick's 'Days of Heaven.' With amber waves of grain rippling like an ocean in the wind, red barns erupting from yellow cornfields, the night sky draped in starlight sitting over the world like a crown; the film is a visual feast.

Lynch has stated that a successful film is comprised of "sound and image flowing together through time," positing that, in scenes, visuals and sounds must complement each other; as they do masterfully throughout 'The Straight Story.' The late, great Angelo Badalamenti's score is haunting and melodic, tonally matching Francis' visuals perfectly. The film's stunning marriage of sound and image is unforgettable and evocative work, held together adroitly by Lynch and Sweeney's unobtrusive editing.

'The Straight Story' stars Richard Farnsworth as Alvin Straight, delivering a tour de force performance of great emotional sagacity and depth. He is completely authentic and utterly charming, carrying with him a mournful air that is most affecting. Throughout his decades long career, Farnsworth gave some terrific performances in a variety of projects. Whether in 'Comes A Horseman,' 'The Grey Fox,' or 'Misery;' he was always believable, often making his fellow actors look mannered and forced through his ease of performance. As Straight, he never puts a foot wrong; turning in what may be one of the finest, most subtle pieces of acting ever captured on film. That he didn't win the Academy Award for his efforts is frankly shameful, and a testament to the fact that the Academy more often than not get it wrong.

All from the supporting cast do commendable work, with Sissy Spacek impressing greatly as Straight's daughter Rose, who has some sort of learning difficulty. Spacek doesn't overdo the eccentricity of her character, giving a very measured and thoughtful performance that is a highlight of her filmography. Additionally, Harry Dean Stanton has a short but unforgettable scene where he demonstrates in thirty seconds the boundless depth, range and pure acting prowess that endeared him to so many; and just may leave you in tears.

Powerful and poignant, David Lynch's 'The Straight Story' is- for all intents and purposes- a flawless piece of filmmaking. With a strong screenplay from Mary Sweeney and John Roach and captivating cinematography from Freddie Francis- not to mention the great score from Angelo Badalamenti- it is brilliant from start to finish. Featuring impactful performances from the likes of Sissy Spacek and Harry Dean Stanton, and anchored by a career best Richard Farnsworth; 'The Straight Story' is about as close to perfect as a film can come.

Titled after the family names of two brothers, The Straight Story is a true American classic. It would be a very good choice to watch, when you get together with your family.

The Straight Story has its plainness and "straight"ness, as the first thing to say. The plainness segment includes no technical features; no audio or video aspects, no set decoration or cinematography work, no make-up and no costume. In fact with the use of this plainness David Lynch brings the restful country life to your view.

Taking a road trip from Iowa to Wisconsin, a World War-II veteran plunges unhesitatingly into the river of his passion, driving his way with a 1966 John Deere lawnmower, and with his defect of eyesight. I didn't know the lawnmowers are made for traffic since I watch this film. Well, nothing is strange enough in David Lynch' s point of view. Despite this strangeness Lynch offers a complete sagacity through Alvin Straight(Richard Farnsworth)'s successful acting and Sissy Spacek as his daughter accompanying him. Thus, you get the straightness segment through those dialogues full of sagacity.

Lynch has filmed his story along the roads that the real life Alvin Straight traveled in 1994. Wisely, Lynch dished out his work very economically except he has used a helicopter to let us see how slowly Alvin driving his lawnmower on the road from bird's eye-view. Still, Lynch could have cut some of the scenes which overshadow the smooth style of the film. His Straight Story taught us the importance of finishing whatever we started.

It takes patience to get through David Lynch's eccentric, but-- for a change-- life-affirming chronicle of Alvin Straight's journey, but stick with it. Though it moves as slow as Straight's John Deere, when he meets the kind strangers along his pilgrimage we learn much about the isolation of aging, the painful regrets and secrets, and ultimately the power of family and reconciliation. Richard Farnsworth caps his career with the year's most genuine performance, sad and poetic, flinty and caring. And Sissy Spacek matches him as his "slow" daughter Rose who pines over her own private loss while caring for dad. Rarely has a modern film preached so positively about family.

The Straight Story is a movie that's different from most I've seen.

A man who's lived an aged life tries to enjoy every second to the fullest until the grave. After going to the doctor after one too many falls, though, he realizes his own mortality and the great impact it will have on those closest to him. As his life is slowly changing, he gets a call from his estranged brother, who's just suffered a stroke.

People face numerous challenges throughout their lives. Some are overcome independently and some are even lifelong. Going across states while you can barely walk is one thing; driving across in a lawnmower is another. After facing turbulent weather, lonesome strangers and making unexpected friends along the way, this entire journey is a final reflection.

Life is certainly short. It's best to make peace while we still can.

Gosh, the pace of 'The Straight Story' kills me. I guess it's supposed to be slow, similar to Alvin's journey not only from Iowa to Wisconsin but also his whole life. Whether the director intends this effect or not, the movie does not have to be this elongated. For example, 'Forrest Gump' has a similar structure to that of 'The Straight Story'. A small segment of the main character's life is told with each stop and with introduction of a new character. However, the former's story arc feels compact and tight while the audience feels the magnitude of his whole journey at the same time.

Short of 10 characters.

David Lynch is a director known for the weirdness of many of his films. After all, he's helmed "Eraserhead", "Blue Velvet", "Dune" and "Twin Peaks"--all very weird films by anyone's standards. However, here he's made a film that is very different in tone from his other famous work--and I wouldn't have suspected he could make such a 'normal' film. Perhaps this is because unlike most of his work, he didn't write "The Straight Story"--just directed it. Regardless, it's an exceptional film--one that is really unlike anything else I've seen--and I have seen and reviewed A LOT of films.

The film is based on a true story that occurred a few years before the film was made. Alvin Straight was a 73 year-old man whose brother suffered a stroke. Alvin did not have a driver's license, as he had poor vision and was in pretty poor health. So, in order to make it to his brother's home hundreds of miles away, Alvin rigged up a trailer onto his riding mower and set out on a journey that would take him well over a month!

While the subject matter is pretty mundane and the story rather slow-going (mostly because Alvin Straight's journey was a very slow one), the film managed to be quite entertaining. The script was excellent, Lynch's direction lovely and Richard Farnsworth was terrific in the film as Alvin Straight. Overall, despite being such a simple story, it is a very special sort of film--one that folks who don't demand action and excitement will enjoy.

Whenever I hear a movie being touted because it has no sex, violence, bad language, special effects, and so on, my b.s. detector goes off. Usually, a movie like that is sentimental hogwash which panders to people who don't want anything to surprise them, but to affirm how superior they are to us craven folk. So when David Lynch's THE STRAIGHT STORY began getting those kinds of reviews, I was apprehensive, especially since I was not a fan of his other "uplifting" story, THE ELEPHANT MAN. For all the stunning images and the good acting in that film, it seemed more interested in preaching to us than inspiring us.

I needn't have worried. THE STRAIGHT STORY is an honest movie rather than a saccharine one. Most of that is due to the fact that Lynch and writers John Roach and Mary Sweeney tell it straight and simple for the most part. There are a couple of homilies by Straight I could have done without, and the shots of grain being harvested are repeated a little too much, but those are only quibbles. There's no heavy-handed message, no sentimental strings to jerk our emotions, and no condescension towards us and its characters. Instead, they depend on the story to build its own power, and it does, so by the final scene, we are genuinely moved.

Of course, casting Richard Farnsworth adds realism to the part. He really is someone who looks like he's lived through a lot but still perseveres, and except for those homilies, the desire he has to get back together with his brother doesn't seem overly sentimental, because you can sense here is someone who's lived too long and seen too much to be driven by anger for long. And he knows his time is running out, so he wants to make some peace, not only with his brother, but with his life. Sissy Spacek also does fine, unmannered work as Straight's daughter. And although I am a city and suburban boy, the Iowa and Wisconsin landscape are beautifully shot, making me want at least to visit some day.

The Straight Story is a multilevel exploration of the goodness and beauty of America. At one level a slow walk through the heartland, it's kind inhabitants, and amber grain, at another level about growing old and remembering what is important(and actively forgetting what isn't). David Lynch gives us time in this movie and helps me to remember that so much can be said with silence. A remarkable movie that will rest gently with me for some time to come.

Maybe I should be more specific. This film is great because of it's incredible story. Alvin Straight (Richard Farnsworth) is an elderly man living with his daughter Rose Straight (Sissy Spacek) in Iowa. When he hears that his brother Lyle Straight (Harry Dean Stanton) had a stroke he heads over to his home in Wisconsin to check on him. But Alvin has no driver's license so he drives on a John Deere 110 lawn mower. It is based on the true story of Alvin Straight who drove his lawn mower to check on his suffering brother. What I like about this film is the story, the cinematography and especially the acting. Alvin drives and meets many people on his way, including a runaway girl, a bunch of cyclists, and a friendly family who fixes his tractor when it breaks. I don't want to give away the ending but it's really great. Check this one out.

This project was launched by David Lynch's editor (and future wife), Mary Sweeney, who secured the rights and co-wrote the screenplay, then it really took off when Lynch himself signed on to direct and stuntman-turned-character-actor Richard Farnsworth was "coaxed out of semiretirement" (I read somewhere online) to play the lead. As often seems to happen with "based on a true story" movies, the script gets stretched pretty thin at times (the parable about the sticks that Straight tells the teenage runaway seemed familiar from grade school), and the backstory that slowly emerges may seem a little too pat, but Farnsworth's disarmingly natural acting style is just right for the part, and Lynch's eye for the hidden beauty of the nondescript landscape and his perfect pacing bring out all the drama and poignancy of Alvin Straight's journey. Straight's story made me think of what Woody Grant in Alexander Payne's "Nebraska" might have been like if he'd managed to turn his life around.

73-year-old Alvin Straight (Richard Farnsworth) from Laurens, Iowa takes a tumble. His challenged daughter Rose (Sissy Spacek) is concerned. He won't let his doctor do tests. Then he receives word that his estrange brother Lyle (Harry Dean Stanton) had a stroke. He is determined to go see his brother in Wisconsin. He can't drive and there's no bus. So he decides to modify his lawn mower for the long trip.

This is an interesting little indie. There are a lot of tiny oddities in this. First this is directed by David Lynch without any of his usual surreal touches. He is really gentle here letting Farnsworth do his acting. There are some quirky touches here and there. He puts in some beautiful music. Spacek makes an interesting choice with her stutter. She has a funny moment in the beginning. Alvin is an old self-reliant guy. He's charming in his old school ways. The story is funny and bitter sweet.

But I didn't. I LOVE David Lynch; indeed some of my favorite films are his ("The Elephant Man", "Blue Velvet") and I love his style.

I think I knew there was something wrong when I saw the titles-- "Walt Disney presents... a film by David Lynch". Despite the wonderful heartfelt performance by Richard Farnsworth, and some great cinematography, this film is just too slow for me. I guess I could have anticipated that based on the fact that a lawn mower IS slow. But a film doesn't have to move at break-neck pace to have something really important to say, and to say it well. This movie didn't do either, I'm afraid.

I did also appreciate the score by the Twin Peaks composer, and some scenes were very good-- the bundle of sticks, the low voices in the background (someone said it was a sound problem but I credit David Lynch for his realism-- were we far away from these people and that's how they would sound-- not up close like they were speaking into a microphone the way a "normal" movie would have you believe), the way the daughter's story is exposed, and so on.

Overall I gave it a 6 out of 10-- I was disappointed and cannot recommend it to others.

A film that is strange in Lynch's filmography because it is not a strange film. No hidden meaning, confusing visuals, nudity, weird scenes, just a plain "straight" (see what I did) story of an ordinary old man. Richard Farnsworth is masterful in the lead role of a sick old man who is also abnormally stubborn and decides to go on an almost insane journey. It is interesting that this was actually his last role in his life, and it also brought him an Oscar nomination.

Considering that I'm not a big fan of Lynch, I even liked this movie because it has nothing to do with the rest of his oeuvre. The film does not have any tense scenes, there are no explosions, the pace is easy. It is full of small scenes and small conversations, seemingly ordinary, but they say a lot about the main character and what he has been through in his long life. This is really a film about a journey, not so much about a destination or destination. At least that's how I experienced it.

People are nice, the world is a beautiful place and sometimes the simplest things in life can be the most fulfilling. This is the general whiff given off by The Straight Story, David Lynch's most straightforwardly decipherable film to date. Richard Farnsworth plays Alvin Straight, a 73-year-old living with his speech-impaired daughter in Laurens, Iowa. After receiving word that his older brother has suffered a stroke, Alvin feels compelled to visit him. Lacking a driver's licence, and too stubborn to let anyone else take him there, Alvin attempts to make the 240 mile journey to Mt. Zion, Wisconsin on a 30 year old lawnmower. On the way, he meets a variety of strangers, most of whom are just as kind as he is. Whilst many people have pointed out how uncharacteristically simple and sweet this is for a David Lynch movie, his signature is still very much on the film. We get the long takes, brooding mechanical noises and an affecting visual sense. Only this time, they work to create a sense of peace rather than horror.