Bedhead

You know what is really fun? Choose a director you like, then trace the ideas you like about him back through two paths: the films by others that surely influenced him, and also back through his own earlier work. Like this.

I like Rodriguez. I do. I like the risks he takes, his proclivity to experiment, his notion about structure and reference in film. He is not yet on my "absolutely must see this" list but is well represented on the "worth watching" list.

The first "Spy Kids," "Once Upon a Time in Mexico," And his entry in "Four Rooms," showed a high degree of what I call folded, selfaware film-making. Spanish, without the prancing pretense of the French.

So go back with me to view this homemade short, featuring his kids and home videocam. It is simple, but you can already see his characteristic mix: Simple truths, including appropriate effects done cheaply. A world of magic. A world where children often center the narrative. A world where justice is built into the cosmos.

Ted's Evaluation -- 3 of 3: Worth watching.

The people most likely to be interested in watching this short film would be fans of Robert Rodriguez and thus would watch it looking for Rodriguez-style independent film-making. For those people, they'll get everything they want... fast-paced action, fast-paced camera movement, fun and funny storytelling, and a general sense of know-how often unseen in first-time shorts (and of course that's because it's not really a first-time short... see "Rebel without a Crew").

Those who happen to stumble across this film, though, won't have to be well versed in Rodriguez's style (and also, Rodriguez's style isn't a style that is that difficult to be well-versed in). It's still fun and fast-paced and funny. So there you go.

It's available on the El Mariachi DVD if anyone's interested in seeing it.

--PolarisDiB

No pun intended - power on the other hand ... or is it this hand? Well you have to watch to understand. A short movie that was a test ground - or playground. He had his family members to experiment with. Having a lot of siblings must have some positive aspects to it right? He is the first to say that he needed them to experiment. And you can call this an experiment for sure.

The sister plays the main role - the stab at the middle east (and the let's call it playful attempt at a joke - might not sit well with some) ... I reckon some might call that cringe. Try not to think about some jokes too much ... not everything may have aged in the best way possible. Doesn't matter though because this is fun - and goes in a direction I did not guess when it started ... having fights with your sibling ... well it is normal. Who will have the upper hand? Well I guess I did it again.

'Bedhead (1991)' is a short film created almost solely by Robert Rodriguez, starring his younger siblings as a set of kids whose typical squabbling is suddenly livened up when superpowers are introduced into the mix. It's a somewhat strange affair, presented almost entirely as a narrated flashback, but it showcases pretty much all the no-budget skills its director would come to be known for. It's energetic, lively and rather enjoyable. It isn't exactly deep, but it takes a few twists and turns and remains more-or-less engaging throughout. It has the charm of a home-video, yet it also manages to work for audiences who aren't members of the Rodriguez family. It's a solid debut. 6/10

I don't believe I knew of this short film before I got El Mariachi on DVD and found it among the special features. Rodriguez did it all by himself, with the cast consisting entirely of his siblings. The plot is simple and silly, but you find yourself watching it all, never particularly wanting it to end, and when it does, it hardly feels like any time has passed at all. Granted, not an awful lot of time *has* passed, but still. The pacing is perfect. The cinematography is great. The story-telling is relatively simple, but it works very well. Instead of giving up on having sound, or limiting it, on account of not having a camera that could record sound(I'm going to assume he did, as he describes having and using one such camera in making his feature debut, El Mariachi, which was made not long after this), Rodriguez creates all of the sound in post-production, and gives it a rather cartoon-y feel, one that is present in every facet of this production. The difficulty of dialog(as it must all be recorded separate from filming) is a problem he solves by making the dialog off-screen, and, whilst it is arguably a story-telling crutch, the narration works wonderfully well, and helps tell a story that could easily have taken far longer than 8 short minutes, ensuring a tight little short that does not overstay its welcome. The acting varies, but always works. The lead enunciates reasonably well, and good enough for all she says to be understood. The score, editing and camera angles create drama, and cheap effects sell the supernatural idea. There is some gross-out comedy, but very little. There is also some violence, and it is shown without the realistic outcome(not unlike, say, a Tom & Jerry cartoon). This short is undoubtedly created mainly for children, but adults can enjoy it too. You'll find the minutes flying by, and you may very well enjoy Rodriguez doing what he does best. I recommend this to any fan of Rodriguez, as well as children who have the sense of humor for it. 7/10