Alice au pays des merveilles

As you watch the beginning of "Alice in Wonderland", pay close attention to the guests at the tea party. You might notice Martin Short and his companion, a man placing two buns atop his head as if he were, say, a March Hare. Notice also the man flirting with the woman at the end-you could almost call him a scurvy Knave. But enough with the plays on words. This version of "Alice in Wonderland" was exceedingly well done. From the moment Alice falls down the rabbit hole to the moment she catches the apple, we are spellbound by the fantasy the film has woven for us. Part of its appeal is its satirical notions. Consider the "caucus race", where everyone is cheating. Cynics of politics might agree with this. There is also the trial at the end, where the evidence is as insubstantial as a house of cards. One needs to watch the film or read the novel many times to pick up all of the references!

I enjoyed watching Alice's transformation from stage fright child to confident young girl. It was a continuing thread that helped the story attain a greater level of continuity. Yet the most entertaining portions of the film were those with Martin Short, Miranda Richardson, and Gene Wilder, to name a few. They held nothing back, which magnified the absurdities of their characters to the nth degree. Lastly, the featuring of the tea party at the beginning of the film and the end helped tie it together. A well done film.

I, like most of the rest of you, grew up with the story of Alice In Wonderland- but what I knew was from the Disney story. I never really liked it, but after seeing Hallmark's representation, I decided that Disney completely ruined the book.

Hallmark's costume designer apparently took a look at the sketches that are commonly associated with the story. In fact, the book of Alice In Wonderland and Through The Looking Glass that I have from England has these sketches in them, and comparing the costumes to the actual drawings shows very little difference minus color, movement, and the addition of the third dimension. Being a person who tends to favor pretty over plot in movies, the animatronic puppets (such as the griffin, the flowers, and the flamingo-croquet) and other visuals made a very fun and entertaining veiwing

experience.

As for the acting, it is obvious that there is a rather star-studded cast. Martin Short is probably the best I've ever seen him as the Mad Hatter. Sure, he is insane- but he's called a "mad" hatter for a reason. It is very interesting to see the man known for playing ghandi in a large caterpillar suit playing what is commonly known to be the trippiest character in the book. Also, frankly, the queen of hearts in the disney version terrified me as a girl (as well as tweedle dee and tweedle dum), but here they seem less harmful- but they still embody the insanity which basically prevails in the story. Personally I think the "bratty little girl" version of hte queen is a much better take on that character. It makes Alice's maturity over the course of the story more reasonable.

Speaking of story, nobody ever said that Carroll's stories made THAT much sense. So that can't exactly be argued.

Over all- I think its a must see if you've ever enjoyed the stories of Alice.

I like this version the best out of all versions of Alice in Wonderland. Tina Majorino is rock start as Alice. This version has more action and has better action than both of the Disney versions. This is the version I recommend. If you like the Alice in Wonderland book and want to watch an Alice in Wonderland movie this is going to be your best choice. I think it's more entertaining than the Disney versions. It's longer and has enough time to have good acting and good action. I give this one a higher rating.

Lewis Carroll is a difficult author to adapt satisfactorily to the screen. Worse yet, most versions try to add some sort of lesson to the story that was never there to begin with. This, too uses a version that simply doesn't work. Alice does not want to have to sing "Cheery Ripe" so the whole film becomes about the importance of performing for an audience. That fails to really hold the film together. Despite this, this is probably the best-looking version of the two books yet. It does neither what the Children's Theatre Company did in 1982, and try to exactly mimic Tenniel's illustrations, nor that of the Harry Harris production, in which the actors had to be recognizable so they wore simple costumes with pig ears or rabbit ears, etc. Here there is a mix of puppetry and mere suggestion. Many of the minor anthropomorphics simply bear resemblance to whatever animal they were supposed to be, such as there was the use (again) of an all-star cast. It frequently makes fun of the fact that many of the cast do not speak in an English accent, though the American actor playing Alice does. The film, however, has beautiful cinematography and visionary effects. The early sequence in the library seems like the Halmis are trying to out-Gulliver their adaptation of Book III of Gulliver's Travels. The extreme visuals begin with the giant metronome at the beginning and carry all sorts of wonderful metaphor. Odd jump cuts and strange reflections don't look like goofs, but contribute to weirdness. A storm like _The Neverending Story_'s Nothing forces her to move on in her dream world to escape. The sped-up photography for the White Rabbit seems a nod to _El Gatto con Botas_, and of course, it's tied together like MGM's version of _The Wizard of Oz_. Like all films of these books, it has good elements and poorly handled elements, and certainly there is no definitive version, but this is one of the more interesting ones.

I have seen the film it was shown over the easter weekend here and it's great i have seen many of the different versions when I was a child but this one is great the puppets and special effects in just two hours they managed to get two books in and it wasn't that much different to the version made in the 1970's except that one was musical,but it's just the same except for the new bits added on to the story.