Mariage à l'anglaise

This Year's Love was released at a time in the fit of madness that followed Four Weddings And A Funeral, when everyone was desperate to rush out their very British romantic comedies. This Year's Love sadly got lumped it with all of these (generally poor) movies, which is a pity because it's one of the finest British films of the nineties.

It's not cute, although it does have charm. It's not a comedy, although there are some very funny bits in it. It's not particularly romantic, although it's probably a lot more honest about love than anything Richard Curtis has ever written. What it is is an example of the kind of movie Britain can do like almost nobody else: a small, dense, focused study of well-written characters being slowly destroyed by their own flaws, unfolding gradually like a really great novel. It's dense and meaty and thoughtful and sad, and essential viewing for anyone who's left cold by the more treacle vision of the Four Weddings... school of movie-making.

It does have a frantic dash to the airport at the end, I must admit. Although even that defies normal expectations.

I hope those who were enticed by the rather crass UK television promotion of This Years Love weren't disappointed by what was actually quite a well structured romp through a north London location as yet theatrically free of cliched gangsters or bright red buses. I was particularly impressed by the nerve of suggesting that somewhere outside Alba should be inhabited by more than one Scot! Come on! They're everywhere. In hoards! Those not in the know may also have been taken in by the "fat bird" lines of Dame Kathy Burke. Don't be fooled. Look out for her canonisation before the end of the year.

Words that fill me with dread: 'A Joel Schumacher Film' obviously, 'A Romatic Comedy from London', equally horrid. Yet finally someone has got it right - not Joel Schumacher of course.

Peter Kane's salty comedy is something quite new, an unsentimental, contemporary La Ronde set in Camden Lock. His bone dry script is adorned by a magic cast, not least the indomitable Kathy Burke, who is surely now England's greatest treasure. There is a real courage here, no corners are cut and no easy, neat solutions are adopted. If we are a little disgusted by the smugness of the artsy characters it is more than compensated for by their terrible sadness. Very human, very witty and beamed in from a different galaxy from the one that Hugh Grant inhabits.

This Year's Love follows the (love) lives of 6 inhabitants of London's Camden area.

The movie starts a bit like Four Weddings and A Funeral. Two people in bed wake up, lay there for a moment, then realise that they're late for a wedding. The only difference is that it's their wedding!

After getting spliced, they go off to the reception. 35 minutes into wedded bliss, the groom Danny, is told by a guest that his new wife had sex with the best man. Danny confronts Hannah and blows his top before leaving.

So begins two years of "swapping" between the 6 characters.

Kathy Burke, veteran of comedy from her Harry Enfield days, plays the best character - Mary - a self proclaimed "fat bird" who is surprised at the attentions she gets from the 3 men.

Hannah is played by the gorgeous Catherine McCormack, previously seen in Braveheart. In the second section of the film, two years on from the wedding, she is flatmate to Ian Hart's emotionally (and a bit mentally) unstable character. She meets, and is seduced by, Emily Woof (from The Full Monty). Ian Hart, thinking that he stands a chance with Hannah, tries to commit suicide when her walks in on the two girls in bed.

The performances from the main cast are fine throughout and the film, whilst not being a laugh-a-minute comedy, certainly has its funny scenes. The nomadic Cameron meets his current girlfriend Sophie's rich parents and advises her father that he's not usually not too choosy about his women, in fact he'd "f*** a barber's floor".

This Year's Love is a film that will not attain the heights of other recent Brit-flicks like The Full Monty and Lock, Stock and Two Smoking Barrels, but still deserves its place amongst the Top 10 of the last few years' best British Independent movies.

found this film by mistake and wasn't expecting much, but was pleasantly surprised, a real gem of a movie. Cathy Burke singing was a surprise and she wasn't that bad, The characters were realistic and I know the area well so can attest to this, happy endings were not mandatory in this film which makes it more poignant. Could imagine another film with these characters being made five years down the line and still holding our interest. Dougray Scott was surprisingly attractive even with greasy hair, he showed a good understanding of the character. All in all the actors in this film showed why British film-making is up there with the best.