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Featured reviews
Elizabeth Parsons has a rich husband and a young son. When she wakes up on their luxury yacht with blood everywhere and her husband nowhere to be found, she is suspected of his murder to get the life insurance. While serving 6 years, she discovers that her husband is very much alive. She learns that she can't be tried for his murder since she already has been, and begins to plan his death and how to get her husband back.
Despite that fact that the whole film is summed up in the title I decided to watch it anyway. So really there is very little drama for much of the film as we all know what she's doing and where the film is going. The plot could have been lifted from any number of video thrillers - all it needed was a little nudity and it could have been an erotic thriller for late night TV! As it stood, the bigger budget, higher production values and bigger stars helped the film actually rise a little above the material and seem to be much glossier and impressive than it actually was. The stunts and effects worked well and the direction was of a higher calibre than you'd see on the bottom shelf, but it is still a very ordinary thriller if you strip all the polish away.
The cast try hard but they have little to work with. An unnecessary role from Tommy Lee Jones helps keep the film's pace up by turning it into a cat and mouse chase of sorts, but mostly it is pretty dull. Judd is OK in the lead but doesn't do anything to justify her fee I reckon. Support from Mafia is so lame that it looks like she is almost falling asleep while giving her lines! The film relies on pace and tension which it mostly gets by flipping cars around for little reason and for putting Elizabeth in slightly (!) unlikely situations then getting her out of them. The legal interest in the plot actually falls to pieces when you think about it, but the film is clever enough never to take it's central idea further than a few lines of dialogue before rendering the argument null and void.
Overall I was struck by just how ordinary and dull the whole film was. If I had seen this film as a low budget video thriller I still wouldn't have liked it but I may have accepted it for what it is. This film just exposed it's own weaknesses by virtue of pushing to be a product much grander than it's plot deserved.
Despite that fact that the whole film is summed up in the title I decided to watch it anyway. So really there is very little drama for much of the film as we all know what she's doing and where the film is going. The plot could have been lifted from any number of video thrillers - all it needed was a little nudity and it could have been an erotic thriller for late night TV! As it stood, the bigger budget, higher production values and bigger stars helped the film actually rise a little above the material and seem to be much glossier and impressive than it actually was. The stunts and effects worked well and the direction was of a higher calibre than you'd see on the bottom shelf, but it is still a very ordinary thriller if you strip all the polish away.
The cast try hard but they have little to work with. An unnecessary role from Tommy Lee Jones helps keep the film's pace up by turning it into a cat and mouse chase of sorts, but mostly it is pretty dull. Judd is OK in the lead but doesn't do anything to justify her fee I reckon. Support from Mafia is so lame that it looks like she is almost falling asleep while giving her lines! The film relies on pace and tension which it mostly gets by flipping cars around for little reason and for putting Elizabeth in slightly (!) unlikely situations then getting her out of them. The legal interest in the plot actually falls to pieces when you think about it, but the film is clever enough never to take it's central idea further than a few lines of dialogue before rendering the argument null and void.
Overall I was struck by just how ordinary and dull the whole film was. If I had seen this film as a low budget video thriller I still wouldn't have liked it but I may have accepted it for what it is. This film just exposed it's own weaknesses by virtue of pushing to be a product much grander than it's plot deserved.
Double Jeopardy is an interesting enough thriller, but it just isn't as satisfying as you would expect a movie with this premise to be. Ashley Judd is just annoying for the first hour or so of the film, and it isn't until the fugitive style chase begins that the movie gets really interesting. And this, of course, is where Tommy Lee's excellent acting is the most entertaining and fun. He has unfortunately been somewhat typecast since his spectacular performance in The Fugitive, but at least he has been typecast in a role that is always fun to watch and that he can always pull off excellently.
I think it's pointless to try to argue whether or not the whole double jeopardy law can truly be handled in the way that it was described in the film, but as a crime film Double Jeopardy was pretty good. Judd's husband in the film is one of those characters that's easy to hate, and not only because of what he did in the movie. You just look at this guy and you immediately don't like him. That's good casting, but it also completely voided any effectiveness that his `auction' might ever have had. And how about that coffin scene! Who cares that no one gets buried in a coffin that has plenty of room for two! That was one of the creepiest things I've seen in a movie in years.
Clearly, there is nothing spectacular about Double Jeopardy. It's not going to win any awards and it probably won't be remembered for very long. But it has a certain charm that can unfortunately only be appreciated if you're in the right state of mind when you watch it. Don't expect it to be as good as The Fugitive just because Tommy Lee Jones is in it (really, are any movies as good as The Fugitive?). I mean, let's face it, Double Jeopardy isn't even as good as Under Siege, but as far as a moderately entertaining crime thriller to kill a couple hours, you could definitely do a lot worse.
I think it's pointless to try to argue whether or not the whole double jeopardy law can truly be handled in the way that it was described in the film, but as a crime film Double Jeopardy was pretty good. Judd's husband in the film is one of those characters that's easy to hate, and not only because of what he did in the movie. You just look at this guy and you immediately don't like him. That's good casting, but it also completely voided any effectiveness that his `auction' might ever have had. And how about that coffin scene! Who cares that no one gets buried in a coffin that has plenty of room for two! That was one of the creepiest things I've seen in a movie in years.
Clearly, there is nothing spectacular about Double Jeopardy. It's not going to win any awards and it probably won't be remembered for very long. But it has a certain charm that can unfortunately only be appreciated if you're in the right state of mind when you watch it. Don't expect it to be as good as The Fugitive just because Tommy Lee Jones is in it (really, are any movies as good as The Fugitive?). I mean, let's face it, Double Jeopardy isn't even as good as Under Siege, but as far as a moderately entertaining crime thriller to kill a couple hours, you could definitely do a lot worse.
If you listen to the critics who knows where we would be. I
ignored the comments that this was another Fugitive only a female version, but found the movie fast paced and well acted by Tommy Lee Jones and Ashley Judd, as well as the whole cast. I liked the story line and it was exciting and the time just flew by. Go see it you will enjoy it!!!!
ignored the comments that this was another Fugitive only a female version, but found the movie fast paced and well acted by Tommy Lee Jones and Ashley Judd, as well as the whole cast. I liked the story line and it was exciting and the time just flew by. Go see it you will enjoy it!!!!
Double Jeopardy actually seemed like my sort of film, and when I finally saw it I thought it was enjoyable. It is far from flawless, although the premise was interesting the story itself has some credibility lapses and has a lot of derivative elements. The film has the odd draggy moment and the characters are rather clichéd. On the other hand, Double Jeopardy looks wonderful, with striking scenery and stylish photography and editing. The music is not too generic either and it helps the atmosphere, and the script is well paced and sharp. Double Jeopardy is also well directed and Tommy Lee Jones and Ashley Judd give great lead performances, and although the rest of the characters aren't as interesting or as well written, effort is done both in written and performance quality to make them credible. Overall, an enjoyable film. 7/10 Bethany Cox
Despite all the flaws in logic and legal proceedings, Ashley Judd and Tommy Lee Jones make this movie an enjoyable watch. The premise is kind of ridiculous, but their charisma and performances keep you engaged. I'd actually forgotten a lot about this film since the first time I saw it, so it was fun to revisit it again.
Did you know
- TriviaJodie Foster landed the role of Libby after Meg Ryan and Brooke Shields both declined, but was replaced by Ashley Judd when Foster became pregnant.
- GoofsDouble jeopardy only applies to crimes tried by the same state or the federal government. If a murder occurred in a different state, it is tried independently of what may have occurred in another state. In practice, if it is discovered that the crime for which a person was convicted did not occur, the conviction would be vacated.
- Quotes
[Nick threatens Libby as Libby threatens him with the law of double jeopardy]
Nick Parsons: They're tough in Louisiana, Libby. You shoot me, they'll give you the gas chamber.
Libby Parsons: No they won't. It's called double jeopardy. I learned a few things in prison, Nick. I could shoot you in the middle of Mardi Gras and they can't touch me.
Travis Lehman: As an ex-law professor, I can assure you she is right.
- How long is Double Jeopardy?Powered by Alexa
Details
Box office
- Budget
- $70,000,000 (estimated)
- Gross US & Canada
- $116,741,558
- Opening weekend US & Canada
- $23,162,542
- Sep 26, 1999
- Gross worldwide
- $177,841,558
- Runtime1 hour 45 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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