The Criminal

I saw the Criminal on Palm Pictures VOD and i must say, while at first I was skeptical, I thought it was a fantastic movie that unwounded perfectly with many twists and turns along the way. Each scene gets better and better and the story only gets more confusing but in a way that works towards its advantage rather than the opposite. Once the movie ended, I was just stunned, in almost awe of the film I saw, for everything will come unraveling at the end and doing so in a fantastic way to boot.

The acting I admit was a bit mediocre. The main character was decent, but his acting wasn't award worthy by any standard. The other cops do an okay job as well, with the male police officer being the best, but overall this won't win any awards for acting (note to director: the American girl was awful! She shouldn't be allowed to act ever again!). However, what really wins over is the plot. It does a good job revealing little hints throughout the movie e.g. Usual Suspects to provide the viewer with a grasp of what's going on. But viewer be warned, when you think you know it all, you'll be in for a real surprise. Believe me, i thought this movie was going to be a real cookie cutter noir film. It's much more than that, you just have to be patient with it.

Is The Criminal the film of the decade? Probably not. But it's one hell of a ride. After thirty minutes in you'll be so immersed in the story you might forget all about the mediocre acting. With a great plot, intense action, and unbelievable suspense, The Criminal is one of those surprise films that should get recognized more in the states but probably won't. It's definitely more refreshing than the usual Michael Bay garbage we're used to here.

Okay, it may not have the budget of Enemy of the State, but Julian Simpson's first film was undeniably enjoyable nonetheless. The Criminal, withstanding a few minor glitches, is one of the most likeable British films I've seen in ages. I must admit that I am slightly biased as I love conspiracy films but this had all the right ingredients: the innocent everyman hero on the run, spies, femme fatales, plot twists etc. It occasionally felt as if some scenes could've been cut to quicken the pace, but as it is it's still very entertaining.

Bernard Hill, the Captain from Titanic, was brilliant as the foul-mouthed bad-tempered policeman, and Steven Mackintosh was believable as the everyman hero, without resulting to cliche's. The rest of the cast was made up with faces from TV, but this didn't matter as they were all great.

Beware all the positive reviews. Reading that this film bears any resemblance to a Guy Ritchie film made me cringe.

"Contrived" never described a film as perfectly as it does this one.

From laughable bad-cop antics, to pointless paranoid schizophrenics and finally to an brief and amateurish handling of serious political issues, "The Criminal" promises to fail to engage the mind of the sophisticated movie-watcher.

That said, "The Criminal" isn't terrible. For the most part, the acting is better than average, and there certainly isn't a lack of action. However the writing and directing are marginal at best. 4 out of 10.

"The Criminal" is a noirish Brit crime flick which tells of a man (Mackintosh) who is in the wrong place at the wrong time and finds himself as a murder suspect on the run from the police and a bunch of super secret underground heavies. A busy flick with little to offer save a bunch of running around, "The Criminal" suffers from low budgetness, a thin plot, lots of filler, and an awful ending. An okay time waster for the couch potato who can't find anything better. (+D)

Oh dear, British films, what happened? I saw this little slab of nastiness just under a year ago (Oct 99) and it still isn't out today (Oct 00) - and really it is no surprise. Debuting at the London Film Festival to lukewarm response, The Criminal appears to be a hark back to the dark days of late fifties Brit crim flicks where everyone got in too deep for their own good and co-incidentally came across a superfluous American character to help the thing get distributed in the US. Only this boy's been watching too many Brit gangster films. Although a cinematographically a worthy first pop by the debut director, the story is a seen-it-all-before-with-bells-on stab at a conspiracy theory movie with one minor exception...whereas you'll normally side with the beleagured protagonist in this genre, ten minutes in and you really stop caring what happens to the unsympathetic little git. For most people, the chance to see Eddie Izzard in a straight role will be the main bait, but even he's dead ropy in it, and all in all this spiteful little drain on a couple of hours of your life really isn't worth missing the soaps for. Be warned - if the police are stationed in a building that plush and majestic there really must be something dodgy going on.