An alcoholic American couple travel to Ireland with their son so he can meet his grandmother but they walk in on their crazed uncle who is in the midst of reviving a centuries-old Druid witc... Read allAn alcoholic American couple travel to Ireland with their son so he can meet his grandmother but they walk in on their crazed uncle who is in the midst of reviving a centuries-old Druid witch.An alcoholic American couple travel to Ireland with their son so he can meet his grandmother but they walk in on their crazed uncle who is in the midst of reviving a centuries-old Druid witch.
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The director made one of the best "Hamlets." This is a non-trivial achievement. It was not particularly adventuresome visually, but it really worked for me. How in the world he turned Julia Stiles into an effective Cordelia is a wonderful mystery. Bill Murray turned inside out. Wow.
The lead actress here blew me away in "Wings of the Dove," and does every time I see it.
The effect of this on me was unexpected. It is not generally liked, because not much transformative happens. Christopher Walken has a small role in the middle is oddly bad. If you think of it as a genre film, it simply fails because it touches the bases from unexpected but uninteresting directions and sometimes not at all.
But I liked some elements of the story. Nominally it is a "Curse of the Mummy" sort of thing.
However, you can approach this as a "Naked Lunch" sort of thing. We have the guy who is the writer. He and his wife are substance abusers of a high degree. Her name is Nora, a name that carries huge associations from James Joyce. Predictably, his name is Jim. Together they booze into an alternative story, in Ireland of course, situating deep in the bog.
Its about sex, magic and story. Each of James and Nora has a doppelganger. In Jim's case it is his son, also Jim who is our designated observer. In Nora's case, it is a magical being with hypnotic sexual powers. Much is made of the relationship between this sort of addictive sex and creation. Natch.
The guide through this wonderland is a newly pubescent girl named Alice. There are characters that surround these, but they are there only to explain things to us. Walken's character has the most overt and ridiculous lines.
So you can see that the shape is pretty well imagined. And in fact it maps almost directly to the sort of thinking used to reimagine an film Hamlet as a film student. But that shape is wasted on what in all other respects is a bad movie. Nora here is not redheaded except in the most sexually charged scenes where a red light is used.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
But instead of a mummy we have a witch.
And instead of Egypt it's Ireland.
And instead of being good, its terrible.
Starring Christopher Walken and Jared Harris, even a decent cast couldn't turn this one around.
The plot is thoroughly confuddled, the script is dire and the only thing that the movie has going for it is the finale but even that is recycled.
The Eternal (Otherwise known as Trance) is a hard one to pigeon hole. It's not exactly a traditional horror, more a supernatural thriller maybe?
One thing is for sure, the movie isn't as smart as the creators clearly thought it was and falls under the category of instantly forgettable.
The Good:
Walken and Harris do fine
The Bad:
Messy score/soundtrack
Walken is wasted
Things I Learnt From This Movie:
Getting knocked out twice within the space of a few minutes has to have a lasting impact right?
This is Gothic horror in the modern day and struck me as a Hammer flick if it were released in more current times. Alison Elliott is fetching in the starring role of the alcoholic wife. You can tell she has a sweet figure, but you'll only catch a glimpse here or there (not that I'd want to see nudity or sleaze; I'm just saying that there's a way to film beautiful women like Alison and this movie doesn't deliver enough on this front, but it does a bit).
"THE ETERNAL" is not your typical modern horror schlock. It doesn't shoot for conventional horror and gore, but it IS pretty creepy in a Gothic sense. I saw "Big Bad Wolf" (2006) before I viewed this one and, although "Big Bad Wolf" is thrilling and ultra-gory, it's not scary, mainly because the filmmakers & cast cop a semi-campy vibe. "THE ETERNAL," by contrast, plays it completely straight and the foggy Irish moors & centuries-old mansion add to the haunting ambiance.
There's also a quality soundtrack with a few stand-out alternative rock numbers, like the one that plays during the end credits, "My Head Becomes the Sky" by Tara Baoth Mooney.
Anyway, there's a Gothic beauty to the movie, which makes it a pleasure just to watch even if the story is "sluggish," as some criticize. It's clear that the writer/director was aiming for art more than common horror thrills. I'd compare it to "The Mothman Prophecies" (2002) in this sense, albeit not as good. It was limited by an obvious modest budget, which shows through here and there with awkward, amateurish filmmaking.
After viewing, I reflected on the seemingly nonsensical story, particularly the perplexing events in the third act, and certain things started to make sense: This is only a story about a Druid witch coming back to life on the surface; and all that might be figurative. It's really about a woman in bondage to alcoholism who comes face-to-face with her lower nature, her self-destructive side (her "id" or "flesh"), not to mention confronting her incestuous uncle, and trying to prevail. Going back to her heritage, her roots, enables her to see WHY she turned to alcohol for succor in the first place.
In essence, this is a Gothic tale about the purging of one's fleshly demons.
The film runs 95 minutes and was shot in Connemara & Dublin, Ireland; New York; and Miami Beach, Florida.
GRADE: B-/C+
What does this movie have going for it? Pretty much nothing, unless you get entertainment out of watching Christopher Walken, who is capable of being brilliant, put so little effort into his acting that he falls into self-parody mode (WHY did he decide to do this film anyway?).
I give this film 3/10, because, God help us, there actually have been worse movies made before.
Did you know
- TriviaPrior to hiring Michael Almereyda, Trimark paid a substantial amount of money to secure the rights to Bram Stoker's 'The Jewel of Seven Stars' without realizing the novel was in the public domain.
- GoofsAll entries contain spoilers
- Quotes
[first lines]
Alice: In the beginning of the world, the earth and the sky were one creature, and it was the hardest thing to tear them apart. They loved each other so much. And that's why it rains. Because the earth and the sky are always trying to get back together. Mrs. Ferriter told me that, after my mother died, a long time ago, before I met Nora and Jim.
- ConnectionsReferences L'homme qui valait 3 milliards (1974)
- SoundtracksShe was a Good Looking Woman
Written by Albert Hammond (as Hammond) and Mike Hazlewood (as Hazelwood)
Performed by Joe Dolan
courtesy of Castle Copyrights Ltd
by arrangement with Celebrity Licensing
published by Chrysalis Music
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Box office
- Budget
- $4,000,000 (estimated)