West Beyrouth

Well you certainly don't become an expert on Late 20th century Lebanese politics by watching this movie. But for those of us with an outside interest and a yawning gap of understanding and knowledge, this movie is superb "edutainment". It both educates and entertains.

The transition of the civil war through the eyes of these youngsters, as the movie goes on is moving. It starts off more or less as an adventure. It takes time to dawn on the characters that the civil war is tearing their lives apart.

The family debates about whether to stay or go are very moving. We know many people in the Lebanese community here in the UK, many of them (or their parents) must have gone through those heart-wrenching decisions back then.

The "romance" between the Muslim boy(s) and the Christian girl is also moving. It avoids the trap of descending into a Levantine Romeo & Juliet, however it seems a shame that the girl seems to just drift out of the story-line just at the point that we are all falling in love with her!

See it, it will be worth it.

Thank God for IFC and the Sundance Channel here in the U.S. Without these two channels, there are so many films that I otherwise would never have known about less alone actually watched: especially living in the heart of Los Angeles, Studio Capital of the World. I was lucky enough though to stumble upon West Beirut and I just fell in love with it. Somebody in the user comments section said that it was "a very beautiful and funny film if you are arabic", but I'd have to strongly disagree because as a westerner and and an american I found it perhaps even more funny and beautiful as a result of where I come from. Not to get into politics, but it's kind of hard not to, it is so refreshing and wonderful and eye opening to see a film with arab characters in their homeland living their lives the way they really did and would instead of only knowing that part of the world from the violence that is constantly strewn about on the evening news and the constant 'propaganda machine' of american media which seems to be totally controlled and run nowadays by corporations and pharmaceutical companies. This movie, for me, just reinforced the idea that we are all alike no matter where we live on this planet and I find it sad to think that the only way I have to find out and appreciate a history lesson on Beirut or the life of the lebanese is through a film. Being an american, if you listen to our government at all, it would be a really bad idea to travel to the middle east. And so without films like this, it would be impossible for me to experience the oneness of all of us or a glimpse of a country and it's culture. What a beautiful idea it would be to cut out the Bush administration and all the other governments for a month out of the year and allow everyone from each country to go and look at the other side. I think we'd all benefit strongly. Until then, I'll thank movies like West Beirut for being made and allowing me the luxury of being part of another world for a couple of hours.

A great film.

West Beiruth is an excellent film. It reveals the true image of the civil war in Lebanon, through the eyes and adventures of two young friends, on the way to their adulthood. Experiencing love, friendship, a split society, and the horrors of war. West Beiruth is not a high budget movie, but it is very good in Directing, cinematography, script and acting. I would very much recommend it to everybody. It is a must see.

Ziad Doueiri, whose credentials as a cameraman include "Pulp Fiction" and "Jackie Brown", crafts one of the most memorable directorial debuts of the 90's in this coming of age tale set in Beirut in 1975 after the civil war breaks out. The film is a remarkably realistic (and obviously autobiographical) portrayal of a Beirut at the time as well as the numerous social and religious rifts in Lebanese culture, but is mostly focused on the experiences of three teenagers, Tarek (the main character, played by the director's brother Rami), Omar (his friend), and May, a Christian girl who recently moved to Beirut.

That is what makes this film completely unique among those centered on Middle Eastern political and relgious issues, that it uses three young characters who are just beginning to explore life and sex to look at the issues that keep Lebanon so fractured to this day. It's through their relatively innocent eyes that much of the ugliness of war is portrayed in the film, and the scenes with them are far more affecting than those with Tarek's parents or any of the other supporting characters simply because Doueiri expertly captures the initial playfulness of their movement through the city and how naive their view of war is, only for them to slowly realize how serious the situation is (at one point Omar and Tarek join in a rally without knowing the implications of what they were calling for, only for the rally to be attacked by militants. The group's innocence is completely lost in a remarkable scene where the three attempt to get a Super 8 film developed only to come across a group of fervent Islamist militants, who capture them and are literally seconds away from discovering the cross May wears around her neck, the equivalent of a death sentence at the time, before Omar talks them into releasing the three. Doueiri claims this incident actually occurred.

Doueiri's style is loose and liberated, obviously influenced by the French New Wave and featuring excellent use of hand-held camera. Anyone expecting a concise, tight narrative will be disappointed, as "West Beyrouth" (the title is a reflection of how frequently and interchangeably French and English are used in Lebanon in place of Arabic) is a loosely-knit, episodic sort of film which suits the nature of its story very well.

What is really refreshing about this film is that it has absolutely no political agenda to push, it is purely about the characters and about how normal citizens are affected by this sort of guerrilla warfare. The film is remarkably human in its approach and execution, never attempting to be a tear-jerker and always maintaining a sense of humor (not one always well-captured by the English subtitles, which are otherwise serviceable), which only makes the drama seem more real when it does occur, not that much of this film is fiction. An outstanding debut from a gifted director.

9/10

Having lived in North America my entire life, and only seeing the rest of the world through movies, books, and TV, I confess I have no experience of what the world is like when your home is a battlefield, especially in places like the Balkans and the Middle East, which have been sources of strife for several centuries. For many, of course, it's a source of tragedy. But what about those who may live on the edge of conflict, but aren't directly involved? For those who the challenge is simply to fit your day to day life around the war? HOPE AND GLORY was a film like that, though it was also about a little boy who could of course only see school was out, and WEST BEIRUT is like that as well; in fact, it retains the child-like view of HOPE AND GLORY but balances it with the adult viewpoint.

Writer-director Ziad Doueiri isn't interested in making a tract about the Lebanese Civil War(though he doesn't slight from its horrors, as in its opening scene of the bus massacre), but rather picking up the details of everyday life there. If there's a message, and Doueiri refreshingly doesn't hammer us over the head with one, it seems to be this; you do what you can. That's the attitude of the father of the main character Tarak; when both his wife and his son want to leave, he reminds them they really have no place else to go, these things have happened before, but they will stop, and life will go on. You can even find humor in your existence(as when Tarak escapes a battle by hiding in a car, which then takes him to what he thinks is a group of guerrillas but turns out to be something else entirely).

Doueiri, who was the second-unit cameraman on every film Quentin Tarantino directed, not only shows his visual flair, but also tells a compelling story, although with a few slow spots, and while the main characters are teens coming of age, we see the adult point of view as well; sometimes it's mocked(when Tarak's friend Omar complains his father thinks all Western culture is the devil's work, Tarak replies, puzzled, "How does Paul Anka come from Satan?"), but mostly it's taken seriously, and that, I think, helps make this a good film. Doueiri and his brother Rami(who plays Tarak) are ones to watch.