Went to Coney Island on a Mission from God... Be Back by Five

"Went...", a downer drama with a spritz of humor, tells the tale of two of a trio of young men who grew up together in school days off to Coney Island in search of their wayward, homeless comrad. The story proceeds in preset day using interleaved flashbacks in a clumsy attempt to develop characters and story and trite aphorisms to lend credence to a weak plot with no payoff. The film has poor technical execution, the look of a super 8mm shoot, bad makeup, and general mediocrity in art, acting, and directing and conjures up more sympathy for the actors than the characters. Very forgettable.

This movie, which I just discovered at the video store, has apparently sit around for a couple of years without a distributor. It's easy to see why. The story of two friends living in New York searching for their pal from high school who is now living homeless under the boardwalk at Coney Island, has flashes of being a very good film, but ultimately is weighted down by the story focusing on Stan and Daniel, rather than on their homeless friend Richie. Cryer is as usual very good and the film has a nice stark look to it, with the ghostly images of Coney Island. However, writer Cryer and director Richard Schenkman are too busy dealing with the fairly uninteresting lives of Stan and Daniel rather than focusing on Richie. One flashback in a music store, where Richie has a crush on an employee stands out and really shows the viewer where this film could have gone. But in the end, not much. Two many drawn out scenes of annoyance, such as inside the Skeeball building. RATING 4 out of 10.

If you are looking for a happy of fun film, then by all means do not watch "Went to Coney Island on a Mission from God...Be Back by Five". While it has a few funny moments, the film also has a dark tone and much about it might leave you feeling a bit depressed. Unlike most films, however, it isn't afraid to tackle depressing subjects and simply accept that there might be nothing you can do to change things...and that is also one of the film's strengths.

The story begins with a prologue...showing what life was like for three kids growing up in New York City as well as how they met and how they drifted apart. Now, a decade has passed and Stan (Rick Stear) seeks out his friend Daniel (Jon Cryer) because their old pal, Richie (Rafael Báez) disappeared some time ago and Stan heard a rumor that Richie might be hanging out around Coney Island. So the pair of very unlike friends go to Coney on a most unlikey day...it's cold, it's overcast and it's practically empty. And, they spend the day meeting odd characters and following leads that might take them to Richie...who is now apparently homeless and mentally ill.

I appreciated the film mostly towards the end. Up until then, I was somewhat indifferent about it. But Richie's plight and mental health issues were handled so realistically that I had a lot of respect for the picture...especially in light of my own background as a social worker and psychotherapist. The writers got this part right....and didn't offer any trite ending where everything is magically resolved...like too many Hollywood films. In addition, the film featured some lovely performances and is well worth your time if you don't need explosions and action but value studies of people.

In my humble opinion: This movie is well written and has many funny moments where it lacks is the sound and the acting. Through out the entire movie the sound is icy cold with very little realistic background noise, such as the lack of ocean at Coney Island. There are exceptional moments in the film where the acting is quite remarkable but for the most part especially in Rick Stear's scenes the acting is defiantly lacking. The cinematography is also notably uninteresting which accounts for the slow nature of the films progression to an emotional end.

A movie with totally entertaining dialogue... conversations that leave you wondering if people really do talk to each other that way. Coney Island is a rarity in that it offers a peephole into the world of male friendships as well as a great reprieve from the sinking ships and apocalyptic explosions that litter the screens these days.