Sanctuary

The previous Mark Dacascos movie I watched—buddy kung fu flick Drive (1997)—was hugely entertaining nonsense, with a lightweight but fun plot, likable characters, and very impressive martial arts scenes; Sanctuary, made the following year, is the antithesis of that film, a joyless thriller that takes itself way too seriously, suffers from lifeless direction, and which completely wastes the extraordinary fighting skills of its star.

Dacascos plays CIA agent turned priest Luke Kovak, who finds himself pulled back into the violent world of black-ops espionage by his ex-boss Dyson (Alan Scarfe), who is keen to lay his hands on an incriminating tape that could prevent a senator from becoming security adviser at The Whitehouse. A confusing narrative structure that involves numerous dreary flashbacks, coupled with a plodding pace and a lack of martial arts makes Sanctuary a B-movie bore from start to finish.

I thought this was going to be an all action, shoot em up, kickin' arse type movie. This was totally the opposite. The movie kind of moves slow and lags behind at times. I expected a lot better from Mark Dacascos because I totally enjoyed the movie "Drive." I felt like it was beautifully well done and the action scenes were astounding. I don't get why this movie would be listed under "Action" because it hardly had any action in it. It was more of a "lite thriller" type movie. I felt like this film could've been much better. This movie is only for people who enjoy movies like this. If possible, I would highly recommend that you skip this Mark Dacascos entry, unless you're a big fan of him.

"...that this movie deserves a solid 7even." It offers the mainstream things that you would expect from a solid middle class Action-thriller.D The story centers around Luke Novak (protrayed by Mark dacascos), a former secret underground CIA killer who has escaped his past life as a killer, to lead a life as a peaceful priest, only to get caught up again with his past, upon meeting a former ally who asks his help. His former boss and his henchmen soon find out about his whereabouts and are starting a merciless vendetta against their former soldier...

The plot and the setting of the movie, plus the action displays a very solid atmosphere and entertainment.

The lead actor Mark Dacascos shows his versatility and demonstrates that he is more than simply just a Martial Artist, while exactly this aspect is actually his real talent which over the years hasn't been promoted for a greater main stream public. Yet in this case, and considering the Genre of being a dramatic Action thriller, this tiny little flaw can be overlooked, and be promoted into a solid B. The role of Luke fits remarkably well for Dacascos, since he seems to have a rather peaceful personality, and hence indicated in one of his interview that he intended to be a monk, something that really reflects that priest character that he displays.

Sanctuary is a movie that is worth buying. A Solid 7even...

I was surprised to find so low rates for this very interesting story, that could have been made so much more of, while instead the technical effects with splatter and murders galore are allowed to take over and dominate, which reduces every quality.

When a boy in Chicago gets his mother murdered in front of his eyes, he is taken care of by a kind of godfather, who educates him to a special agent and perfect assassination engine. He doesn't entirely agree with this kind of education, and although he sticks to his duties and does what must be done, he tries to get away to hide and find some alternative life, disappearing into Nepal and monasteries and eventually becomes a catholic priest, but his past catches him up, and he is involved in some very difficult operation with casualties, which ultimately turns him into an angry rebel. The film starts with his confession in Italy to some priests, and in the end of the film we return to see the results of this interview, which finishes off the story with a surprising but logical twist.

There are some very good scenes, especially when he finds sanctuary with Rachel among the loafers and homeless in a very basic camp under a bridge, and the first operation is carried out under great exciting stress, leading to the clever second operation, while it's the third that takes a critical turn, but ultimately provides a fine finale to this rahter inhuman story - like all spy stories usually are.

Mark Dacascos makes a convincing enough performance, his nervous face betrrays no unnecessary extra acting except tenseness and reminds you of both Mel Ferrer and Montgomery Clift, and the other actors are also good enough. The film is Canadian (Toronto) and consequently rather matter-of-fact and cool without other exaggerations than the extreme brutality and violence.

Luke Kovak is part of a covert group within the CIA that works on illegal black ops involving blackmail and assassinations. When his boss orders the murder of one of the team, Luke realises how expendable they all are and gets out (taking proof of their activities with him). He now lives as a priest until the group start to get close to tracking him down.

I'm a big fan of Dacascos, and I'm constantly at a loss as to why people like Seagal have had big hits but he remains very much part of the `direct to video' stable. This film has a pretty standard plot in that an ex-CIA agent is on the run from the very group that he was once part of. The plot is still passable, what it lacks in originality it makes up for by being pretty dark and gritty. The film has a few action scenes but these too manage to be quite dark and work the better for it, coming off as more than just the usual bangs for the sake of bangs.

The direction is pretty good and the use of a gritty film stock makes the dark subject matter feel a lot better for it. A downside is that Dacascos doesn't have too many chances to do his martial arts stuff, going for more traditional action instead. That said, he is still quite good in the lead role. Aside from being moody in the first bits of the film, he is actually quite charismatic despite his character. The rest of the support cast is not so good, they are workmanlike but there are a few really poor performances in there.

Parts of the film don't work that well, and this isn't a blockbuster or class act – it is just an above average video thriller. The flashbacks are a little confusing early on, and those that flashback to Luke's childhood are poor and too simplistic. Despite this I enjoyed the film – it isn't anything new but it has a good gritty feel and the dark nature of the film makes it feel a cut above the usual video thriller things.