IMDb RATING
4.4/10
2.5K
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Seven teenagers are stalked by a murderous clown while refurbishing an old opera house.Seven teenagers are stalked by a murderous clown while refurbishing an old opera house.Seven teenagers are stalked by a murderous clown while refurbishing an old opera house.
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A group of students are reopening a theater soon, so during Christmas vacation they volunteer to stay and get it into shape, but the theather was plagued with the horrible murder of its star attraction. And one of the students is that star's daughter. Will history repeat itself?
Creepy and eerie from start to finish with a nice setting for the action to take place and featuring compenent direction and good performances. What makes it work so well though is the strong characterization of its central character and the appealing supporting characters.
My rating: 8 out of 10.
Creepy and eerie from start to finish with a nice setting for the action to take place and featuring compenent direction and good performances. What makes it work so well though is the strong characterization of its central character and the appealing supporting characters.
My rating: 8 out of 10.
A fun movie. Although the last 20 minutes left me bored, the rest was very well done. Sarah Lassez does very well in the lead, she reminds me a lot of Julia Roberts. I enjoy movie's with clowns in them and this one might get under your skin. Decent acting and plot but as I stated before, the ending could have used a little more work.
Slasher films tended to go downhill after their popular run in the 80's. Occasionally, in the 90's, a worthy horror film would pop up, but with the release of 1996's blockbuster "SCREAM", the genre got the well deserved regain in popularity that it needed. However, with the late 90's horror film explosion, something was missing. The charm and effect of the 80's slasher was lost in the huge Hollywood budgets and hip young casts that have become fixtures of recent horror films.
"The Clown at Midnight" is an exception to this rule. With a relatively unknown cast of teens (the exception is "French Prince of Bel-Air) actress Tatayani Ali) and a foreboding setup, it manages to develop into a well crafted, well acted, creepy horror film that evokes the atmosphere and effectiveness of some of the best slashers of the 80's.
The plot centers around young Kate Williams (Sara Lassez), whose mother was brutally murdered in an opera house years before. Her and some of her classmates volunteer to clean up the same opera house to prepare it for their college music department. Well, needless to say, an unpleasant time awaits each of them as a killer dressed as a clown locks them in the downright creepy building and kills them in very grim ways.
The Good: The film looks great. The direction is sharp, the lighting perfect, and the film stock high quality. In fact, it looks better than some of the films that have made it into the theaters recently. The plot is interesting enough, and though each character is a cliché (the jock, the bitch, the brain) the actors pull them off quite well and make us connect to them. Better yet, they are actually teenagers and not thirty year olds trying to act like teenagers. Margot Kidder and Christopher Plummer also put in strong cameos and give the film a sense of credibility. What is interesting is that the most likable characters are disposed of in the most gruesome ways which does provide some slight emotional impact. As mentioned, the setting is creepy and very effective and the killer clown lurking around is unsettling. But what I liked most about the film is the atmosphere and the fact that it doesn't try to be anything other than a slasher film. There are no comedic undertones, no over-the-top characters, just pure stalk and slash very reminiscent of the 80's. It really is one of the better post-"Scream" slasher films that actually is extremely competent and enjoyable.
The Bad: Very little, actually. Clichés do abound and it really isn't THAT hard to figure out who the killer really is. We also know from the first frame who the surviving girl will be, so any early stalk scenes with her are ineffective because we know she won't die. The ending leaves a lot to be desired and seems rushed. There really could have been a longer chase sequence and the whole "Popcorn" inspired final minute were unnecessary because, again, we know how who will live. The are some gruesome deaths, but most of them are very tame. This probably won't please gore hounds.
It seems this film has become quite rare. As of now, it is only available on VHS and I don't think a DVD release is planned for anytime soon. But I highly recommend this film to you lovers of the 80's stalk and slash films because overall it is an well-made and enjoyable film.
My Grade: B+
"The Clown at Midnight" is an exception to this rule. With a relatively unknown cast of teens (the exception is "French Prince of Bel-Air) actress Tatayani Ali) and a foreboding setup, it manages to develop into a well crafted, well acted, creepy horror film that evokes the atmosphere and effectiveness of some of the best slashers of the 80's.
The plot centers around young Kate Williams (Sara Lassez), whose mother was brutally murdered in an opera house years before. Her and some of her classmates volunteer to clean up the same opera house to prepare it for their college music department. Well, needless to say, an unpleasant time awaits each of them as a killer dressed as a clown locks them in the downright creepy building and kills them in very grim ways.
The Good: The film looks great. The direction is sharp, the lighting perfect, and the film stock high quality. In fact, it looks better than some of the films that have made it into the theaters recently. The plot is interesting enough, and though each character is a cliché (the jock, the bitch, the brain) the actors pull them off quite well and make us connect to them. Better yet, they are actually teenagers and not thirty year olds trying to act like teenagers. Margot Kidder and Christopher Plummer also put in strong cameos and give the film a sense of credibility. What is interesting is that the most likable characters are disposed of in the most gruesome ways which does provide some slight emotional impact. As mentioned, the setting is creepy and very effective and the killer clown lurking around is unsettling. But what I liked most about the film is the atmosphere and the fact that it doesn't try to be anything other than a slasher film. There are no comedic undertones, no over-the-top characters, just pure stalk and slash very reminiscent of the 80's. It really is one of the better post-"Scream" slasher films that actually is extremely competent and enjoyable.
The Bad: Very little, actually. Clichés do abound and it really isn't THAT hard to figure out who the killer really is. We also know from the first frame who the surviving girl will be, so any early stalk scenes with her are ineffective because we know she won't die. The ending leaves a lot to be desired and seems rushed. There really could have been a longer chase sequence and the whole "Popcorn" inspired final minute were unnecessary because, again, we know how who will live. The are some gruesome deaths, but most of them are very tame. This probably won't please gore hounds.
It seems this film has become quite rare. As of now, it is only available on VHS and I don't think a DVD release is planned for anytime soon. But I highly recommend this film to you lovers of the 80's stalk and slash films because overall it is an well-made and enjoyable film.
My Grade: B+
Just a re-hash of 80's slasher movies with a "Phantom of the Opera" twist--and not much of a twist at that. Acting is terrible, script writing is terrible. It's too bad all the goofy characters weren't killed. Rent something else.
The opening to this film is exceptional...It delivers a very creepy atmosphere, that continues through the first death scene...The thought of a film set in an old theater, of course, gives this the Phantom of the Opera feel, but It really doesn't feel that way when watching it. The stalking scenes, are at times, silly and predictable...and should be able to be avoided by the character, but nonetheless, people got to die in horror movies.
Written by Kenneth J. Hall (Puppet Master, Blonde Heaven, Dr. Alien), it is not wonder there is some flaw to this. However, it really delivers more than one would expect from a DTV (direct to video) horror film.
My big Gripe! The use of the standard Horror movie characters: The Jock, The bitchy Princess, The black girl, The gay Guy, the creepy guy no one can figure out, the weird lesbo-type girl into the paranormal, and a dim-witted teacher....and of course the basket-case main character...They follow all the stereotypes for their characters, and it tends to sway from the story, and make utter nonesense.
Tatayan Ali, in my opinion is best performer in the film...Her death scene, however, leaves much to be desired (the girl just didn't Die well).
Corny, predicatable Dialouge, slow, but creepy paced...the film really isn't that bad...but I disagree with one review saying this is a HOrror film for true horror fans...It is a decent slasher, but nothing we haven't seen before....The end, was no big surprise...but I didn't quite figure out everything until almost the very end....
Enjoyable watch....I plan on watching it again...
7 out of 10
Written by Kenneth J. Hall (Puppet Master, Blonde Heaven, Dr. Alien), it is not wonder there is some flaw to this. However, it really delivers more than one would expect from a DTV (direct to video) horror film.
My big Gripe! The use of the standard Horror movie characters: The Jock, The bitchy Princess, The black girl, The gay Guy, the creepy guy no one can figure out, the weird lesbo-type girl into the paranormal, and a dim-witted teacher....and of course the basket-case main character...They follow all the stereotypes for their characters, and it tends to sway from the story, and make utter nonesense.
Tatayan Ali, in my opinion is best performer in the film...Her death scene, however, leaves much to be desired (the girl just didn't Die well).
Corny, predicatable Dialouge, slow, but creepy paced...the film really isn't that bad...but I disagree with one review saying this is a HOrror film for true horror fans...It is a decent slasher, but nothing we haven't seen before....The end, was no big surprise...but I didn't quite figure out everything until almost the very end....
Enjoyable watch....I plan on watching it again...
7 out of 10
Did you know
- TriviaFilmed on location at the Walker Theatre in Winnipeg, Manitoba, Canada. The theatre opened in 1907 and was designated a National Historic Site of Canada in 1991. It was renamed the Burton Cummings Theatre for the Performing Arts in 2002.
- GoofsAround 1 hour 18 Minutes in below corner the Boom mic is clearly visible.
- ConnectionsReferences La quatrième dimension (1959)
- How long is The Clown at Midnight?Powered by Alexa
Details
- Runtime1 hour 31 minutes
- Color
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