Howard is a mild-mannered young man who drives a truck for a commercial laundry. He's also a mother-obsessed psycho who picks up young female hitchhikers, rapes them, and kills them. As the ... Read allHoward is a mild-mannered young man who drives a truck for a commercial laundry. He's also a mother-obsessed psycho who picks up young female hitchhikers, rapes them, and kills them. As the bodies start to pile up, the police finally begin to investigate.Howard is a mild-mannered young man who drives a truck for a commercial laundry. He's also a mother-obsessed psycho who picks up young female hitchhikers, rapes them, and kills them. As the bodies start to pile up, the police finally begin to investigate.
John Yates
- Mr. Burke
- (as John Grant)
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- Writer
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A warped and demented mother's boy, Howard (Robert Gribbin) makes a habit of raping & killing various women hitchhikers. When the bodies mount up it's up to Captian Shaw of the Crescent P.D. (played by Russell Johnson, better known as the Proffesor from Gilligan's Island) to try to catch this deviant. The film is a tad on the tedious side (Howard picks up hitchhiker, rapes, kills, back to momma's for dinner, has flask backs to the murders, rinse & repeat) Of course interspersed with the Professor hamming it up.Their IS however one scene that deviates from the standard path that the movie sets up, it has a stereotypical flamboyant gay guy (aptly listed in the credits as 'gay boy') whom Howard picks up and is obviously used for misplaced comedic effect. Oh and a pregnancy sub-plot that comes out of nowhere and feels like it should be in a different movie completely, in this one it just felt like painful melodramatic filler. Given the subject matter and the fact that this is a low-budget exploitation movie, it's pretty tame going. For all it's faults (and there are a great many of them) the film isn't as bad as it is made out to be and i've seen worse. Russell Johnson himself makes the film watchable. If you lack a pretty high tolerance for these kind of low-budget films though I'd recommend that you steer clear.
My Grade: C-
Something Weird DVD Extras: 3 shorts: "the Hitch-Hiker", "Dangerous Strangers" & "the Cautious Twins"; A 27 minute tour of Box office International with Harry Novak circa 1992; Gallery of exploitation art with accompanying soundtrack (5 minutes, 19 seconds); Theatrical trailer; and 2 trailers for the other film on the DVD "Kidnapped Coeds" (one under it's alternative title of "Kidnapped Lover")
Eye Candy: Jacqueline Poseley gets topless; Jane Ratliff shows brief nipple
My Grade: C-
Something Weird DVD Extras: 3 shorts: "the Hitch-Hiker", "Dangerous Strangers" & "the Cautious Twins"; A 27 minute tour of Box office International with Harry Novak circa 1992; Gallery of exploitation art with accompanying soundtrack (5 minutes, 19 seconds); Theatrical trailer; and 2 trailers for the other film on the DVD "Kidnapped Coeds" (one under it's alternative title of "Kidnapped Lover")
Eye Candy: Jacqueline Poseley gets topless; Jane Ratliff shows brief nipple
As female runaways turn up dead in a town of Greater Los Angeles, the chief of police and his partner (Russell Johnson and Randy Echols) zero-in on an unassuming delivery man for a laundry cleaning business (Robert Gribbin).
"Hitch Hike to Hell" (1977) is a 'B' flick with a simple story and prosaic delivery featuring an antagonist reminiscent of Clark Kent and the police chief played by The Professor from Gilligan's Island.
Speaking of whom, the captain makes a reference to three serial killers that were popular at the time: The Zodiac Killer in San Francisco (who has never been identified), The Skid Row Slasher in Los Angeles (who turned out to be Vaughan Greenwood) and The Houston Mass Murderer, Dean Corll. Yet, the movie is actually loosely based on Edmund Kemper, The Co-ed Killer whose victims in 1972-1973 were six female students hitchhiking in the vicinity of Santa Cruz County, which is an hour's drive south of San Francisco.
The movie was originally advertised as a fun Crown International hot-chicks-and-cars flick, but it's nothing of the kind. Despite its modest budget and pedestrian technique, it's a serious take on a psychologically messed-up serial killer in which sympathy is worked up for the murderer. Don't get me wrong, there's no excuse for what Ed Kemper did in real-life or what the fictitious killer does here, but it all comes down to the consequences of serious mental-spiritual illness, not to mention a questionable relationship with one's mother.
The tone is similar to "Targets" meshed with "The Toolbox Murders." While it's easy to look down on these kinds of films, there are some well-done parts here that are respectable and even moving, such as the lieutenant's hesitancy about bringing children into a world where such wicked things happen. Then there's the climatic depiction of the shock/grief of the girl's mother, which is actually moving.
Russell Johnson's role in Gilligan's Island ended a decade before this, but he looks basically the same, just slightly older.
It runs 1 hour, 28 minutes, and was shot in Encino, Los Angeles, which is located 7-12 miles west of the iconic Hollywood Sign.
GRADE: B-
"Hitch Hike to Hell" (1977) is a 'B' flick with a simple story and prosaic delivery featuring an antagonist reminiscent of Clark Kent and the police chief played by The Professor from Gilligan's Island.
Speaking of whom, the captain makes a reference to three serial killers that were popular at the time: The Zodiac Killer in San Francisco (who has never been identified), The Skid Row Slasher in Los Angeles (who turned out to be Vaughan Greenwood) and The Houston Mass Murderer, Dean Corll. Yet, the movie is actually loosely based on Edmund Kemper, The Co-ed Killer whose victims in 1972-1973 were six female students hitchhiking in the vicinity of Santa Cruz County, which is an hour's drive south of San Francisco.
The movie was originally advertised as a fun Crown International hot-chicks-and-cars flick, but it's nothing of the kind. Despite its modest budget and pedestrian technique, it's a serious take on a psychologically messed-up serial killer in which sympathy is worked up for the murderer. Don't get me wrong, there's no excuse for what Ed Kemper did in real-life or what the fictitious killer does here, but it all comes down to the consequences of serious mental-spiritual illness, not to mention a questionable relationship with one's mother.
The tone is similar to "Targets" meshed with "The Toolbox Murders." While it's easy to look down on these kinds of films, there are some well-done parts here that are respectable and even moving, such as the lieutenant's hesitancy about bringing children into a world where such wicked things happen. Then there's the climatic depiction of the shock/grief of the girl's mother, which is actually moving.
Russell Johnson's role in Gilligan's Island ended a decade before this, but he looks basically the same, just slightly older.
It runs 1 hour, 28 minutes, and was shot in Encino, Los Angeles, which is located 7-12 miles west of the iconic Hollywood Sign.
GRADE: B-
Surprisingly , this film was pretty good. The acting was fine and the facial expressions of the lead character- Howard , was outstanding. The story of a social misfit at around 30 yrs. old, still tugging to Moms apron strings. A sister that ran away from home , causes torment to Howard , trying to protect his mother in perhaps the most sinister ways, involving Crescent City Ca. runaways. There were some fine, creative twists in this film , that entertained from start to finish. There was one particular scene with a not so ordinary runaway, that had me laughing hysterically. I do not want to give away the scene; I will keep quiet. The film , though not gory was still very watchable. There are some loose ends about Howards family that took away from the film, but it took away not much. The movie did allow for the expansion of some of the other character bios , but did not overdo it.The scenes where folks were supposed to have violence inflicted, were not done well;Reminding me somewhat of the 'Batman' show of the mid 60's. I think the film wanted those scenes to be a little spoofy on purpose. Russell Johnson of Gilligan fame was the only actor of note. The rest of the cast was more than acceptable . This film passes with high marks, in my opinion.
Hi and welcome to my review of Hitch Hike To Hell - 1983
What with a splendid title like this, it would have been hard to keep it from my B-Movie and Horror radars. If you're a loyal fan of these genres, then the title will attract you to your doom, like a moth to a flame. Surprisingly Hitch Hike To Hell turned out to be an entertaining, though mildly annoying, watch.
The story gets a 1 out of 2: John Buckley does his best to convey an Ed Gein psychopath to the screen. If weren't for Robert Gribben's over the top portrayal of him, it would have been a competent representation. Hitch Hike To Hell is the story of Howard. Howard is a Momma's Boy. When he gets ill, Mother's there to squeeze his hand. When Howard has trouble at work, Mommy jumps to his aid. Even when he has nightmares, she will get into bed with him for a supportive cuddle. These affections wouldn't be too harmful if Howard were a child, but he's an adult. All of this over devotion and care has given Howard a misconstrued idea of love. Though he merely wants to help, which is his true nature, when he learns the Hitch Hikers are runaways who don't love their Mothers, he loses control and punishes them. His actions are further supported in his mind because his own sister abandoned his Mother. Therefore, every hiker he punishes assumes her face in his cracked mind.
Here's the chief drawback though, even though the film deals with rape and murder, it's a little too light. The flippancy becomes particularly evident when an eleven-year-old girl runs away from home. We see her jump into the van, and we begin to hope and wonder if this story will follow a more sinister path? It's here I realised precisely how upbeat the film is. Now I don't know if this is down to the story or the direction. Because of this crucial moment, I think the film needed to be a tad darker in outlook.
The Direction and Pace receive a 2.25 out of 4: Irvin Berwick could have decided to keep the feeling light as it would help to portray Howard in a more human light, which it does. We know he's the killer, but the upbeat feel helps prove him to be the bumbling, unsure, nervous, yet kind man he is to everybody... until the switch is flipped in his mind, and the beast is released. This merry feel provides interest and engagement for the audience, and the speedy pace keeps the story moving happily along.
Though Berwick tries to capture some iconic and disturbing imagery, it falls short. The best of these is after Howard's first kill. He opens the vans rear doors and kicks the lifeless body into the dirt. Berwick shoots this from a distance, and we see the wasteland behind an abandoned building. It's a splendid shot and adds a depth of despair to the proceeding. But it all too quickly disappears. For the most part, the filming is standard and average. It's the tempo and story which kept me watching.
The Acting gets a 1 out of 2: For the most part, the cast is more than suitable for their roles. I especially liked Russell Johnson and Randy Echols as the two detectives on the case. Johnson does well as the driven Cpt. Shaw, while subordinate Lt. Davis, is shown experiencing his own personal issues with the job.
Sadly, it's the lead of Howard Martin that lets the whole film down. Robert Gribbin wasn't the correct choice for this psycho. He's passable as the calm and bumbling Howard. However, this too could have been handled better. It's when poor Howard enters beast-mode that Gribbin losses all control. Gribbin oversells every aspect of his meltdown. Howard's twitching is too pronounced. His mental breakdowns are excessively loud and visible. These inevitably caused me to cringe and laugh when they happened. That reaction is not a good thing, especially when the film is supposed to be serious.
And, my Enjoyment level hits a 1.25 out of 2: That said, even though Gribbin deserves a raspberry for this role. The story, the direction, and the other actors and actresses nevertheless made it enjoyable for me. For a B-Movie shocker come exploitation flick, there's not much exploitation or shock. But it does possess something. And, in the end, I felt a tad guilty at finding the movie more enjoyable than thought-provoking. But, hey, it made me smile, and that's not an undesirable thing.
Hence, Hitch Hike To Hell receives a total rating of 5.25 out of 10: If you love your B-movies and Chillers, then I'd say give Hitch Hike To Hell a try. Hell, I may even watch it again... and guilt-trip myself for doing so. Guess I'll have to put this in my Guilty Pleasures list.
Stick out your thumb and hitchhike on over to my Killer Thriller Chillers, The Game Is Afoot, and Guilty Pleasures lists to see where Howard and his Momma landed in my rankings.
Take Care & Stay Well. Get Inoculated.
What with a splendid title like this, it would have been hard to keep it from my B-Movie and Horror radars. If you're a loyal fan of these genres, then the title will attract you to your doom, like a moth to a flame. Surprisingly Hitch Hike To Hell turned out to be an entertaining, though mildly annoying, watch.
The story gets a 1 out of 2: John Buckley does his best to convey an Ed Gein psychopath to the screen. If weren't for Robert Gribben's over the top portrayal of him, it would have been a competent representation. Hitch Hike To Hell is the story of Howard. Howard is a Momma's Boy. When he gets ill, Mother's there to squeeze his hand. When Howard has trouble at work, Mommy jumps to his aid. Even when he has nightmares, she will get into bed with him for a supportive cuddle. These affections wouldn't be too harmful if Howard were a child, but he's an adult. All of this over devotion and care has given Howard a misconstrued idea of love. Though he merely wants to help, which is his true nature, when he learns the Hitch Hikers are runaways who don't love their Mothers, he loses control and punishes them. His actions are further supported in his mind because his own sister abandoned his Mother. Therefore, every hiker he punishes assumes her face in his cracked mind.
Here's the chief drawback though, even though the film deals with rape and murder, it's a little too light. The flippancy becomes particularly evident when an eleven-year-old girl runs away from home. We see her jump into the van, and we begin to hope and wonder if this story will follow a more sinister path? It's here I realised precisely how upbeat the film is. Now I don't know if this is down to the story or the direction. Because of this crucial moment, I think the film needed to be a tad darker in outlook.
The Direction and Pace receive a 2.25 out of 4: Irvin Berwick could have decided to keep the feeling light as it would help to portray Howard in a more human light, which it does. We know he's the killer, but the upbeat feel helps prove him to be the bumbling, unsure, nervous, yet kind man he is to everybody... until the switch is flipped in his mind, and the beast is released. This merry feel provides interest and engagement for the audience, and the speedy pace keeps the story moving happily along.
Though Berwick tries to capture some iconic and disturbing imagery, it falls short. The best of these is after Howard's first kill. He opens the vans rear doors and kicks the lifeless body into the dirt. Berwick shoots this from a distance, and we see the wasteland behind an abandoned building. It's a splendid shot and adds a depth of despair to the proceeding. But it all too quickly disappears. For the most part, the filming is standard and average. It's the tempo and story which kept me watching.
The Acting gets a 1 out of 2: For the most part, the cast is more than suitable for their roles. I especially liked Russell Johnson and Randy Echols as the two detectives on the case. Johnson does well as the driven Cpt. Shaw, while subordinate Lt. Davis, is shown experiencing his own personal issues with the job.
Sadly, it's the lead of Howard Martin that lets the whole film down. Robert Gribbin wasn't the correct choice for this psycho. He's passable as the calm and bumbling Howard. However, this too could have been handled better. It's when poor Howard enters beast-mode that Gribbin losses all control. Gribbin oversells every aspect of his meltdown. Howard's twitching is too pronounced. His mental breakdowns are excessively loud and visible. These inevitably caused me to cringe and laugh when they happened. That reaction is not a good thing, especially when the film is supposed to be serious.
And, my Enjoyment level hits a 1.25 out of 2: That said, even though Gribbin deserves a raspberry for this role. The story, the direction, and the other actors and actresses nevertheless made it enjoyable for me. For a B-Movie shocker come exploitation flick, there's not much exploitation or shock. But it does possess something. And, in the end, I felt a tad guilty at finding the movie more enjoyable than thought-provoking. But, hey, it made me smile, and that's not an undesirable thing.
Hence, Hitch Hike To Hell receives a total rating of 5.25 out of 10: If you love your B-movies and Chillers, then I'd say give Hitch Hike To Hell a try. Hell, I may even watch it again... and guilt-trip myself for doing so. Guess I'll have to put this in my Guilty Pleasures list.
Stick out your thumb and hitchhike on over to my Killer Thriller Chillers, The Game Is Afoot, and Guilty Pleasures lists to see where Howard and his Momma landed in my rankings.
Take Care & Stay Well. Get Inoculated.
Anyone out there looking for some honest-to-God quality B-horror that not only holds your attention but is just inept enough to be funny? Well, look no further, because Something Weird Video and Harry Novak have brought us yet another unknown, Drive-in obscurity from the 70's. About a mama's boy named Howard, who, of course, lives with his clingy, over-protective mother. Mama hasn't always been this bad, you understand, but since Howard's sister ran away (moved out) , Howie is all she has, so it's understandable why she would treat a 20-something year old man like a total infant. Howard has mama, he has Root Beer, he has his hobbie, hell, he even has a job, one would assume Howard is doing OK, considering he's a man-child and all. Unfortunately, Howard has so much repressed rage against his sister for abandoning the family, that every time he picks up a hitchhiker, he ends up blacking out, and killing them. Unfortunately, Howard likes to pick up hitchhikers every single day, probably more than once. What I find odd is that every single time, the hitchhiker turns out to be a girl who's running away from home, which would kinda clear up as to why Howard always kills them, although, it's still odd.
One of the most entertaining and all-around best movies Something Weird Video has to offer. Some may think that that's not saying much, but it totally is, that is, if you dig vintage exploitation, if not, then you're definitely wasting your time here. Hitch-Hike To Hell isn't necessarily a frightening horror movie, but rather a quality movie with a good story that happens to be horror, hence the killing, and if you can't get enough grainy, unintentionally funny 70's B-charm, then Hitch-hike To Hell should make you extremely happy. If the antics of Howard the mama's boy seriously doesn't do it for you, then I would recommend checking out the other half of the double-feature, Kidnapped Coed, just to see how inept B-horror can really be, although, I kinda liked that one too, God help me. Unless we're talking about a Herschell Gordon Lewis gore-epic, or something else awesome like The Psychedelic Priest, then I can't think of anything more worthwhile from Something Weird Video than Hitch-Hike To Hell. Check it out. 9/10
One of the most entertaining and all-around best movies Something Weird Video has to offer. Some may think that that's not saying much, but it totally is, that is, if you dig vintage exploitation, if not, then you're definitely wasting your time here. Hitch-Hike To Hell isn't necessarily a frightening horror movie, but rather a quality movie with a good story that happens to be horror, hence the killing, and if you can't get enough grainy, unintentionally funny 70's B-charm, then Hitch-hike To Hell should make you extremely happy. If the antics of Howard the mama's boy seriously doesn't do it for you, then I would recommend checking out the other half of the double-feature, Kidnapped Coed, just to see how inept B-horror can really be, although, I kinda liked that one too, God help me. Unless we're talking about a Herschell Gordon Lewis gore-epic, or something else awesome like The Psychedelic Priest, then I can't think of anything more worthwhile from Something Weird Video than Hitch-Hike To Hell. Check it out. 9/10
Did you know
- TriviaThe story is fictional, but the character of Captain J.W. Shaw (Russell Johnson) does mention some then-current serial killers such as The Zodiac Killer (never apprehended) in San Francisco, the Skid Row Slasher (later discovered to be Vaughan Greenwood) in Los Angeles, and "that nut down in Houston" (referring to Dean Corll, who killed a staggering 27 boys before being shot dead by his accomplice Wayne Henley).
- GoofsAfter Pam is released from the police, she is hitchhiking, once more, and when Howard picks her up, she is sitting on a tiny roadside stone wall, next to a metal barrier, to her left, facing downhill. As the red van drives off, with Pam inside, the van instantly drives uphill and the tiny roadside wall and the barrier are gone and replaced by rough verge.
- ConnectionsFeatured in Extra Weird (2003)
- SoundtracksHitch Hike To Hell
Sung by Nancy Adams
Music by Floyd Huddleston
Lyrics by Tom Adair
Harmonicist - Wayne Berwick
- How long is Hitch Hike to Hell?Powered by Alexa
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