Emporte-moi
- 1999
- Tous publics
- 1h 34m
IMDb RATING
6.9/10
1.1K
YOUR RATING
In the year 1963, an awkward thirteen-year-old girl comes of age during her escapism into the world of cinema, with potentially dangerous results.In the year 1963, an awkward thirteen-year-old girl comes of age during her escapism into the world of cinema, with potentially dangerous results.In the year 1963, an awkward thirteen-year-old girl comes of age during her escapism into the world of cinema, with potentially dangerous results.
- Awards
- 15 wins & 9 nominations total
Predrag 'Miki' Manojlovic
- Père de Hanna
- (as Miki Manojlovic)
Featured reviews
Young Karine Vanasse is astounding. Her stillness, poise & expressiveness - combined with youthful yearning and curiosity - completely draw you in.
Pascale Bussières, as always, doesn't disappoint.
Pascale Bussières, as always, doesn't disappoint.
9Jo B
Caught between childhood and the adult world, in a time similarly challenged by change, Karine Vanasse is enchanting as a girl coming of age in 1960s Quebec. Parents, teachers, sex, philosophy, obsession with a film character, running away -- we've seen it all before, but this is a loving remembrance, shot in warm colours, with a thoughtful script and excellent performances, richly evoking the emotion, confusion and excitement of adolescence.
Hanna (Karine Vanasse) is a Canadian teenager in the early sixties.And she shapes her own identity. Her parents escape from their responsibilities: her father prefers playing chess to working; and her mother is a depressive woman (several suicide attempts). That's why she decides of leading her own life. But Reality is stronger than she expected: Life bites hard...
Emporte-moi is partly an autobiographical movie. Léa Pool presents an interesting analysis of the familial relationship and adolescence. Well, this melancholy movie is very touching. Even the scene of the abandoned dog moved. Anyway, the acting is quite perfect and right. Karine Vanasse is magic, Miki Manojlovic surprising in comparison with his performance in "Underground".We can just regret the underemployment of Pascales Bussières, which is paradoxical given the closed relationship between Hanna and her mother.
Well...I have to say that anyone get out of the cinema before the closing credits:a surprise is awaiting you. I put a 8 out of 10.
Emporte-moi is partly an autobiographical movie. Léa Pool presents an interesting analysis of the familial relationship and adolescence. Well, this melancholy movie is very touching. Even the scene of the abandoned dog moved. Anyway, the acting is quite perfect and right. Karine Vanasse is magic, Miki Manojlovic surprising in comparison with his performance in "Underground".We can just regret the underemployment of Pascales Bussières, which is paradoxical given the closed relationship between Hanna and her mother.
Well...I have to say that anyone get out of the cinema before the closing credits:a surprise is awaiting you. I put a 8 out of 10.
Lea Pool is a brillant director, but sometimes, her films are a little bit boring. But this one is absolutely her best work. A good story, a wonderful sense of image, and the actors are all very well directed. I think this is an effort for Pool to go mainstreem. But, for me, as an historian, this movie have big problems... The story is set in 1963 (the song Mockingbird, heard in the movie, tells me that.) The way Leo Pool describes Quebec society and the culture of the French Canadians of the time had nothing to do with 1963. It's all look like 1973-76. It had no historical respect of the facts of 1963. For example, Lea Pool shows us the Jean-Luc Godard movie Vivre sa vie, and the young Karine Vanasse identifies herself to Anna Karina in that movie. In the early sixties, most of the nouvelle vague French cinema (like this Godard film) were not released in Quebec. By that time, censorship was very strong and I'm sure that the prostitute character of miss Karina in that Godard film was banned from the Board of Censorship. The Godard movie is from 1962. By that time, French movies always takes three, and sometimes four years to get to Quebec's movie theatres. For me, it's impossible that this movie was shown in Quebec in 1963. Let's also say that in 1963, the legal age to go to a movie house was 16. But Karine Vanasse is 13 in that movie! Also, the way the father of Karine Vanasse wear his hairs is< absolutely 1973-75! The facts that most of the young girls wore trousers is also strange! So is the girl kissing Karine, her brother kissing her, in a so natural way is simply impossible. Lea Pool was born in Switzerland. She cames to Quebec en 1978. Critics says that Emporte-moi was about her life as a young teenager. It could be better if the film was set in Europe. In Europe, the Godard film was shown, the cultural aspects of the people were more liberal than in Quebec, who was still a very Catholic and conservative society, by that time. These little facts annoyed me. When you make a movie set in the past, it's very important to respect the period. Leo Pool didn't. I don't mean that Emporte-moi is a bad movie. Not at all! It's fanastic and young Karine is superb, so is the great Pascale Bussières (our best actress in Quebec and Canada.) But if an historian was part of the crew to tells miss Pool what's illogic, it could be a lot better.
This movie is just great!
It explores with subtlety the very complicated emotional relations between a young girl, her catholic depressive mother, her jewish father, her brother, her new "girl" friend. Entangled in her newborn exploding sexuality and her rebellious thoughts, she tries to deal with the great issues of life in 1963.
The acting is so precise and touching, and the direction, efficient and delicate, it's a must see movie. A great one.
It explores with subtlety the very complicated emotional relations between a young girl, her catholic depressive mother, her jewish father, her brother, her new "girl" friend. Entangled in her newborn exploding sexuality and her rebellious thoughts, she tries to deal with the great issues of life in 1963.
The acting is so precise and touching, and the direction, efficient and delicate, it's a must see movie. A great one.
Did you know
- TriviaKarine Vanasse's feature film debut.
- Crazy creditsHanna sings and plays guitar during the closing credits.
- ConnectionsFeatures Vivre sa vie: Film en douze tableaux (1962)
- How long is Set Me Free?Powered by Alexa
Details
Box office
- Gross US & Canada
- $74,052
- Opening weekend US & Canada
- $4,905
- Apr 16, 2000
- Gross worldwide
- $74,052
- Runtime1 hour 34 minutes
- Color
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