Driven
- 2001
- Tous publics
- 1h 56m
IMDb RATING
4.6/10
44K
YOUR RATING
A young hot shot driver is in the middle of a championship season and is coming apart at the seams. A former CART champion is called in to give him guidance.A young hot shot driver is in the middle of a championship season and is coming apart at the seams. A former CART champion is called in to give him guidance.A young hot shot driver is in the middle of a championship season and is coming apart at the seams. A former CART champion is called in to give him guidance.
- Director
- Writers
- Stars
- Awards
- 1 win & 10 nominations total
Verona Pooth
- Nina
- (as Verona Feldbusch)
Jasmin Wagner
- Ingrid
- (as Jasmine Wagner)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Utter and complete tripe - a film that is without any credibility, if for no other reason that it had the absolute temerity to think it could upstage Frankenheimer's 1966 masterpiece GRAND PRIX, on which it is so loosely yet obviously, based! Working on the assumption that 90% of viewers would never have seen (let alone heard of) GRAND PRIX, Stallone wrote himself a ROCKY on the racetrack.
Cornball script, z-grade fx....well thats to be expected, the Formula 1 people were never going to allow a loser like Harlin and his production flunkies anywhere near near the real thing, unlike the latitude extended to John Frankenheimer during GRAND PRIX's filming in 1965.
Look, I'm not even wasting more words on this affront to cinematic good taste. If you liked THE FAST AND THE FURIOUS you might be suitably underwhelmed by this crap!
Cornball script, z-grade fx....well thats to be expected, the Formula 1 people were never going to allow a loser like Harlin and his production flunkies anywhere near near the real thing, unlike the latitude extended to John Frankenheimer during GRAND PRIX's filming in 1965.
Look, I'm not even wasting more words on this affront to cinematic good taste. If you liked THE FAST AND THE FURIOUS you might be suitably underwhelmed by this crap!
It's hard to know where to begin with Driven. As a lover of films and motor sport this manages to insult me on two levels at the same time. Not only is it an abysmal film, which drags out the sorts of cliché's that they didn't think would fly in 'Knight Rider'. The washed up older driver, the young stud, the bitter crippled ex-driver. PLEASE! If not being a script most four years old might reject isn't enough, its also taken Indy car racing and decided its a 'backdrop' and ignores virtual all technical and practical aspects of it for the sake of convenience. So what you have here is a racing film, for anyone who has never watched racing and an action film for people who think very poor CGI slow motion crashes are cool. Anyone who wants to see acting as such wasn't even considered. It was supposedly originally written as an F1 racing story, presumably once F1 had seen the script they chose not to be associated with this moronic enterprise. As far as the cast is concerned, it has to be said that Stallone has made some exceptionally bad choices in recent years regarding movies, and this is yet another. Burt Reynolds always looks to me like his about to crack up - because no on in their right mind would pay anyone to give such performances. The younger drivers all seemed to have come from the 90211 clone farm where they are given blank expressions and stupid hair styles. Bettering them all is Estella Warren, who gives the sort of line delivery which makes the puppet cast of Thunderbirds seem like they were members of the Royal Shakespeare! Is their anything good about Driven? Yes, it convinced me that I won't watch another Stallone movie unless it has five Oscars beforehand.
"What am I, a piece of wood?" "Who cares?" "You should talk less and drive more." "This is horrible." "It doesn't mean anything." "Unbelievable." "Will it hold together?" "Not for long."
All the above are actual lines from Sylvester Stallone's screenplay for "Driven," as if he was predicting the reception this spiritless racing film would get. To be fair, I hate sports and I fail to see what's so exciting about Formula One, Le Mans or C.A.R.T. (the milieu for Renny Harlin's latest opus) - but I still could and should have gotten some sort of thrill from the race scenes.
Instead you have a mass of clichéd characters and poor acting (Burt Reynolds proves that he can actually sink even lower than shilling for British opticians), though since they have to spout dialogue that reminds you why Stallone hasn't had a writing credit since "Cliffhanger" (the last time he got together with Harlin) you can see why they have a hard time with it. Surprisingly, the best actors in this film are the non-professional ones - but some would say there's something seriously wrong with any film where Victoria's Secret/Sports Illustrated stunner Estella Warren and the ESPN announcers give the best performances (just one more reason why I'm looking forward to the "Planet of the Apes" remake).
But that would not be taking into account the bad editing and the ambitious but dreadful digital effects, not to mention the soundtrack (which is as horrible as Estella is gorgeous, and that's pretty damn horrible). It's so sterile it's amazing - even when a driver has a spectacular crash it only seems to have been put in for effect... and not to give away the ending, but don't the three fastest finishers in a race usually ascend the podiums in REVERSE order? (And why do the trucks for the scenes in Germany have "German Grand Prix" written on them in English?)
Returning to the subject of hidden messages, the song credits include one called "Take Me Away From Here." Amen - but the last line of the film ("It doesn't last long.") has to be a mistake, given that it takes two long hours to tell and runs out of gas before the end of the first lap. You'll get more entertainment from any episode of "Speed Racer" or "Wacky Races" (come to think of it, Estella would make a pretty good Penelope Pitstop). Heck, even "Cannonball Run II" is better than this. And that's a sentence I hope I never have to write again.
All the above are actual lines from Sylvester Stallone's screenplay for "Driven," as if he was predicting the reception this spiritless racing film would get. To be fair, I hate sports and I fail to see what's so exciting about Formula One, Le Mans or C.A.R.T. (the milieu for Renny Harlin's latest opus) - but I still could and should have gotten some sort of thrill from the race scenes.
Instead you have a mass of clichéd characters and poor acting (Burt Reynolds proves that he can actually sink even lower than shilling for British opticians), though since they have to spout dialogue that reminds you why Stallone hasn't had a writing credit since "Cliffhanger" (the last time he got together with Harlin) you can see why they have a hard time with it. Surprisingly, the best actors in this film are the non-professional ones - but some would say there's something seriously wrong with any film where Victoria's Secret/Sports Illustrated stunner Estella Warren and the ESPN announcers give the best performances (just one more reason why I'm looking forward to the "Planet of the Apes" remake).
But that would not be taking into account the bad editing and the ambitious but dreadful digital effects, not to mention the soundtrack (which is as horrible as Estella is gorgeous, and that's pretty damn horrible). It's so sterile it's amazing - even when a driver has a spectacular crash it only seems to have been put in for effect... and not to give away the ending, but don't the three fastest finishers in a race usually ascend the podiums in REVERSE order? (And why do the trucks for the scenes in Germany have "German Grand Prix" written on them in English?)
Returning to the subject of hidden messages, the song credits include one called "Take Me Away From Here." Amen - but the last line of the film ("It doesn't last long.") has to be a mistake, given that it takes two long hours to tell and runs out of gas before the end of the first lap. You'll get more entertainment from any episode of "Speed Racer" or "Wacky Races" (come to think of it, Estella would make a pretty good Penelope Pitstop). Heck, even "Cannonball Run II" is better than this. And that's a sentence I hope I never have to write again.
This is definitely one of Sly's better movies. He has disappointed us with his last couple of movies but this one is a winner. it has a great plot, good action scenes and a kick ass soundtrack. Definitely ranks up there with Rocky and Rambo 2.
All i've got to say is that i enjoyed this movie and found it entertaining and an interesting insight into the competition between race drivers and what they go through in a demanding profession. I do wish Estella Warren had more to do in this film, because she is just LUSH! and one of my favourite models. But it seems as though she has just been put in the film for the eye-candy, which is great but she needs to do more because she deserves a better chance to really make it as an actress. But overall it is quite entertaining with the racing scenes and the variety of locations they go to. Maybe it would've been better if it took itself less seriously. A masterpiece it aint, but better than i expected and easy to watch. I say to all the people who are trashing this film, you are entitled to your opinion and so am i. My opinion is that you are a bunch of SNOBS!! Admit it, you are!
Rating- 8 out of 10
Rating- 8 out of 10
Did you know
- TriviaThe trick that Sylvester Stallone's character (Joe Tanto) performs with the three coins is reminiscent of a trick real-life Formula One driver, Juan Manuel Fangio of Argentina used to perform. The four-wheel drift enthusiast did it to test himself.
- GoofsJoe and Jimmy could not have taken the race cars from the party as easily as they did. CART cars do not have onboard starters, so they can't be started simply from the cockpit. You would need a crew member with a starter motor at the back of the car to fire the engine. Most "racing cars" at shows and parties like this are usually dummy display models, without "real" engines or other heavy, and expensive, mechanical components. Moreover, if the cars actually had been authentic (and somehow could have been started), they likely would have had virtually no fuel aboard; most city fire departments have strict regulations on this for a show or display car, especially inside a hotel.
- Alternate versionsIn the original version of the film when Memo Heguy's (de la Fuente) car wrecks and is thrown upside down in the river, Joe Tanto (Stallone) jumped into the river with Jimmy Bly (Pardue) to save him. Beau Brandenburg (Schweiger) was not involved in this scene at all originally. But director Renny Harlin thought that it made the Beau Brandenburg character look totally heartless. So Stallone rewrote the scene taking his character Joe Tanto out of it completely. He instead put his character in the pits the entire time. The scene was partly reshot in a similar location in California, instead of returning to Germany where the original scene was filmed. Stallone wrote that the Brandenburg character turns his car around and helps save Memo from drowning. Parts of the original scene featuring Joe Tanto, were for the most part not reshot. Digital Effects company Pixel Magic digitally erased Tanto out of the scene. Aside from this scene, other scenes involving Beau Brandenburg were rewritten during filming to make his character more likable and misunderstood. Some of these scenes include the ending of the film and a scene where Brandenburg denies a female fan a kiss.
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- Alta Velocidad
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $94,000,000 (estimated)
- Gross US & Canada
- $32,720,065
- Opening weekend US & Canada
- $12,174,504
- Apr 29, 2001
- Gross worldwide
- $54,744,738
- Runtime1 hour 56 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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