Un'ombra nell'ombra

"Ring of Darkness" is a pretty controversial Italian horror movie due to Lara Wendel's underage nudity.Lara Wendel starred in 1977 in scandalous "Maladolescenza",so during shooting of Pier Carpi's movie she was no more than thirteen year old.This sleazy Italian "The Exorcist" clone features plenty of full-frontal nudity provided by Carmen Russo,Marisa Mell,Sofia Dionisio,Dirce Funari and Sonia Viviani.There are some memorable scenes in "Ring of Darkness" including the coven rituals,Marisa Mell confronting Lara Wendel,the exorcism and the nude mother-daughter fight.The women defy Lucifer and that's why Lara Wendel's character becomes aggressive and murderous.Satan is using her as his instrument to get revenge on the brides that have betrayed him.7 out of 10.

Satan's Wife is an ultra trashy and cheap attempt to cash in on the success of some much better films(Rosemary's Baby, The Omen and to a lesser extent The Exorcist). In the 70's, movies about The Devil made loads of money, so this fairly forgettable, micro budgeted garbage is one of hundreds(possibly thousands) of similar fare. Unless you only want to see nudity and some ridiculous satanic ritual activity(with more nudity), I can't say this has much to offer. Considering this was made on the cheap, I won't bore you in detail on how this film is basically technically inept. The story is lame, the acting is worst. For the most part, Satan's Wife is a real snoozefest. However, there are lots of titties and for the real creepy horror/exploitation fans, underaged titties. That is one factor that made the film disturbing in a way that I did'nt sign up for. So, overall Satan's Wife is worthless trash and is not something I would recommend.

After the release of The Exorcist in 1973; ripping that film off became so popular in Italy that "the Exorcist rip off" almost became a genre. It turns out that Italian filmmakers were still at it six years later and Rings of Darkness is one of the later rip offs. It seems that director Pier Carpi was not happy just to rip off William Friedkin's film, however, and this one also features elements from other Satanic classics such as The Omen and Rosemary's Baby. I have to give the film some credit actually for the plot, as it does feature one of the more interesting ones; although it is rather messy. The basic plot focuses on three women that made a deal with the Devil. However, the Devil has decided to target their young daughters instead; prompting the women to fight back against their master. Unfortunately, it has to be said that this film is something of a missed opportunity and nowhere near as good as it could have been. The atmosphere is really rather good, and while the music is a bit too over the top at times; it does work well. The plot soon becomes indecipherable, however, and unfortunately this means that the film quickly becomes boring. In my experience, most of the Exorcist rip off's are rubbish and this isn't one of the better ones. I wouldn't recommend going out of your way to find a copy.

I recently watched the Italian film 🇮🇹 Satan's Wife (1979) on Tubi. The storyline follows a group of young women involved in a cult. Years later, one of them has a daughter who seems to possess unique powers and a connection to Satan. As the child grows more ruthless, the mother realizes she may be the only one who can stop her.

This film is written and directed by Pier Carpi (Povero Cristo) and stars Anne Heywood (The Fox), Valentina Cortese (The Barefoot Contessa), Frank Finlay (Lifeforce), and John Phillip Law (Barbarella).

The movie is hit or miss. The cult scenes, opening séance, and the blend of dance and nudity in the ritual sequences are intriguing. However, the child acting is just okay. After the opening, the horror elements are minimal, relying mostly on eerie shots of the child committing heinous acts, which isn't enough to carry the film. The cinematography feels dated and is serviceable at best. The ending is also awkward, as certain scenes with the child feel unsettling in a way that doesn't entirely work.

In conclusion, Satan's Wife is worth watching only if you're looking for something different, but it doesn't stand out in the genre. I'd score it a 5/10.

Satan's Wife (1979)

* 1/2 (out of 4)

If it's from Italy and features "Satan" or "devil" in the title then you know it must be a rip-off of THE EXORCIST or ROSEMARY'S BABY but here we're in for a treat as this one rips both of those classics. A mother (Anne Heywood) begins to notice something wrong with her teen daughter (Lara Wendel) and sure enough Lucifer (Ezio Miani) is after the young one. Turns out that mommy and two of her friends made a deal with the evil red one years earlier and now he's taking it out on their children but a priest (John Phillip Law) agrees to try and defeat him. I'm really not sure what the point of this film was as it goes off in several directions and in the end it never really seems to know what it wants to do. Apparently this thing sat on the shelf for two years before getting released and you'll see why when you sit through it. The biggest problem is that the film starts off with your typical possession stuff but it does very little with it. There's non-stop nudity to add into the sleaze factor but there's very little else in terms of entertainment. The possession stuff is all mild, any back story is boring and it doesn't help that the film jumps around from one character to another. The cast will feature some familiar faces including previous Oscar-nominees Ian Bannen, Valentina Cortese and Frank Finlay. Wendel will probably be best remembered for a memorable death scene in Argento's TENEBRE but her performance here is pretty weak. The incredibly bad dialogue doesn't help matters nor does her nude scenes and if the DOB on the IMDb is correct then many will want to avoid this film at all costs. Heywood doesn't do any better as she's all over the place and looks confused at what she should do in a film like this. Cult favorite John Phillip Law doesn't get that good of a role either so he's wasted as well. THE EXORCIST-rip should be a genre onto its own as we have dozens and dozens of films that would fall into it but this one here is certainly one of the lesser entries. The film does start off with a near musical number that will have your eyes coming through your skull but things go downhill from there. There's enough nudity that might make Euro-sleaze folks tune in but it's not enough to keep the film moving.