Rottweiler

An unbelievably bad effort by independent producer Earl Owensby, not just for the fact it rips off "The Pack" and "Dogs". It's unbelievable in its ineptness, starting with photography so poor (especially during the night sequences) that the movie looks like it was shot in 8 MM. The attack sequences are very lazy - mostly we just HEAR the attacks instead of seeing them, and when we DO see them, it's only for a split second. We do see the aftermath of the attacks, though the poor makeup jobs aren't any compensation. The main problem with the movie is that it's simply BORING for the most part, devoting most of the running time to showing these country folk talking to each other and going around the area. I can't see ANY reason why this could be of interest to anyone, even if someone happened to star or work on the movie. If you want to see a killer dog movie, see "The Pack". Heck, even see "Dogs" over this; though it's not very good, it's a masterpiece next to "Dogs Of Hell"!

Independent star / producer Earl Owensby 3D fable "Rottweiler: Dogs from Hell" is a trashy, but mildly fun cheap-jack little animals run amok horror enterprise. I saw this one when I was only a kid and certain scenes had stayed in my head. I couldn't remember the title, where I only found it out recently. Came across a copy and when watching it the memories came flooding back. Don't remember it being as dodgy as it was, but it remained diverting enough.

A pack of Rottweilers are trained by the military for warfare, but these vicious killing machines are accidentally released within a small mountain community when the truck they are in crashes. Soon bodies start piling up and it's up to sheriff Hank Willis (Owensby) to put an end to this carnage.

Outside this systematic set-up (that has shades of "Jaws"); there are the small-town dramas to give it that genuine sense of community. Such distractions as angst teenagers (father and son issues), catfish talk, reflective time and women mud wrestling… these kinds of things feel like nothing more than filler. There's too much of it. When it came to the dog attacks, it's rather sloppy or off-screen with crude blood effects being splashed about. However when Owensby uses his magnum on the dogs; we are treated with graphic head imploding shots. There were one or two effectively minor intense set-pieces that spring out some calculative tension. Also we get plenty of POV shots from the dogs, as well growling which sounds more like someone's stomach is churning behind the camera… maybe that's where the panting arrived from too. Nonetheless is didn't sound as bad the daggy music score with its weepy piano pieces… which always felt it was going to cut to a sequence of someone playing a piano. It was just that odd in its placement. The performances are pretty much one-note, but Owensby equips himself quite well despite the script coming off as blunt and clumsy. Low-grade shoddiness, but sort of entertaining in that.

Amateurish, bloody, dimly-lit North Carolina production has the inimitable Earl Owensby as a mumbling, expressionless sheriff who must protect a town of unsuspecting yokels from an onslaught by a pack of aggressive rottweilers, trained by the government as special operations assassins, accidentally set free after the convoy transporting them overturns.

Filmed in 3-D, director Keeter (a frequent Owensby collaborator, e.g. "Wolfman") builds an effective (and bloody) climax as the rabid hounds systematically corral the occupants of a luxury country club then treat themselves to the buffet. Camera angles framed for the purpose of accentuating the 3-D effects obviously do little when you're watching this on your regular TV-set (as I did), and the action is at times so cloaked in darkness (not to mention the incoherent dialogue) that it's often difficult to follow what's happening.

If you accept that the flaws are attributable to its independent production values scale, and yet despite those constraints there's plenty of gory attack scenes and expensive looking explosions for those interested, then you might be persuaded to watch "Rottweiler" (aka "Dogs from Hell") at least once. Hard to locate, I got my copy as a VHS reject during the DVD revolution and I suspect the ex-rental market is the only place you'll find a copy, until someone enterprising (perhaps Owensby himself) decides to unlock the 3-D potential and re-release on DVD.

DOGS OF HELL is about a top secret military project involving the killer canines of the title. These ruthless Rottweilers have surgical implants, making them ferocious fuzzballs of doom.

Oh no!

They're accidentally unleashed upon an unsuspecting populace!

Starring intergalactic omni-star, Earl Owensby as Sheriff Hank Willis, this is another low-low-budget schlocker from the 1980's. As such, it must hold some sort of record, considering that every character in it is an annoying idiot. Ranging from squeaky dweebs, to yowling yahoos, the denizens of the fictional town are all equally insufferable!

Thankfully, many of them end up as dog chow.

Of particular interest are the "wilderness photoshoot gone awry" and the obligatory "mud wrestling" sequences.

Ludicrous to the extreme, this could / should have been a masterwork of slack-jawed insanity. Unfortunately, it loses points for its long stretches of trance-inducing dullness. To be fair, it's almost saved by the southern-fried, musical soundtrack, bringing to mind a sort of Lynyrd Skynyrd / Hee Haw hybrid.

The perfect movie for de-wrinkling one's brain...

Dogs of Hell (1983)

* 1/2 (out of 4)

The evil U.S. government have created Rottweilers that are trained to attack and kill humans. A truckload of them are going through a small town when the truck crashes and sends the dogs on a killing spree, which has Sheriff Hank Willis (Earl Owensby) having to take control.

This here was the first of six pictures that Owensby would produce in 3D but to my knowledge there has never been a home video of this version. Most copies out there are from the video and are full screen and don't look the greatest so it's hard to judge the effects obviously but at the same time there were very few things that "jumped" at the screen outside an early scene involving a dart.

As far as the rest of the movie goes, it's really no different than films like THE PACK or DOGS. This one here contains a certain regional atmosphere, which is a plus and it's always fun seeing that charm of Owensby but outside of this there's really not too much here to recommend. The biggest problem is that the film has the majority of the attacks off the screen so we get the cheap effect of a dog growling and then the aftermath of the attack.

DOGS OF HELL has a certain low-budget appeal but there's just not enough here to make it interesting enough to recommend. That is unless you're a fan of Owensby.