K-9 and Company

Most of the other reviewers here can't seem to get past the theme song--yeah, it's silly but hardly something you would want to commit suicide over! The producer John Nathan Turner wanted a Hart To Hart opening credit sequence and that was a bit of a bad idea considering that the two leads in this are a woman and a mechanical dog! However, there is something bizarrely funny about it that acually draws you in. Maybe it's the camera zooming in on K-9 sitting on a stone fence--just how the hell did he get up there?! All of that aside, the actual story of witchcraft in the English countryside is rather fun stuff. There is some nice nightime atmosphere surrounding the coven's ceremonies and the actors who portray the various locals are all well cast. The only real negative is the short running time which is why there is not a lot of tension built. If one reads the novel it can be seen there was much more going on in the background to create tension but this does an acceptable job. Anyone who takes this too seriously or gets mad over this needs to relax and take a few deep breaths. This is great fun in the solid tradition of Doctor Who and it is too bad it never became a series.

John Nathan-Turner's time as producer of Dr Who (1980-9) was a frightful mess. Clearly out of his depth, his period at the helm was characterised largely by thrashing around with gimmicks to compensate for small budgets, miscasting, poor scripting and uncertainties of tone, whose accumulation had begun during Graham William's tenure, but which accelerated dramatically from Nathan-Turner's first season (season 18) onwards.

One problem that Nathan-Turner faced was that the audience was ageing, and sci-fi nerds were beginning to define the show to the detriment of its universal qualities. It was therefore potentially a shrewd move to develop the one-off TV movie K9 and Company, coupling Dr Who's favourite companion, Sarah Jane, who still lingered in the memory, with his most asinine, for younger viewers. If this reached fruition as a series, maybe a new younger audience could be cultivated?

Of course, he muffed it. The filming does not appear to have been a happy experience, at least for Elisabeth Sladen, according to her memoirs. But the appalling script, the embarrassing public school nephew Brendan, the weedy attacker Peter, a goodly set of well-known character actors reduced to oo-arrr dialogue, and a set of unintentionally comic pagans all combine to kill it anyway. The wonderful support actress Mary Wimbush is particularly wasted. The execrable title sequence is a microcosm of the failure of the whole enterprise.

Lots of people watched it; I was one of them. I wanted to love it, especially as it came shortly after the very disappointing season 18. I hated it. I assumed I was just growing too big for Dr Who, but, now we can watch these shows again on DVD, it is clear that Dr Who was leaving its audience, not the other way round.

I think K-9 and Company was a good idea,and Elisabeth Sladen always gives a great performance although Sarah-Jane seems a bit more grumpy than her normal self in this spin-off. John Lesson's voice gives K-9 a life of his own and he makes K-9 very endearing,the opening credits are very bizarre and I am sure not meant to be as funny as they come across. Thngs do seem to take a long time to start,there is a lot of running around until Sarah-Jane opens the box containing K-9. Having recently saw the pilot of The Sarah-Jane adventures,at least K-9 and company wasn't full of annoying kids! and people overacting. It was a good idea,it wasn't a failure,it got respectful viewing figures and K-9 remains a very popular character of DR.Who even today.

Spin-offs rarely get anywhere, and "K-9 and Company" is no exception. Now that I have the videotape, I've seen this. I liked it; it's very true to the spirit of "Doctor Who," with a touch of "The Avengers" thrown in. I always was a fan of both K-9 and Sarah Jane Smith; the chance to see them together was simply irresistable.

This takes the tried-and-true "Doctor Who" formula of a mysterious cult with supernatural powers terrorizing the local populace -- "Image of the Fendahl," "Masque of Mandragora," and "Stones of Blood" all toyed with this.

This one takes a more detective-like approach, and benefits well from it.

Unfortunately, I think this pilot was doomed by its opening sequence. The theme song will make you want to beat your head against the wall, because anything else is prefereable to listening to the theme. "K-9. K-9. K-9." That's the lyrics. I think this failed pilot works quite well to support my thesis that unpopular or failed spin-offs generally have really stupid theme songs, while the original show has some terribly memorable and catchy thing.

So K9 was written out of Doctor Who and with the furore from the fans and the media, the producers gave him a spin off show and teamed him with Sarah Jane Smith.

It seems not much attention was paid as to who this series was aimed at. It looks like there was no type of focus group evaluation, it was just quickly green-lit into production.

The final result, a mish mash of ideas that forgot K9 was popular with kids. Therefore a witches coven story line that harks back to Pertwee era Doctor Who might not be the wisest of moves.

For years K9 & Company stuck out like a sore thumb in the Doctor Who canon. Almost a quarter of century later, Russell T Davies effectively tried a second pilot, pushing Sarah Jane to the forefront, surrounding her with some kids and K9 pushed to the background. Even the Doctor turned up a few times.

In essence this pilot provided a bridge to the Sarah Jane Adventures.