Heat of the Sun

In 1931, after taking justice into his own hands, Scotland Yard detective Albert Tyburn (Trevor Eve) is given the choice of prison or reassignment to Nairobi. He chooses Nairobi determined to do the best job he can, but he encounters obstacles everywhere he turns. You will find yourself loving to hate his superior, Police Commissioner Ronald Burkett (Michael Byrne).

From the beginning Tyburn doesn't fit in with his fellow countrymen. Mainly because he sees the natives as people. that have feelings, intelligence and rights. Tyburn seems to view the behavior of the pompous Englishmen he encounters embarrassing at best and down right despicable at times.

This video set includes three separate episodes: "Private Lives", "Hide in Plain Sight" and "The Sport of Kings". Investigating these cases Tyburn encounters arson, drug-dealing and murder. Each head scratching mystery will keep you riveted to your seat, but watch out for some surprising twists along the way. Running through the stories is the possibility of a budding romance between Albert Tyburn and the fiercely independent Emma Fitzgerald (Susannah Harker).

Great writing, compelling characters, beautiful scenery and a wonderful music score all combine to make "Heat of the Sun" a joy to watch over and over again.

From every aspect this programme is tremendous. I am mesmerized whilst watching and sad when it ends. The attitudes of social stature are clearly portrayed. I find this highly enjoyable.

Acting, directing, and writing are all fine. It's mysteries set in 30's Africa, and uses many of the conventions of films of the time, but from a modern perspective - not unlike the approach taken in Indiana Jones - and it generally works well.

I'm usually the first one to quibble about technical errors, but this series was sooo well done that I never noticed any of the ones noted in other reviews here. Mind you, I had a hard time with Valentine shooting guns out of people's hands, and with a flaming homosexual in that time and place, but I just let the excellent story telling carry things along. Somehow, it seemed ** right ** that Valentine was able to shoot guns out of people's hands, and that there were Nazis lurking, etc.

One of the most enjoyable things on TV in a long time, and I hope there will be more. Let's have a DVD soon, please.

This is a terrific series. You totally loose yourself in the times, location; the characters are all too real; you only want it to continue.

The acting has so much depth;one has to believe and hope there may be a sequel. I thought the story lines blended well together; the script was tight; if you left for a second, you missed key dialogue. Happy Valley was an "anything goes" society so characters like DeVille, Hans Dietrick Gessler (it was never implied that he was a Nazi), and Daphne's affair are hardly surprising. As for the insignia on the plane, British and Kenyan planes had different registration schemes; I don't know if this was accurately portrayed. All in all 10 stars.

What a wonderful series concept! A streetwise, professional Scotland Yard detective is exiled to decadent Nairobi colonial society in 1931, and charged with enforcing rules among people who have fled England specifically to avoid them. Before he's even started his first day, the tough but idealistic Superintendent Tyburn has managed to subdue three abusive, upper class drunks and haul them to jail on the back of his luggage wagon, only to find that one of them is the nephew of the governor. And that's just the beginning...

Heat of the Sun displays the wonderful British acting and production values that make public television viewers so spoiled. The art direction and costuming are excellent, truly capturing a sense of Kenya in the 1930's, and the actors nail their parts down, especially Trevor Eve as Superintendent Tyburn and Susannah Harker as the independent bush pilot Emma Fitzgerald.

Unfortunately, the production is hobbled by uneven writing and directing, which may help account for why the series never continued beyond three 2-hour stories. The writers introduce far too much plot and not enough character. People talk about themselves instead of showing who they are. In a glorious atmosphere like this one, I want to know more about these people and how they came here - the flaming homosexual, the literate African constable, the Jewish doctor and the Sikh forensics expert - but the script rarely gives more than a shallow glimpse before bolting on to the next plot twist. As a result, the stories often feel flat, like cardboard characters are marching through a mystery novel.

Some of the directors need to go back to film school. The first episode shows no sense of shot size or angle; people are framed way too tightly and the camera often swirls around Tyburn even when someone else is speaking. Shots don't flow together because actors are looking at slightly different angles to the camera. And so on.

But on the whole, the great sense of atmosphere manages to carry this series far above the mundane. I really hope to see a sequel; just nail down the details next time, and this series could be a classic.