Author: Competitions
To mark the release of The Proud Valley on 27th March, we’ve been given 3 copies to give away on Blu-ray.
David Goliath (Paul Robeson), a charismatic African-American stoker, washes up in a small Welsh village where he finds work alongside the miners down the pit. A competent singer, Goliath’s roaring voice soon draws the attention of the local choir master Dick Parry (Simon Lack: The Silver Darlings, Enemy at the Door) and his son Emlyn (Edward Chapman: Convoy, It Always Rains on Sunday), who have ambitions of winning the national choir contest.
Following a deadly explosion, the pits are closed, leaving the villagers out of work and struggling to make ends meet. Wanting to help the community that welcomed him so generously, David rouses a group of activists to march to London in the hope of reopening the mine in time to serve the...
To mark the release of The Proud Valley on 27th March, we’ve been given 3 copies to give away on Blu-ray.
David Goliath (Paul Robeson), a charismatic African-American stoker, washes up in a small Welsh village where he finds work alongside the miners down the pit. A competent singer, Goliath’s roaring voice soon draws the attention of the local choir master Dick Parry (Simon Lack: The Silver Darlings, Enemy at the Door) and his son Emlyn (Edward Chapman: Convoy, It Always Rains on Sunday), who have ambitions of winning the national choir contest.
Following a deadly explosion, the pits are closed, leaving the villagers out of work and struggling to make ends meet. Wanting to help the community that welcomed him so generously, David rouses a group of activists to march to London in the hope of reopening the mine in time to serve the...
- 3/27/2017
- by Competitions
- HeyUGuys.co.uk
MaryAnn’s quick take… Not alt-history but a true story from a Nazi-occupied English-speaking place, a hugely relevant reminder that resistance to injustice is an absolute imperative. I’m “biast” (pro): always desperate for movies about women
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
We seem to be enthralled at the moment by alt-history stories about Nazis in England and America: the just-wrapped SS-gb on the BBC, The Man in the High Castle on Amazon. Perhaps they’re expressions of relief, of how easily such things might have happened; more likely we fear that similar nightmares are starting to happen now under slightly different guises. Yet it seems we’ve almost forgotten that there actually was a Nazi occupation of English-speaking places in WWII: the Channel Islands, the British Crown dependences between England and France. We’ve almost forgotten because tales...
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
We seem to be enthralled at the moment by alt-history stories about Nazis in England and America: the just-wrapped SS-gb on the BBC, The Man in the High Castle on Amazon. Perhaps they’re expressions of relief, of how easily such things might have happened; more likely we fear that similar nightmares are starting to happen now under slightly different guises. Yet it seems we’ve almost forgotten that there actually was a Nazi occupation of English-speaking places in WWII: the Channel Islands, the British Crown dependences between England and France. We’ve almost forgotten because tales...
- 3/23/2017
- by MaryAnn Johanson
- www.flickfilosopher.com
Imposing stage and screen actor whose work ranged from Shakespeare to The Bill
The character actor Bernard Horsfall, who has died aged 82, appeared in television, films and on the stage for more than half a century. Tall, imposing and authoritative, he appeared in many of the major television series from Z Cars and Dr Finlay's Casebook to Casualty and The Bill, and in Doctor Who took no fewer than four roles.
In 1968 he played Lemuel Gulliver in The Mind Robber, where he was encountered by Patrick Troughton, the second Doctor, in the Land of Fiction. The following year he returned as a Time Lord in The War Games. In 1973, with Jon Pertwee now donning the time-traveller's cape, he played the Thai chieftain, Taron, in the six-part Planet of the Daleks. And finally, he was another Time Lord, Chancellor Goth, in the 1976 story The Deadly Assassin, famously battling with Tom Baker...
The character actor Bernard Horsfall, who has died aged 82, appeared in television, films and on the stage for more than half a century. Tall, imposing and authoritative, he appeared in many of the major television series from Z Cars and Dr Finlay's Casebook to Casualty and The Bill, and in Doctor Who took no fewer than four roles.
In 1968 he played Lemuel Gulliver in The Mind Robber, where he was encountered by Patrick Troughton, the second Doctor, in the Land of Fiction. The following year he returned as a Time Lord in The War Games. In 1973, with Jon Pertwee now donning the time-traveller's cape, he played the Thai chieftain, Taron, in the six-part Planet of the Daleks. And finally, he was another Time Lord, Chancellor Goth, in the 1976 story The Deadly Assassin, famously battling with Tom Baker...
- 1/31/2013
- by Michael Coveney
- The Guardian - Film News
Stalwart of the TV police series Juliet Bravo
Noel Collins, who has died of cancer aged 74, was a linchpin of the police series Juliet Bravo throughout its entire six-series run. As Sergeant George Parrish, he was familiar for his "Yes, ma'am" response to consecutive uniformed inspectors Jean Darblay (Stephanie Turner) and Kate Longton (Anna Carteret). Parrish and his male colleagues were seen adjusting to working with a female boss in the BBC programme, which was launched a decade before the more hard-edged Prime Suspect – although four months after ITV's The Gentle Touch, which starred Jill Gascoine as a detective inspector.
The pace of life was slow in Juliet Bravo, whose title came from a police call-sign. The series (1980-85), set in the fictional Lancashire town of Hartley and described by one television critic as "Dixon in skirts", was also notable for being the flipside to its creator Ian Kennedy-Martin's previous,...
Noel Collins, who has died of cancer aged 74, was a linchpin of the police series Juliet Bravo throughout its entire six-series run. As Sergeant George Parrish, he was familiar for his "Yes, ma'am" response to consecutive uniformed inspectors Jean Darblay (Stephanie Turner) and Kate Longton (Anna Carteret). Parrish and his male colleagues were seen adjusting to working with a female boss in the BBC programme, which was launched a decade before the more hard-edged Prime Suspect – although four months after ITV's The Gentle Touch, which starred Jill Gascoine as a detective inspector.
The pace of life was slow in Juliet Bravo, whose title came from a police call-sign. The series (1980-85), set in the fictional Lancashire town of Hartley and described by one television critic as "Dixon in skirts", was also notable for being the flipside to its creator Ian Kennedy-Martin's previous,...
- 9/11/2011
- by Anthony Hayward
- The Guardian - Film News
Actor best known as the private detective Frank Marker in the television series Public Eye
For 10 years, the actor Alfred Burke, who has died aged 92, starred as the downbeat private detective Frank Marker in the popular television series Public Eye (1965-75). The character was intended as a British rival to Raymond Chandler's American gumshoe Philip Marlowe. Tough, unattached and self-sufficient, Marker could take a beating in the service of his often wealthy clients without quitting. "Marker wasn't exciting, he wasn't rich," Burke said. "He could be defined in negatives."
An ABC TV press release introduced the character as a "thin, shabby, middle-aged man with a slightly grim sense of humour and an aura of cynical incorruptibility. His office is a dingy south London attic within sound of Clapham Junction. He can't afford a secretary, much less an assistant, and when he needs a car, he hires a runabout from the local garage.
For 10 years, the actor Alfred Burke, who has died aged 92, starred as the downbeat private detective Frank Marker in the popular television series Public Eye (1965-75). The character was intended as a British rival to Raymond Chandler's American gumshoe Philip Marlowe. Tough, unattached and self-sufficient, Marker could take a beating in the service of his often wealthy clients without quitting. "Marker wasn't exciting, he wasn't rich," Burke said. "He could be defined in negatives."
An ABC TV press release introduced the character as a "thin, shabby, middle-aged man with a slightly grim sense of humour and an aura of cynical incorruptibility. His office is a dingy south London attic within sound of Clapham Junction. He can't afford a secretary, much less an assistant, and when he needs a car, he hires a runabout from the local garage.
- 2/19/2011
- by Dennis Barker, Michael Coveney
- The Guardian - Film News
DVD Playhouse December 2010
By
Allen Gardner
America Lost And Found: The Bbs Story (Criterion) Perhaps the best DVD box set released this year, this ultimate cinefile stocking stuffer offered up by Criterion, the Rolls-Royce of home video labels, features seven seminal works from the late ‘60s-early ‘70s that were brought to life by cutting edge producers Bert Schneider, Steve Blauner and director/producer Bob Rafelson, the principals of Bbs Productions. In chronological order: Head (1968) star the Monkees, the manufactured (by Rafelson, et al), American answer to the Beatles who, like it or not, did make an impact on popular culture, particularly in this utterly surreal piece of cinematic anarchy (co-written by Jack Nicholson, who has a cameo), which was largely dismissed upon its initial release, but is now regarded as a counterculture classic. Easy Rider (1969) is arguably regarded as the seminal ‘60s picture, about two hippie drug dealers (director Dennis Hopper...
By
Allen Gardner
America Lost And Found: The Bbs Story (Criterion) Perhaps the best DVD box set released this year, this ultimate cinefile stocking stuffer offered up by Criterion, the Rolls-Royce of home video labels, features seven seminal works from the late ‘60s-early ‘70s that were brought to life by cutting edge producers Bert Schneider, Steve Blauner and director/producer Bob Rafelson, the principals of Bbs Productions. In chronological order: Head (1968) star the Monkees, the manufactured (by Rafelson, et al), American answer to the Beatles who, like it or not, did make an impact on popular culture, particularly in this utterly surreal piece of cinematic anarchy (co-written by Jack Nicholson, who has a cameo), which was largely dismissed upon its initial release, but is now regarded as a counterculture classic. Easy Rider (1969) is arguably regarded as the seminal ‘60s picture, about two hippie drug dealers (director Dennis Hopper...
- 12/20/2010
- by The Hollywood Interview.com
- The Hollywood Interview
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