More clued out than clue-driven
THE first film from Jake Kasdan, the son of famed director Lawrence Kasdan (Pacific Heights, The Big Chill), is a detective comedy that works off a premise so obvious it's surprising it hasn't been exploited more often.
Zero Effect steals the Sherlock Holmes mystery formula and places it into a contemporary context. The problem with Kasdan's film is that it doesn't get much beyond this modestly clever idea. Mixing excessive plot intricacies and broad, quirky comedy, the film ends up as a mildly puzzling sophomoric diversion.
The self-styled "world's greatest detective" is Daryl Zero, played by Bill Pullman (Independence Day). He's a twitchy character, hair askew, eyes glazed and living in Howard Hughes-like isolation. As is often the case, Pullman seems to be in an acting class of his own, experiencing complicated inner surges and thoughts that don't have much to do with his character.
This is hardly the "cold, precise, but admirably balanced mind" of Arthur Conan Doyle's detective, though the parallels are deliberate. Instead of cocaine, Zero imbibes amphetamines; instead of playing the violin, he plays loud, squawky confessional songs on his acoustic guitar. But armed with the latest in information-gathering technology and arcane knowledge -- bylaws governing motel bed placement for the past 30 years -- Zero solves cases with magical precision. The Watson of the story, Steve Arlo, is played robotically by Ben Stiller (Flirting with Disaster). He's a resentful sidekick who gets drunk and complains incessantly about his employer while trying desperately to have an ordinary romantic life after office hours. He works as a front man for Zero, maintaining strict client confidentiality, and collecting big fees.
At the beginning of the film, Arlo is in a meeting with lumber tycoon Gregory Stark (Ryan O'Neal), a client of Zero's who is searching for missing keys to a safety deposit box, but who is also being blackmailed for a secret he will not reveal. In short order, Zero has figured out who is doing the blackmailing: a paramedic (a tough gamine played by Kim Dickens, who makes a strong impression here as she does in Great Expectations) who works at Stark's health club. In his quest to expose her motives, Zero gradually finds himself falling in love for the first time in his life, a fallibility that never afflicted Sherlock Holmes.
The movie then changes directions to concentrate on the love story, while Arlo continues his quest to break free of his boss so he can enjoy a fling of his own. The plot is complicated, relying on Zero's weird knowledge and observational skills. But the momentum is gone long before the movie ends and one is left only with a faint sense of curiosity. Like listening to Frank Sinatra sing Stevie Wonder, it's interesting, but why bother? Benjamin Miller, Filmbay Editor.
Zero Effect steals the Sherlock Holmes mystery formula and places it into a contemporary context. The problem with Kasdan's film is that it doesn't get much beyond this modestly clever idea. Mixing excessive plot intricacies and broad, quirky comedy, the film ends up as a mildly puzzling sophomoric diversion.
The self-styled "world's greatest detective" is Daryl Zero, played by Bill Pullman (Independence Day). He's a twitchy character, hair askew, eyes glazed and living in Howard Hughes-like isolation. As is often the case, Pullman seems to be in an acting class of his own, experiencing complicated inner surges and thoughts that don't have much to do with his character.
This is hardly the "cold, precise, but admirably balanced mind" of Arthur Conan Doyle's detective, though the parallels are deliberate. Instead of cocaine, Zero imbibes amphetamines; instead of playing the violin, he plays loud, squawky confessional songs on his acoustic guitar. But armed with the latest in information-gathering technology and arcane knowledge -- bylaws governing motel bed placement for the past 30 years -- Zero solves cases with magical precision. The Watson of the story, Steve Arlo, is played robotically by Ben Stiller (Flirting with Disaster). He's a resentful sidekick who gets drunk and complains incessantly about his employer while trying desperately to have an ordinary romantic life after office hours. He works as a front man for Zero, maintaining strict client confidentiality, and collecting big fees.
At the beginning of the film, Arlo is in a meeting with lumber tycoon Gregory Stark (Ryan O'Neal), a client of Zero's who is searching for missing keys to a safety deposit box, but who is also being blackmailed for a secret he will not reveal. In short order, Zero has figured out who is doing the blackmailing: a paramedic (a tough gamine played by Kim Dickens, who makes a strong impression here as she does in Great Expectations) who works at Stark's health club. In his quest to expose her motives, Zero gradually finds himself falling in love for the first time in his life, a fallibility that never afflicted Sherlock Holmes.
The movie then changes directions to concentrate on the love story, while Arlo continues his quest to break free of his boss so he can enjoy a fling of his own. The plot is complicated, relying on Zero's weird knowledge and observational skills. But the momentum is gone long before the movie ends and one is left only with a faint sense of curiosity. Like listening to Frank Sinatra sing Stevie Wonder, it's interesting, but why bother? Benjamin Miller, Filmbay Editor.
- filmbay
- Jul 21, 2008