A police detective uncovers a conspiracy behind a case involving a high-school guidance counselor when accusations of rape are made against him by two female students.A police detective uncovers a conspiracy behind a case involving a high-school guidance counselor when accusations of rape are made against him by two female students.A police detective uncovers a conspiracy behind a case involving a high-school guidance counselor when accusations of rape are made against him by two female students.
- Awards
- 2 wins & 4 nominations total
Toi Svane Stepp
- Nicole
- (as Toi Svane)
Eduardo Yáñez
- Frankie Condo
- (as Eduardo Yañez)
Jennifer Taylor
- Barbara Baxter
- (as Jennifer Bini)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
There is a website that shows silly abbreviated synopsises for movies...for this movie it says "There's a plot twist, There's a plot twist, There's a plot twist...There's a plot twist...There's a plot twist...There's a plot twist...The End...There's a plot twist."
This sums up the movie very accurately. It's mind popcorn, nothing more. The saving grace of this movie is that you KNOW it's a melodrama that's really not to be taken seriously.
The main actors bring life into what could be very overdone characters. The cinematography is not to be missed, and the supporting cast fills in the movie nicely.
Not a great movie, but a good movie to vegg out to!
This sums up the movie very accurately. It's mind popcorn, nothing more. The saving grace of this movie is that you KNOW it's a melodrama that's really not to be taken seriously.
The main actors bring life into what could be very overdone characters. The cinematography is not to be missed, and the supporting cast fills in the movie nicely.
Not a great movie, but a good movie to vegg out to!
As my general comment, Wild Things is a slick and fun thriller, but that's comes from my second appreciation for it. My first experience with it is so dizzy and makes a headache to me. The plot, ala Hitchcock flicks, is so complicated. I have no enough satisfaction on it, so I decide to give it one more chance. Well, this time, after understanding the plot structure, make me more relax and fun to enjoy it. Therefore, my recommendation is, better watch it two times.
7/10
7/10
Yes, it's lurid. Yes, it's trashy. Yes, it doesn't stand up to close scrutiny. And yes, if you're the sort of person who specialises in spotting plot twists, then you're probably going to do well here.
But if you haven't seen this film before, and you're prepared for something a bit on the lurid and trashy side, and you can manage to steer clear of the many spoilers among the reviews here, then you just might find that Wild Things is a fun ride.
Because there are, it's true, a number of twists and turns, and not everyone sees them coming. And if you aren't a twist-spotter, but you enjoy movies with twists, then you are going to enjoy this one.
I thought it was great fun. And, let's be fair, who's watching Denise Richards' acting?
But if you haven't seen this film before, and you're prepared for something a bit on the lurid and trashy side, and you can manage to steer clear of the many spoilers among the reviews here, then you just might find that Wild Things is a fun ride.
Because there are, it's true, a number of twists and turns, and not everyone sees them coming. And if you aren't a twist-spotter, but you enjoy movies with twists, then you are going to enjoy this one.
I thought it was great fun. And, let's be fair, who's watching Denise Richards' acting?
Much has been said about the sexual content of this movie for which I can only say it was nice to get such mice views, clothed and unclothed of Denise Richards. But overall the sexuality of this film is moderate at best.
Why i really liked it is because all of the twists in the plots actually come together. At the end of the film, integrated with the end credits, are previously unseen events that kept the full tale slightly hidden from the viewer. By inserting them at the end, the full story was told without inhibiting the ride. If you missed the hints and clues along the way, u can see what you failed to figure out.
Certainly this is not a tale that fails to stretch credibility, but its is a film for amusement. But unlike so many, the mystery is solvable and does not rely on contrivances created at the end to make you feel stupid. If you miss them you are not stupid, but if foresee any of the conclusion, and the can be foreseen, hats off to you.
Why i really liked it is because all of the twists in the plots actually come together. At the end of the film, integrated with the end credits, are previously unseen events that kept the full tale slightly hidden from the viewer. By inserting them at the end, the full story was told without inhibiting the ride. If you missed the hints and clues along the way, u can see what you failed to figure out.
Certainly this is not a tale that fails to stretch credibility, but its is a film for amusement. But unlike so many, the mystery is solvable and does not rely on contrivances created at the end to make you feel stupid. If you miss them you are not stupid, but if foresee any of the conclusion, and the can be foreseen, hats off to you.
During the very limited theatrical run that Wild Things recieved here (I think it was gone in about three weeks), a lot of the reviews and publicity created the impression that this was a soap opera sex thriller. I guess that's an easy approach to take when summing this film up, since its two female leads featured in Party Of Five and episodes of Doogie Howser (man what an awful show that was), not to mention that one of the male leads would be doing well to act his way out of a wet paper bag. The problem with that is that it is just too easy, and easy answer is exactly the sort of thing that this film goes out of its way to avoid. It is not trying to be a modern Hitchcock, it is not trying to be another Basic Instinct, it is just trying to tell a story.
The story, such as it is, seems to revolve around Blue Bay High School, the town it is located in, and its snobby, high-income elite, at least in the first reel. We are introduced to all four of the characters who will figure prominently in the story to come during a lecture to the students in their senior year. There's Sam the guidance counsellor, Ray the corrupt policeman, Kelly the daughter of the wealthiest real estate mogul in town, and Suzie the girl from the caravan park across town. All four of these characters have secrets they'd rather not share with any other inhabitant of the town, but that all comes apart when Kelly accuses Sam of raping her. Suzie corroborates her story at first, but then we get our first inkling that things are not all they seem, through the efforts of Bill Murray in one of his best cameos ever. The whole thing is seemingly a conspiracy between Sam, Suzie, and Kelly, but we are never shown whose idea it is until the very end.
This next passage will ruin a key surprise the film has in store, so don't read it if you haven't seen it. Unless things have radically changed in this regard during the last ten years, psychologists and other such professionals do not tell test subjects exactly what their IQ is. Even if Suzie or her mother did know exactly, this whole point is delivered with such sledgehammer force that it almost utterly ruins the subtle, slow buildup that the rest of the film exhibited. Were they just running out of money when it came time to film this spot and just decided to go with the quickest, simplest thing they could do? It would have been much more effective and satisfying if the ugly cop (I forget the name) had just spent five or ten minutes going through whatever Suzie had left behind on her run to the Carribean. Summing up this plot point in fifteen seconds was an exceptionally bad move.
Overall, however, you can't really go wrong with this film for an evening's entertainment. It doesn't feel the need to talk down at its audience, it doesn't resort to excess simplicity to make itself understood (except for the aforementioned ending), it just tells a story and tells it reasonably well. It is also another great example of DVD's utter superiority, especially during the threesome scene. When this part of the film is shown in its proper aspect ratio, you can make out every character and certain little details I'm sure that Denise Richards would appreciate not having available to horny teenage boys in a freezable and zoomable format. When was the last time you zoomed in on an actress' boobs with a VHS cassette, assuming they were left in frame after some jerk with an editing console chopped it down to fit those garbage 4:3 screens?
The story, such as it is, seems to revolve around Blue Bay High School, the town it is located in, and its snobby, high-income elite, at least in the first reel. We are introduced to all four of the characters who will figure prominently in the story to come during a lecture to the students in their senior year. There's Sam the guidance counsellor, Ray the corrupt policeman, Kelly the daughter of the wealthiest real estate mogul in town, and Suzie the girl from the caravan park across town. All four of these characters have secrets they'd rather not share with any other inhabitant of the town, but that all comes apart when Kelly accuses Sam of raping her. Suzie corroborates her story at first, but then we get our first inkling that things are not all they seem, through the efforts of Bill Murray in one of his best cameos ever. The whole thing is seemingly a conspiracy between Sam, Suzie, and Kelly, but we are never shown whose idea it is until the very end.
This next passage will ruin a key surprise the film has in store, so don't read it if you haven't seen it. Unless things have radically changed in this regard during the last ten years, psychologists and other such professionals do not tell test subjects exactly what their IQ is. Even if Suzie or her mother did know exactly, this whole point is delivered with such sledgehammer force that it almost utterly ruins the subtle, slow buildup that the rest of the film exhibited. Were they just running out of money when it came time to film this spot and just decided to go with the quickest, simplest thing they could do? It would have been much more effective and satisfying if the ugly cop (I forget the name) had just spent five or ten minutes going through whatever Suzie had left behind on her run to the Carribean. Summing up this plot point in fifteen seconds was an exceptionally bad move.
Overall, however, you can't really go wrong with this film for an evening's entertainment. It doesn't feel the need to talk down at its audience, it doesn't resort to excess simplicity to make itself understood (except for the aforementioned ending), it just tells a story and tells it reasonably well. It is also another great example of DVD's utter superiority, especially during the threesome scene. When this part of the film is shown in its proper aspect ratio, you can make out every character and certain little details I'm sure that Denise Richards would appreciate not having available to horny teenage boys in a freezable and zoomable format. When was the last time you zoomed in on an actress' boobs with a VHS cassette, assuming they were left in frame after some jerk with an editing console chopped it down to fit those garbage 4:3 screens?
Did you know
- TriviaBefore the filming of an outdoor scene by the river, a gaffer was fixing the lights and noticed something floating by in the river. It was a dead body. The police were called and when they arrived, they anchored it to the dock, out of sight of the camera. They removed it after the scene was shot.
- GoofsSam writes the words "Sex Crimes" on the chalkboard, but the next shot has it written in smaller letters. The number of underlines also changes. Actually there are four different layouts of this text between cuts.
- Quotes
Detective Ray Duquette: People aren't always what they appear to be. Don't forget that.
- Crazy creditsInterspersed with the credits are additional scenes that explain some of the plot twists.
- Alternate versionsThe Indian theatrical version was cut by the CBFC to achieve an 'A' (restricted to adults) rating in Mumbai. They made cuts to the visual of bare breasts during a love making scene, the visuals of Lombardo touching the girls' breast kneeling before her and lifting her skirt, removing her panting, sucking her breast, pouting her panties, her breasts, the love making of the three persons in bed, and the visuals of Kelly getting out of the swimming pool with the camera focusing on her body. Cuts were made to some lines in dialogues. "Fucking me in the ass", "motherfucker", "nail his balls", "fucking little ass", "stupid c*nt" and "cocksucker". The uncut version of the film was later re-classified 'U/A' (parental guidance) by the CBFC in Bangalore in 2013.
- ConnectionsEdited into Wild Things: Scenes from the Cutting Room Floor (1998)
Details
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $30,147,739
- Opening weekend US & Canada
- $9,622,444
- Mar 22, 1998
- Gross worldwide
- $30,166,293
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 2.40 : 1
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