IMDb RATING
4.7/10
1.9K
YOUR RATING
Ex porn star Valentino and Gary are in love with each other. But Valentino also has a girlfriend. Tragedy hits them, when Valentino collapses and is hospitalized with AIDS.Ex porn star Valentino and Gary are in love with each other. But Valentino also has a girlfriend. Tragedy hits them, when Valentino collapses and is hospitalized with AIDS.Ex porn star Valentino and Gary are in love with each other. But Valentino also has a girlfriend. Tragedy hits them, when Valentino collapses and is hospitalized with AIDS.
Hawk D'Onofrio
- Running Boy
- (as Hakan D'Onofrio)
- Director
- Writer
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I previewed this movie a while back and I think one reason why I really wanted to see this is because I saw it in the video store and thought I might want to see it. I previewed it and I just wasn't amused at all by this film! I thought maybe because Salma Hayek was in it, it would be somewhat decent but I was brutally wrong. Vincent D'Onofrio and Thomas Jane couldn't even handle this movie on their own. The only amusing character in the whole film was the Patsy Cline drag queen and he was deaf and hardly had any lines. Thomas Jane's character looked like he didn't give a rat's ass about anybody except Valentino (D'Onofrio's character). I think the movie is a waste of a lot of people's time when they could clearly be hitting the town but instead being put to sleep!
I found the movie to be great at times and despite a couple of awkward scenes, enjoyed it very much. The actors are all terrific, especially Thomas Jane. I also enjoyed the drag queen lip-synching along to Patsy Cline and the Halloween parade scenes. I have thought about this movie fondly ever since seeing it - its not like any other movie I've seen lately so I appreciate it for that, too.
What a pleasure it is to discover a little film which presents little pieces of your own life story. This is a film that I imagine many will question what the hell is the point. It feels like an exploratory independent film that doesn't try to be very clever or cool, just an ordinary story with plenty of room for randomness. As it fits in neither the energetic class of cinema characterized by Tarantino and Fellini, nor the understated class a la Hou Hsiao-Hsien and Gus Van Sant, it won't impress the entertainment seekers and may not work for the purists. That said, I personally liked it more than not.
The great Michelangelo Antonioni said that films are not to be understood; they are to be experienced. As a film VELOCITY may not score high, but viewing it was an experience which I will not forget soon. The scenes with the deaf boy in drag were simply poignant and memorable. I'll never forget the priceless look on his face when his wig was pulled away by the rascals. It was a look which captured a thousand unspoken words that few, if any, Hollywood star would be capable of replicating. His pursuit of Gary brings back traces of my own memory. For me, this character was the primary saving grace of the film; his "acting" was superb, so heart-felt that I'm not sure if it's acting or reality--probably a hybrid of both.
In summary, VELOCITY is a film where some fragments are better than the whole package. Whether or not you can enjoy the film probably depends on how much your life experience draws you to the characters.
The great Michelangelo Antonioni said that films are not to be understood; they are to be experienced. As a film VELOCITY may not score high, but viewing it was an experience which I will not forget soon. The scenes with the deaf boy in drag were simply poignant and memorable. I'll never forget the priceless look on his face when his wig was pulled away by the rascals. It was a look which captured a thousand unspoken words that few, if any, Hollywood star would be capable of replicating. His pursuit of Gary brings back traces of my own memory. For me, this character was the primary saving grace of the film; his "acting" was superb, so heart-felt that I'm not sure if it's acting or reality--probably a hybrid of both.
In summary, VELOCITY is a film where some fragments are better than the whole package. Whether or not you can enjoy the film probably depends on how much your life experience draws you to the characters.
"THE VELOCITY OF GARY" starts out promising and quite cinematic with hunky Thomas Jane as daylight cowboy Gary (not his real name) showering in one of New York's open hydrants. Montage of Gary (n.h.r.n) in every cinematographer's NY tribute from Bowery to Brooklyn, which makes Gary (nhrn) one busy cruiser.
Next up, Gary (nhrn) reluctantly comes to the aid of a young drag queen whose straight off the bus from one of the square states (swinging her suitcase and grinning as if she's just landed in the Greenwich Village of the musical "Wonderful Town" not the real-life scaresville of today) and is promptly set upon by gay bashers. Suffice it to say, the kid learns that interesting people do indeed live on Christopher Street.
Unfortunately, this collection of downtown losers is of far more interest to themselves than us. Under-developed and preening constantly, they speak in bad poetic jargon (the film's stage roots showing terribly) and manage to grate on our nerves in a New York minute. Selma Hayek (real name) and Jane (real name) are both oddly drawn to super-loser bisexual idiot played by Vincent D'Onofrio (who should change his name after helping produce this mess). All need a haircut in the worst way, making their adventure look like a 60's flashback when it's anything but. Everything goes downhill after the first flash forward and never recovers.
"The Velocity of Gary" is lacks both velocity and veracity. You're better off not having known their real names.
Next up, Gary (nhrn) reluctantly comes to the aid of a young drag queen whose straight off the bus from one of the square states (swinging her suitcase and grinning as if she's just landed in the Greenwich Village of the musical "Wonderful Town" not the real-life scaresville of today) and is promptly set upon by gay bashers. Suffice it to say, the kid learns that interesting people do indeed live on Christopher Street.
Unfortunately, this collection of downtown losers is of far more interest to themselves than us. Under-developed and preening constantly, they speak in bad poetic jargon (the film's stage roots showing terribly) and manage to grate on our nerves in a New York minute. Selma Hayek (real name) and Jane (real name) are both oddly drawn to super-loser bisexual idiot played by Vincent D'Onofrio (who should change his name after helping produce this mess). All need a haircut in the worst way, making their adventure look like a 60's flashback when it's anything but. Everything goes downhill after the first flash forward and never recovers.
"The Velocity of Gary" is lacks both velocity and veracity. You're better off not having known their real names.
I just watched the movie. And I can't understand the bad critics, because it is a sweet and interesting movie. The Actors doing a pretty good job. Especially Thomas Jane. He was part of the reason why I rented it in the first place. His performance was stunning.
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Details
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $2,143
- Opening weekend US & Canada
- $1,242
- May 2, 1999
- Gross worldwide
- $2,143
- Runtime1 hour 40 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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