This Is My Father

A teacher (James Caan) finds some photos that let him know his mother hadn't been truthful about who his father was. He takes his troubled grandson and heads to a small village in Ireland to seek out the truth, what he find is a very romantic and rich story of the past. I wouldn't have thought James Caan would have been the best actor for this role, but he definitely pulled it off well...as did the supporting cast. As with most films shot in Ireland, you can't help but be taken by the scenery. A lesser known film that's worth a look.

*** (out of 4)

I just wanted to do a fancy Irish jig after watching this film. Coming in with little to no expectations, I was elated to sit back and actually watch a good old fashion romantic tragedy unfold. The Quinn brothers (Aidan, Paul, Declan) should be immensely proud of this hard won film achievement. It was a treat to watch. James Caan stars as a emotionally distant man who has little information on his past, more specifically, on who his father was. He travels to Ireland with his nephew to find his roots.

The film is really a triumph of writing and acting. Aidan Quinn, who stars as the farmboy, gives his most powerful performance ever. After nearly sleepwalking through his entire career, it is this film that the actor truly digs deep and takes the audience through the wringer of emotions. It's an astonishing performance and will be remembered at the end of the year. Caan also brings something new to his table, restraint. Newcomer Moya Farrelly shines brightly as the young mother to be. I liked her spunk and her ability to make the role seem more believable than I suspect the page held. Director Paul Quinn has a steady eye for Ireland. While we've all seen the small village life in that country many times before, Quinn has the ability to make it all seem new and fresh. The screenplay isn't a joyous one. It's rather dark but the emotional impact is shattering. This is one solid movie in almost every way you can conceive. I hope more Irish tales are on the way from the brothers Quinn. --------------- 9

Not many people will admit they saw, "This Is My Father", a touching, Romeo and Juliet looking film that has such warm sentimentality and such quiet dignity, that you have to defend yourself for seeing it. But defend you must. This is filmmaking at its gut level best, made by the Quinn family (Aidan, Paul, and Declan) no doubt to honor their Irish heritage as well as their father. The film does a nice job of splitting the scenes of present day, when Kieran is trying to find out about his father and the past, through the words of Mrs. Kearney retelling the ill-fated romance between Kiernan's mother Fiona and his father with the same name. The film details the harsh existence of country life and the stoicism of the Irish people suffering from both their poverty and an oppressive religion that does not recognize the meaning of love. The acting is commendable but my heart goes out to Moya Farrelly as the young Fiona - her screen presence is just as electrifying as the Greta Garbo she so much admires. One gripe with the Quinn brothers - why throw in the little nothing romance between Jack and Maria if you don't do anything with it. It could have served as a vehicle to show that the roots of the Fiona and Kieran tragedy run deep, even today, by showing lovers rejected because of where they come from. That aside, go see "This Is My Father" and don't be ashamed to say you saw it and enjoyed it.

This story about a doomed romance begins when the professor Kieran(a serious James Caan) discovers photos from his mother's youth .He decides investigate his Irish roots but he wishes to know the authentic identity about his father . He travels along with his niece(a sympathetic Jacob Tierney)toward Irland where he believes his father resides. Meanwhile, the events are told in flashback with the romantic story of Kieran(a sensible acting by Aidan Quinn), a poor waif adopted by a good couple farmer and beautiful teenaged Fiona(Farrelly with similar countenance to Patricia Arquette).

This dramatic film displays love and passion, but also hatred and tragedy. It portrays Irish customs, despotic priests, the class differences in rural Ireland in the 30s and the tragedies it originates . Casting is frankly excellent. Aidan Quinn is magnificent as affecting farmer tenant, Farrelly as wealthy young girl is gorgeous and James Caan as middle age teacher is nice . The secondary cast, Stephen Rea as authoritative priest, John Cusack as a ¨Life¨ review photographer-pilot and Bernard Gleeson as agreeable guard-man are very fine. This is a familiar film where all Quinn family have intervened . Evocative cinematography by Declan Quinn and Irish music score with folk sounds . Writing based on a story Theresa Quinn told her children. The motion picture is well directed by Paul Quinn. Rating : Good and better than average. The film will like to romantic drama buffs.

Although this tragic valentine is mostly the labour of love of the Brothers Quinn (Aidan, Declan, and Paul), James Caan excels even more with what should have been a thankless role. As the teacher and uncle spurred on a search for his roots after discovering an old picture of his mother with an unknown man, Caan lends subtle dimensionality and nuances that ring true on every chord. The Irish countryside is lovingly filmed. But Paul Quinn never really decided whether this was a slice-of-life or an epic. He had many stories he wanted to tell, and ran out of time to conclude most of them while wasting far too much screen time reinforcing what we already knew about Fiona's stereotypical propertied widow mother and the kindly farmer with the somewhat shrewish wife who adopted Aidan Quinn's character, Kieron. The actor playing Father Morton also failed to supply new insights after his initial appearance. Stephen Rea is brilliant in a cameo as a fire-and-brimstone visiting priest. John Cusack adds a brief touch of magic, but adds nothing to the narrative. Moya Farrelly scores big in her cinematic debut as Quinn's love interest. Their chemistry is electric. All the townspeople are believably played and the music is marvelous. But it is annoying that the curses are colorfully bestowed and given interesting beginnings, but we never are let in on the final fate of the widow. More annoying still is being introduced to the nephew's turbulent yet loving familial relationships, watch a parallel develop, and then dropped. What effect does all this have on Kieren's sister, the boy's mother, who is equally entrenched emotionally in the search, but disappears without payoff?

Overall, this is well worth seeing. It might have been better with more experienced editing and directing, and perhaps, a crisper script. Yet, flaws and all, it remains enjoyable on its own terms.