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Liv Tyler, Sean Astin, Sean Bean, Elijah Wood, Cate Blanchett, Viggo Mortensen, Ian McKellen, Orlando Bloom, Billy Boyd, Dominic Monaghan, and John Rhys-Davies in Le Seigneur des anneaux : La Communauté de l'anneau (2001)

User reviews

Le Seigneur des anneaux : La Communauté de l'anneau

5,934 reviews
10/10

An absolutely incredible film!

Simply incredible. Never before have I seen a 3 hour movie that didn't seem like 3 hours. I read the Lord of the Rings very recently and I was surprised at how similar Peter Jackson's vision was to my own.

Now about the omissions and alterations. I'm not a crazed fanatic who gets worked up over every little detail. I didn't mind Arwen's inflation and I'm actually glad Tom Bombadil was scrubbed (I felt Tom Bombadil was an unnecessary addition to the book). Despite these minor changes, the screenplay stays extremely close to the book and flows very very well (and the prologue was a nice touch).

The acting was flawless. As I've read many many times in other reviews, McKellen doesn't play Gandalf, he IS Gandalf. Wood, Mortensen, Holm, Astin, everyone was fantastic. My hat's off to Sean Bean who delivers an excellent performance as Boromir, a character who's intentions are good but wrestles with the corrupting power of the Ring. Bean portrays it VERY well. Oh, and Andy Serkis does a PERFECT Gollum voice. It's EXACTLY as I imagined it myself.

The special effects were incredible, the cave troll, the balrog, Gollum, and Sauron's Eye all looked amazing. I was also very impressed by the seamless shrinking of the vertically challenged characters.

What's wrong with this movie? I have no idea... I thought everything was perfect. MY biggest gripe is having to wait an entire year to see The Two Towers!
  • NRGWasp
  • May 1, 2002
  • Permalink
10/10

The Fellowship of the Ring: Not just a Movie, but the Door to another Dimension

The first part of the Lord of the Rings trilogy, the Fellowship of the Rings opened the door to a whole new world for me. I'd never read any of Tolkien's books when I saw the film for the first time at the theatre and, now that I've read them, in retrospect I think being a neophyte to the mythology made my LOTR movie experience all the more miraculous.

I loved The Two Towers and Return of the King almost as much as FOTR, but not quite, because seeing Fellowship for the first time was like taking a journey to a fabulous new place and meeting incredible new friends that you don't want to leave. I've never felt anything quite like what this epic evoked in me. It was akin to being a child again, with that tireless sense of wonder and enjoyment of each and every moment, maybe because as a child you are discovering your surroundings, and whatever age you are, when you watch the Fellowship of the Ring you are rendered in awe upon being introduced to the purity and beauty of Middle Earth and darkly enthralled by the majesty of Eisengard, Saruman, Sauron and all of their mighty malice. One of the things that makes this movie so special (and there are so many!) is that you fall in love not only with the "good" characters, but also with the "evil" ones. For example, Christopher Lee was amazing as Saruman, and I can't imagine the movie without him.

Some films that might be comparable to the Lord of the Rings trilogy are: The Fifth Element, the Star Wars Trilogy parts IV, V and VI (forget the newer prequels), the Matrix trilogy (especially the first part), Interview with a Vampire, the Legend of Sleepy Hollow (with Johnny Depp), Logan's Run and The Island. They are all excellent movies and works of art that weave that movie magic that keeps you spellbound and entranced for the duration of their runtime.

But after seeing The Fellowship of the Ring, I knew I had found the movie by which I would judge all other movies. Based on J.R.R. Tolkien's beloved books, Peter Jackson has set a new standard in the industry of cinema, one that I honestly think has not and won't be surpassed, at least not in my lifetime, not even by PJ himself.

It is truly an instant classic that will stand the test of time and be loved by generations to come. God Bless Tolkien and Jackson and everyone involved in the conception and making of this film, for creating a world that is at my fingertips, only takes the touch of a button to go to whenever I want, and makes me forget everything else.

The LOTR Trilogy is undoubtedly MY precious, the non plus ultra of all movies!
  • bonnie91
  • Apr 13, 2006
  • Permalink
10/10

Thank you Mr Jackson

(95%) If the late 70's early 80's had the Star wars trilogy, then the 2000's had this epic fantasy masterclass. Regardless of whether you're a fantasy fan or not this is too good a movie to simply pass up, and it will be one of those movies that given time will prove it to be a classic. The deeper you look into this the more one notices that every single aspect really is a truly impressive accomplishment. The fact that every single sword used by the main characters was made by hand, with extra ones made only for carrying, fighting, etc, then there's the costumes/armor/props all made by teams of many people. They even made artificial trees for gods sake. But really all those things are just extras, what really makes this a unique watch is that it really does feel huge and sweeping, the sense of scale is fantastic and I can't think of anything that even comes close to matching it. What every epic flick needs this has, the cast is great, it's exciting, it has bags of character, it's funny, sad, superbly well made, with a great score and plenty of action. It's also one of very few 2 hour 30 minute + movies ever that leaves the audience wanting more. Since watching it around Christmas 2001 at a packed out cinema, and the many times I've seen it on DVD since, it never fails to impress and charm. All in all near perfect cinematic treat that keeps on giving.
  • adamscastlevania2
  • Nov 10, 2014
  • Permalink
10/10

How the hell did they film this thing

An incredible feat Enthrals anew every time Cannot believe its two decades ago Love it so much
  • mosquitobite
  • Mar 6, 2021
  • Permalink
10/10

Masterpiece

  • mfellipecampos
  • Aug 7, 2020
  • Permalink

Wow!

Breathtaking. Unique. Captivating. Enchanting.

Within minutes of the start of this first chapter of an undeniably epic trilogy, the audience was left gasping at the intensity of the images on the screen. And we had nearly three hours to go.

The scope of Tolkien's masterpiece may have eluded film-makers for decades, but director Peter Jackson makes good on his promise: he has not only brought us the tale of Frodo and his bold companions, he has brought us Middle Earth. And believe me, it is BIG. Sweeping vistas and hang-onto-your-seat camera shots send us zooming through the towering cities and citadels of Tolkien's imagination.

But even more impressive than the stunning visuals and sound-effects-like-you've-never-heard-before are the actors who breathe life into the characters. Ian McKellen's portrayal of Gandalf is nothing short of awe-inspiring, and Elijah Wood's Frodo is one of the most unexpectedly captivating performances I've seen in a long time. The despair, terror, and determination of the Fellowship is all there, in spades. I left the theater aching...from tensing every muscle during the fight and flight sequences--the breathless and compelling kind we haven't seen since Spielberg gave us a desperate charge onto the D-Day beaches of Normandy.

Those unfamiliar with Tolkien's world may quickly find themselves lost in it, but happily so. The depth of his creation cannot be grasped in a few hours, and it doesn't need to be; the struggle of good against evil explodes on the screen, and leaves little room for complaint.

The movie ended with a stunned audience sitting on the edges of their seats, feeling somewhat bereft. We were exhausted, but no one wanted to wait a year for more.

Jackson's ambitious first chapter is truly unlike anything you've seen this year. George Lucas and Chris Columbus take note: this is how you deliver on a cinematic promise.

For everyone else: don't you dare miss it.
  • minionlost
  • Dec 10, 2001
  • Permalink
10/10

First, And Still The Best Of LOTR

Here is one film that lived up to its hype, and by the time I saw it after it had arrived at the video stores, I had heard and read a ton of things about it, and seen all the awards it had received, and expected a lot. To my surprise, it did not disappoint.

Now, several years later after having watched all three of these "Rings" films twice each, I still think this first movie of the trilogy is the best. It is a truly spectacular adventure story all the way through, probably the best ever put to film...and the first three hours of it is extra special. The following two films were very good, to be sure, but this first had a better mixture of the story. The second and third movies were almost entirely Frodo and his allies' long journey, but the first half of this movie also gives a good bit of interesting introductory material including a number of scenes at the Shire, before the long adventure starts. If you watch all three of these films consecutively the action wears you down by midway through the final episode and it almost becomes just too much That never gets a chance to happen with the "Fellowship" film.

Anyway, "Fellowship," stunned me for the visuals alone. I can't recall any film that has so many jaw-dropping scenes, one after the other, for three straight hours. Some are beyond description, and I don't care if they are computer- generated. So what? The fact is they are awesome to view, both in beauty and in staggering action scenes that feature incredible-looking monsters and other mythical characters.

The story covers all kinds of terrain, too, from the lush Shire of the Hobbits, to the harsh neighboring landscapes. Each couple of minutes, as in the two movies that followed, scenes radically change from calmness to action, adventure to romance, sweet lovable characters to hideous monsters, on and on and on. It's an incredible movie experience.
  • ccthemovieman-1
  • Mar 6, 2006
  • Permalink
10/10

Great

It is my firm belief that the standard versions of The Lord of the Rings should be jettisoned in favour of the extended editions universally. Sure, the near 4 hour runtime is a tad steep, but for an absolute masterpiece like this, it's work every second and the first act of undoubtedly the best trilogy in cinematic history!
  • 0U
  • Feb 14, 2020
  • Permalink
10/10

Never before in my life were my cheeks more aching...

...but oh was I thankful for it!!! All through the movie I kept on having this big large smile sculpted into my face. For the record, I'm 25 years old, and I've read "The Lord of the Rings" in three times for the first time when I was six or seven years old. Ever since then, I read it at least once or twice a year - therefore you can count me as a fan, for I follow the same cult fan procedure with "The Hobbit" and "The Silmarillion" as well. Now onto the movie... Gosh, I saw it more than one time, and I keep wanting more of it. It just never gets boring! I really enjoyed the little stuff that is found throughout the movie for fans of the books (the map on Bilbo's table in his house comes to mind, it is exactly as the one in "The Hobbit" book that I own), and I also incredibly enjoyed the intro sequence with the re-telling of the battle against Sauron from the Silmarillion, never has an ultimate evil being been so well depicted on the screen. It truly is Sauron.

Those who argue the movie cuts too many parts or that it changes the story too much are totally wrong. This movie could not have shown the whole first time in its entirety - keep in mind that the audiobook version of 'Fellowship of the Ring' lasts well over ten hours, making a movie this long would, well, make it way too long and besides, how would you financially sustain such a project? I've read a reviewer saying he'd make all three books with the time allowed for the first movie alone. I think it would be a very fast-forwarding experience of a movie with 'Alvin and the Chimpmunks' kind of voices, incredibly stupid to say the least.

Ok, so there are changes in the movie - well, this is Jackson's vision of it. All of us have our own visions of the books, which may or may not be compatible with that of Jackson's, but I can safely assume that nobody can say they have a hundred percent the same vision of the story as Tolkien; that's the thing with books: each reader has a different vision of it. As for me, I was blown away. Never before have I felt so much at home in a movie, it is as if I had taken a walk in the town where I grew up, the Shire, Rivendell, Moria, Lorien, everything felt so much like home, I was moved. I cannot tell of another movie that had me shed tears just by seeing a landscape on screen.

As for the changes, well, I found good reasons behind all of them, and let me tell you right away, I was happy that Arwen saved Frodo, yes, maybe coming from a fan it will look like absolute heresy, but I enjoyed the scene a lot. I did not enjoy it because it was supposedly politically-correct to do so, or that I find Liv Tyler to be absolutely attractive; it was just because I felt like even though it was a big change from the book, it was a very good one indeed, it makes you discover the power, determination, and courage of elves and the fact that even elven women, although great in their beauty and seemingly fragile in appearance do not have anything to envy to their male counterparts. And beside, as Arwen is to become a Queen later on, it was pretty good to see her have a great first appearance.

The actors were great, they were a lot into their characters, and for the first time, I saw elves as they were, quick, agile, terrifyingly effective in battle - just look at how Legolas dealed with the hordes of enemies without a single hint of fear in his eyes - these are elves as they should be. Gimli was great too, I know people seem to think many characters were not developed enough, but by the actions you can learn a lot. With Gimli a lot can be learned about the dwarves, their pride, deep sense of honor and family, their mistrust of elves, their love for strong beer and a good fight against anything bigger, and their sheer hatred for orcs and the likes. Aragorn was totally the ranger character, the ending scene as he walked toward the horde of Uruk-Hai warriors was great, his attitude, his clothes, everything about him just cried "ranger". Boromir was very well depicted, desperate to save the people of Gondor, by any mean necessary, robbed of all hope, yet in the end he redeems himself by showing his true valour, deep down, he's willing to die to defeat evil, and when he recognizes his king in Aragorn, on his last breath, I felt like watching a hero die, it was moving. The hobbits were all great, Frodo is deeply sad and fatalist, and Sam is just the 'best friend' everyone would like to have, just as it should be. Finally, we have Gandalf, quite frankly, he looks mighty, Ian IS Gandalf. The faceoff against the Balrog in the Moria is a memorable sequence, and just shows how strong he really is, to be able to vanquish such a foe. I can't wait for his return.

Quite frankly, I can't wait for the two other movies... In the meantime, I'll watch this one over and over again. This movie has everything that a good movie needs to have, and more. Plus, it just might bring more people to actually read books that have more pages than the average little 25¢ novel that has no value in it, which is great. Parents, maybe some scenes will frighten your kids, but this movie has almost NO blood (even though it has a good share of battle) and the foes are undeniably evil, plus it has good values in it - friendship, courage, responsiblity, sacrifice for a good cause, and the belief that anyone can help to change things. This is worthy of Tolkien, this is a movie that will go down in history as being one of the best ever, for sure.
  • Nachtritter
  • Jan 29, 2002
  • Permalink
10/10

I will bring this experience with me for the rest of my life.

  • Koola
  • Dec 3, 2001
  • Permalink
10/10

Near perfect adaptation of a fantasy benchmark

  • Leofwine_draca
  • Aug 18, 2016
  • Permalink
10/10

Greatest `Fantasy' Book become greatest `Fantasy' film

I think it is important to remember that Peter Jackson took up this film not in order just to make a film of `The Lord of the Rings' but because he wanted to make a 'fantasy just like the `The Lord of the Rings'" as he himself put it. After repeating that phrase on a number of occasions the question popped into his mind: "Well, why not the `The Lord of the Rings' itself?". In doing this he, of course, set himself an enormous challenge: he had to make a really good `fantasy' film, one which would stand on its own and be true to what he had originally wanted to do but he would also, and here the task he had set himself was enormous, be true to the original book and to make a film which the legions of people who have loved this book would feel happy with. In the latter task he was certainly not helped by the author or the book: Tolkein, it would seem, hated cinema. The book itself is `HUGE': this was not going to be the kind of task that the James Ivory team set themselves, or Scorsese nor the kind of task facing Branagh with Hamlet; nor was it going to be like the puny task that faced Columbus with `Harry Potter' who had the bigger budget ($130 million for one film as compared with Peter Jackson with $300m for three).

I have just seen the first `volume' and can say without hesitation that he has succeeded in both his goals. It is not the book but a reading of the book which is inventive and fascinating. It is the kind of experience that makes you want to go back and reread the whole thing in the light of the emphases that Jackson has brought to the story. He focuses on the corrupting influence of the ring and, through this focus, the character of the chief protagonists of the story are revealed. Clearly those most tempted by it are mortal men (Boromir and even, in one moment, Aragorn), those who already have power (Elrond - `The ring cannot stay here'; Galadriel; Gandalf and Saruman), and, of course, those who would not normally desire it but who by accident become ring bearers - Gollum, Bilbo, Frodo. I can see why, in this reading, Jackson decided to leave out the Bombadil episode. Bombadil, like the Balrog, is beyond the ring but the latter is important to the unfolding of the story of the fates of all the characters, Bombadil isn't.

It is a miracle of this reading of the first volume of the book that one can see where Jackson is going and one can get a feel of how the reading is going to unfold. In a sense, Jackson's real trial - as far as those who know the books are concerned - will come with the second film in the series. He has lived up to our expectation by creating even bigger ones: how can he handle the story of the chase andrescue of Merry and Pippin, the storming of Isengard etc - stories which don't really add much to the core theme that is emerging. Or is he now going to add the theme of the great contest of good versus evil to the unfolding reading?

All of this points to the fact that the film, even though it is a feast of special effects, focuses on character. And this also explains why Jackson chose the actors he did for their roles: they are not `big' names - no `Sean Connery', no `Alan Rickman', no `Brad Pitt', no `Sam Neill'etc. He didn't want them getting in the way of the story of character. Ian McKellan's talents, in particular, are used to tell a large proportion of the story: an enormous amount is conveyed simply through his facial expressions and even by the language of his body. The other miracle in all of this is Elijah Wood. Like many others, when I first heard of Jackson's choice, I groaned: but Wood has been extraordinary. He brings, as one friend said, a strange kind of androgyny to the role and this is just perfect. McKellan has already been knighted: give Wood the Oscar.

And then there is Middle Earth: this is, as someone put it, another character in the story and the New Zealand landscape, digitally enhanced on occasion, lives up to its role too.

Enough. See this film! Greatest film ever made? How can one make a claim like that! Silly really; as silly as claiming that `The Lord of the Rings' is the greatest book ever written. Can't one simply love a story, enjoy reading it a number of times amd lose oneself in it. One CAN claim that it is the greatest work in its genre as is the film.

10/10
  • Yrneh
  • Dec 21, 2001
  • Permalink
7/10

Masterpiece of visuals, but only visuals

'The Lord of the Rings: The Fellowship of the Ring' is an epic, ambitious film in scope and magnitude, if not in heart. It tells the fantastic story of Frodo, a hobbit (small person) from the Shire in Middle Earth. The Shire is a peaceful place, as close to utopia as one might find. His peace is interrupted when the sorcerer Gandalf rides into town and discovers the secret to Bilbo's ring. Bilbo, also a hobbit, acquired the ring from Gollum - a distorted creature whose life has been elongated, but also deformed, by the mystical ring.

When Bilbo leaves for adventure, it is Frodo's job to return the ring to the desolate Mount Doom and cast it into the fire from which it was made. This, you see, is the only way to destroy the ring. As a mere hobbit, Frodo cannot shoulder this burden alone. Along for the journey is his gardener and confidant Samwise, Sam for short. Two other hobbits, Merry and Pippin, too immature for their own good, meet up with Frodo and Sam on their way to the magical land of elves.

Once there, a "fellowship" is formed to destroy the ring. One of them is Aragorn, a ranger with a secretive past. He is the primary focus of 'Lord' other than Frodo and the ring. He is a descendant of the man who held the ring over Mount Doom and could not destroy it. He is in love with the elf Arwen but the backdrop of the times leaves that love affair in jeopardy.

Sauron, the dark lord who originally created the ring, has found out its location and seeks out the hobbits, and later the fellowship, to take the ring back. Saruman, the secondary villain in the film, is Sauron's "puppet," but also wants the ring for his own power. He is a sorcerer like Gandalf, but has turned to evil.

Also in the fellowship, protecting the ring from Sauron and Saruman, is another man, Boromir. He is from the land of Gondor. Legolas is the lone elf representative in the fellowship. Elves are the fairest of the many creatures of Middle Earth and gifted archers. There is also a dwarf (slightly taller than a hobbit and certainly more robust) named Gimli. Dwarfs reside in mines, great connections of caves in the mountains through which the fellowship must journey in order to complete their task.

It is difficult to summarize the plot of 'Lord of the Rings' because of the amount of information that is thrown at you. There are characters and their ancestors; different creatures in the elves, dwarfs, hobbits, and men. In addition to them there are the mysterious orcs, goblins, ringwraiths, uruks, sorcerers, and the creature all onto itself, Gollum. This complexity in setup and the numerous strands of plot to keep under control is the primary problem with 'The Lord of the Rings.' It took me up to three viewings to saturate all of this material and half way understand it.

The triumph of Peter Jackson's labor of love is that you want to watch it indefinitely to soak in all of this splendor. The effects and settings are indescribable other than to say nothing this stunning has ever been featured on film before. Visually, the picture has no equal and will forever be understood as altering the way movies are seen. Unfortunately, to tell the story's backdrop, much of the humanity involved in Middle Earth is left on the back burner. In addition to that, there is a serious problem with pacing.

The filmmakers seemed more interested in remaining faithful to J.R.R. Tolkien's original creation than they are in attempting to make a workable adaptation into a film. In that regard, there is a large battle sequence that feels very much like the climax of the film, but is then followed with upwards of an hour of more footage! This was the straw that led 'Fellowship' from being a great film into a good film. With that in mind, I am forced to think of 'Fellowship' as split. It is a masterpiece of visual technology and presentation, but married to a story that needs more heart and less intrusion of detail. *** out of ****
  • bzb2001
  • Feb 9, 2005
  • Permalink
2/10

Every cliché in the book.

I read "The Hobbit" in school. Even as a twelve year old I thought it was childish. Obviously I never read "Lord of The Rings". I have no problem with fantasy. As other posts of mine on this site show. The problem with this, book or film, however, is that it is accorded such status as implies it to be worthy of regard as in some sense a "serious" work of art.

Concentrating here on the film, I found the whole enterprise grindingly y tedious and even quite objectionable. From the unending, detailed narration at the start onwards. As we jump to Hobbiton we are accosted by the jeepy-jerky lilt of the cliché movie-land "Oirish" folk music. Every moment of this struck me as a dreadful lie. I may not have read LOTR but I know some things about it's background. Tolkien used as his source paradigm for the "Shire" references to the culture of South-West England, particularly around Somerset. That is WHY it is called the flaming "Shire" ( like Wilt-shire, Hamp-shire, Gloucester-shire ) for Pete's sake. Where the hell does all this yip pity-yo line-dancing soundtrack come from? Not to mention the smattering of characters with ginger hair and American-Irish accents! It is as though the need was felt to accommodate the kind of American audience for whom bucolic innocence is only conceivable in terms of the Hollywood "Old-Country" of "The Quiet Man".

These people are anyway nothing like Hobbits. They resemble regular Caucasians with pointy ears and a bit of hair on their nearly-normal sized feet. They are too clean. Hobbiton here positively gleams with newness. Cleaner than any place I have been to in the real world ( as I have not visited Switzerland ). Bilbo's palatial warren has the gleaming un-lived look of scenes in a furniture catalogue. No dust, no dirt and no wear or tear in sight. This is more the subterranean show-home of an environmentalist billionaire than the modest under-hill burrow of an impecunious hominid ground-hog that it is supposed to be.

The music get's even worse. For one thing the repeated cheaply manipulative interjections of a few sentimental bars of Sibelius. For another the kind of dreadful fake-liturgical choristing that we associate with films such as "The Omen". This even employs an old, oh so VERY old B-movie technique of patterning lines of music to sound like lines of text. Most famously evident in Lon Chaney's "Werewolf" in which the orchestra sounds like it is saying "The were...wolf, the were...wolf, the were...wolf." Here it comes up to grating effect when the Black Riders appear and the fake Latin choir seems to sound like "The evil, it's here, the evil, it's here, the evil, it's here..."

Clichés, clichés everywhere. Take the design of things, resembling as it does the kind of Celtic and Gothic clichés one sees in the work of tattoo parlours. These past twenty tears. Liv Tyler's pendant that she waffles on about at length in awed terms looks like something you would buy for a fiver in the high-street comic-shop. The architecture, festooned with ridiculously useless points and wings seems to come straight from the doodlings made by a bored schoolboy during Friday afternoon chemistry class.

Then the over-blown battle scenes. If there are that many creatures willing to go to their death in Middle Earth, where the Hell are they the rest of the time? The place seems to be empty until a war starts when fifty million CGI battle-fodder suddenly show up to do service, from nowhere. As if by...magic.

More grating, irritating features: Elisha Wood's perpetually perplexed look after a while really begins to irritate a part of my anatomy beginning with a "T". The "action" is mostly talk. The story positively d..rrrr..aa....g.g.g....sssss along. When something happens, it is usually more talk.

However, the film is not simply tedious, boring and unimaginative. I find that it is positively distasteful. The story is presented as some kind of vehicle of wisdom and morality. But it is precisely there that it is at it's weakest. The world we are shown revolves around magic, but contains no religion. The creatures fret continually about spells and invisible forces, yet they appear to have no moral framework, no compass of ethics, no churches and no worship. Good and Evil are presented as self-evident, like day and night. The evil are ugly. Ugly people are evil. Is that wisdom? Questions of practise are reduced to arguments about tactics. Obviously the convention of "White Hat, Black Hat" is customary in the cinema. But usually presented only as escapist entertainment. Here it is implied that we should attach some significance to proceedings. Such significance being the very attitude that plagues politics in the U.S and Western Europe, where followers of one ideological camp see anyone who disagrees with them as self-evidently stupid, misguided, even, evil and worthy of death-threats.

LOTR hit the big time in the Sixties as an unofficial "Green-Book" of Hippiedom. This is at the heart of it's vision, as here found in the film. In this story, only the bad-guys, the evil ones, use technology. We see this asserted in the patently industrious mien of their kingdom, all forges and furnaces and cauldrons brimming with production. Contrasted to the bucolic, literally airy-fairy aspect of the lands of the "good". In fact, that world of industry, having forged the Ring is implicitly asserted to be the very source of all that is evil in the world. This film proselytises for a Rousseaesque fantasy of pre-lapsarian innocence and moral virtue. An attitude that refuses to accept the harsh truth's of nature, renounces Humanity's tools of advancement and abrogates the harsh responsibilities that are necessary for survival. This is the very mind-set that is today, in the real world, threatening the survival of Western Industrialised Civilisation. The only civilisation with the leisure and free resources to indulge in such a fantasy.
  • Alex-Tsander
  • Apr 30, 2005
  • Permalink

Embrace the magic

It is with no surprise that Peter Jackson's The Fellowship of the Ring film has received such mixed critics. Many viewers refer to it as being childish, boring and uninteresting. Seems to me that it is bound to the same fate of Tolkien's books, destined to be a target for the same type of misunderstandings that keep attacking this literary masterpiece many decades after it's first publication.

Having read the books several years ago, I went to see this `impossible' film when it came out with many doubts on my mind. I really liked it, but left the theater with as many doubts as I had before. Was it perfect? Well, maybe not, but what an achievement. After watching it a few times on DVD, and thinking about it for some time now, I find myself loving this film more and more. Let me tell you why...

The Lord of the Rings is a fairy-tale of myth and fantasy. Peter Jackson directed a film that was considered, for a very long time, impossible to make, and not only for technical reasons. The narrative roots are incredibly long and detailed, and the storyline is deeply connected with the creation of a fantastic continent from a time unknown called `Middle Earth'. It's author, Tolkien, dedicated a considerable part of his life developing this continent's background, it's mythology and origins, it's different kinds of people, cultures and languages, and therefore it's geographic references are determinant to the unfolding of the story of the One Ring.

Peter Jackson went out to achieve the impossible and came out with a recreation of the original that is pure and true to the story in every detail. The first time the four hobbits meet a black rider on the road, for example, is absolutely faithful to the feeling of the book. The assault of the riders at Weathertop is another great example, and it captures that feeling of danger, density and atmosphere that are the main characteristics of the tale. Jackson also took some liberties with the story, and made some right choices along the way. If the so called `purists' may not approve the removal of Tom Bombadil altogether, it should be comprehensible that the travel from Hobbiton to Rivendel is a very long and detailed one and could easily make a movie on it's own. I felt more uneasy with how short the Council of Elrond was. In the book, the council is where the whole story of the rings is first explained, and many passages from the past ages of Middle Earth are unveiled. It is a fascinating moment of the story, that had to be shortened for obvious reasons. Still, after some consideration, I now agree with the options made by Peter Jackson, and think that the movie prologue narrated by Galadriel was the wisest choice. The magic is all there when Gandalf shuts his eyes the moment Frodo stands in the council and says `I will take the ring'. It is there at Moria's Gate, and at the fall of Boromir. It is a powerful film that doesn't fit the rhythm of the standard Hollywood action movie. It is a film that breeds, that takes time to unfold, it's tale branching in every direction.

I could go on and on, talking about all the different elements that bring this film close to perfection, but I'll end saying that deep down, this is not about action, beards and big monsters. The greatest thing about this film, to me, is that it brought me back to a time when I was in love with a different world where everything was possible. Reading The Lord of the Rings night after night, I came to understand what this thing of `mankind' really was all about. The corruption of absolute power, the importance and value of friendship, the inevitability of growing up, the strength of hope... That this film could capture that magic, and be a new bearer to it's message of humanism, is a statement to it's greatness. Gandalf's words, that even the smallest person may change the course of the world, and have a part to play in the destiny of all, are immortal.

In the end, this is a wonderful film, but that doesn't mean you are going to like it. I cannot tell you what it is like to see this film if you don't know or love the book. But I hope it may plant a seed on your heart to discover a great world of fantasy, beauty and humanity. I believe Tolkien would have liked that.
  • Rinaear
  • Oct 7, 2002
  • Permalink
10/10

An amazing beginning of the trilogy. An amazing end of the movie.

"For the time will soon come when Hobbits will shape the fortunes of all."
  • Galadriel


Galadriel tells Hobbits may look like unimportant people but they will change the course of the future. Story begins with this line.

This line is not really the first line but the line stars the movie for real. This movie is breathtaking. Whatever I say is not enough for this trilogy. Brilliant novel, brilliant adapted screenplay.

Not just the novel or screenplay is excellent but the technics also revolutionary. The trilogy nearly opened a new era to Cinema. Some believed even more revolutionary than Star Wars and 2001: A Space Odyssey. Amazing makeup, breathtaking visual effects, stunning cinematography. The trilogy nearly succeed at all technical subjects.
  • EVON1TY
  • Jun 13, 2019
  • Permalink
10/10

"Remember what Bilbo used to say, it's dangerous business Frodo, going out the door."

  • classicsoncall
  • Dec 21, 2005
  • Permalink
10/10

One of the greatest films of all time.

Star Wars has been dethroned. Although George Lucas' movies are good in their own right (except for the juvenile elements he puts in to sell toys to finance the franchise), his scripts (which borrow heavily from J.R.R.Tolkien, mythology & religion) can't compare with the brilliance of the literary trilogy `The Lord of the Rings'. Granted, Lucas took on a herculean task in writing & directing his story himself, but Tolkien's words, along with Peter Jackson's faithful adaptation & inspired vision, have created something no one man could equal.

Of course, it helps that Jackson insisted on at least a 2 picture deal, & New Line Cinema was brave enough to foot the bill up front for 3 movies. They spent $180 million to film all 3 simultaneously. With the New Zealand exchange rate, that equals $360 million ($90 million ea.), but since they used many of the same sets, and FX development costs were spread throughout, we're seeing $120-$150 million on the screen. This will ensure consistency in plot, casting, tone, etc.

In 3 hours, Jackson has crammed everything essential from the first novel & then some into the film, rewriting some scenes & dialogue with lesser characters for the leads, leaving out only what there wasn't enough time for. Basically, you have two 90 min. movies running back to back. There are no slow spots, just one climax after another. From the opening 10 min. backstory where the Dark Lord Sauron is shown on the battlefield wiping out men & elves 10 at a time with each swing of his mace, I was blown away. The romance between Aragorn, king in exile, and Arwen, daughter of the elf-lord, is played up for the "Titanic" quotient, but it's well done.

The story, sets, costumes & FX are so rich, you'll have to see the film several times to absorb everything. The unspoiled New Zealand locales are spectacular, providing a variety of environments to represent the different settings on the characters' journey. The location sets are imaginative, detailed & weathered, adding to their believability, while the studio sets match them in meticulousness. The costumes are at once familiar & strange, drawing on both the medievil & the fantastic, but more important, they're also functional & practical. The music by Howard Shore is appropriately sweeping, Celtic & folky in keeping with the novel, although it lacks the memorable themes of John Williams or Jerry Goldsmith, but neither would commit a year or more to a 3 picture project. The FX are as they should be, unobtrusive & unnoticed most of the time, there only to support the story not draw attention away from it as in most Hollywood movies which try to coverup illogical plots & bad acting.

I'm particularly gratified by the casting of Viggo Mortenson as Aragorn which was a last minute stroke of luck when the actor first chosen for the part backed out due to differences with the director. I've always thought Mortenson had an intensity & striking but not pretty-boy looks that could portray a flawed, dangerous hero instead of the villains Hollywood always picked him for.

A stellar cast giving some of their best performances, visuals that deliver beyond what I imagined, a perfect mix of humor, passion & tragedy, and a feeling of grandeur, scope & impending doom. Perhaps as an ensemble piece with so many characters & the inability to concentrate on any one, it can't be measured against some of the classic character study films, but even the casual moviegoer can grasp the ideas & not get lost As far as I'm concerned, it's one of the greatest films of all time.
  • dgallegos
  • Nov 24, 2002
  • Permalink
10/10

We May Have Forgotten Just How Good This Is

It's possible we've become too familiar with this film and its two successors. Time, and multiple rewatching as, can cause us to forget how impossible the whole project seemed before the world saw it; we forget how strange and independent spirited parts of it are; we forget the references too and evidence of Jackson's roots in horror cinema; we forget the narrative excitement that propels a film adapted from a source that is more discursive, more of a scene-setter. Changes made from the text aid this, and the result is thrilling and wonder-inducing. It's a masterful piece of epic fantasy cinema, and the whole trilogy's place in my heart is secure.
  • david-meldrum
  • Apr 25, 2022
  • Permalink
10/10

The Fantasy Motion Picture to Rule Them All...

  • fearfulofspiders
  • Aug 25, 2008
  • Permalink
10/10

Don't care what the Academy says, Best film of 2001 and best of many others.

LOTR is without a doubt, the best movie I've ever seen. I don't care what the Academy says because without a doubt, it was the best film of 2001 (obviously... i said it was the best movie I've ever seen). It deserved the Academy Award 10 times more than A Beautiful Mind did. I mean look at the difference between ratings. LOTR: #3 ABM: #126 See a difference? LOTR will go on to be an unforgotten movie as what Star Wars is. In twenty years ABM won't even be on the top 250 list, while LOTR will still be in the top 50. SO LOTR fans just remember. Academy doesn't mean sh*t. Time says it all.
  • TheLastStop41
  • Mar 26, 2002
  • Permalink
10/10

One of the best films ever made.

A mild mannered hobbit named Frodo, back by eight companions has to face all manner of danger, battling many foes in order to save Middle Earth.

I'm not sure I can say much that hasn't been said multiple times, it truly is one of the greatest movies ever made, foolishly I have only watched it once since its original release, and tonight I was as captivated, entertained and genuinely spellbound as I was when I first saw it.

Action packed, dramatic, emotional and entertaining, this film has it all, there are no lulls, it entertains you from start to finish, an impressive feat for a film that runs over three hours long.

The visuals are sensational, from the glorious landscapes, incredibly costumes and makeup, to the dazzling special effects, you truly are transported to a world of pure fantasy.

The music is spot on too, who doesn't love to hear Enya.

The acting is phenomenal, credit to all involved, Wood, Lee, McKellen, Blanchett, Mortensen and all concerned are terrific, being a huge Sean Bean fan I have to comment on his amazing performance.

It's a fabulous movie.

10/10.
  • Sleepin_Dragon
  • Sep 15, 2023
  • Permalink
10/10

Absolute game changer

Absolutely epic! The scale is truly mind blowing. Every filmmaking aspect is beyond incredible. Especially the score, set design & dialogue. The emotional weight & amazing battles seal it.
  • griffithxjohnson
  • Aug 12, 2022
  • Permalink
7/10

Let Battle Commence...

There's a ring that's been residing in a pocket, provides longevity to Bilbo who's a Hobbit, but it's waiting to be found, by Sauron to which it's bound, you need the fires of Mount Doom, if you're to stop it. Frodo (who has been given the ring by Bilbo) and his chums go on a journey, become pursued by an increasingly large army, comprising orcs and nasty wraiths, hunting them down from place to place, it's quite bizarre, and very often, a bit barmy. They're supported on this quest by Dwarves and Elves, plus there are people very similar to ourselves, and a wizard with a beard, has a hat that's quite dog-eared, some have magic, on occasion they cast spells.
  • Xstal
  • Apr 2, 2023
  • Permalink

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