Wishmaster

In the beginning of the times, God created life into universe: light gave birth to angels, earth to men and fire to djin, creatures condemned to dwell in the void between the worlds. One who wakes a djin shall be given three wishes. Upon granting the third, an unholy legion of djins are freed through a doorway between the worlds upon the Earth. In 1127 A.D., in Persia, a sorcerer lures and traps a powerful Djinn (Andrew Divoff) in the stone of secret fire. In the present days, a drunken crane operator drops the valuable statue of Ahura Mazda over the assistant of Raymond Beaumont (Robert Englund) on the harbor, and one worker finds the huge and priceless opal red stone where Djin is seized. Alexandra Amberson (Tammy Lauren), who works in an auction house, receives the stone for evaluation and accidentally awakes Djin. The evil creature is released later, charges the stone with people souls and feeds with their fears, while chasing Alexandra to force to make three wishes and unleash the demoniac fiends upon Earth.

The gore and funny "Wishmaster" is good horror movie, with original deaths, great special effects (1997) and a refreshing story. Andrew Divoff, presently working in "Lost", is great in the role of the evil, witty and cynical Djin; the blonde Tammy Lauren performs a smart and clever character, following the Djin's advice ("- Make a wish, but think first") and luring and tricking the demon with her intelligence; and there is homage to horrors movie, with the participation of Robert "Freddy Krueger" Englund and Tony "Candyman" Todd. I have watched this film at least four times along ten years and it is still one of my favorites in the genre. My vote is seven.

Title (Brazil): "O Mestre dos Desejos" ("The Master of the Wishes")

There are two distinct kinds of horror movies; the serious ones, and the not-so-serious ones. Occasionally, a horror film tries to be serious but winds up being... less than serious. Then there are the ones that set out to be cheesy from the start... this is one of those movies. From the very beginning you can tell that this movie was merely made to entertain horror movie fans who like their shocks with a side of humor. There's more gore and deaths in this in just the first five and last twenty minutes(and quite a few in-between, as well) than several other huge gore-fests of horror movies put together. Even better, you get to see no less than three major horror icons in the film. I'm honestly not a huge fan of this kind of movie, but I have to say I found it highly entertaining... if you're in the right mood for it, it may "work" for you(it definitely never strives to be something more or different than what it reveals that it is from the very beginning). The plot is pretty tame, but it allows for plenty of gore and death(and includes one well-known possible consequence of wishing for stuff from a genie). The acting is decidedly poor, either over- or underdone. The dialog ranges, but mostly it's very bad. That works to the film's advantage, so it's no big deal. The pacing really doesn't leave much room for complaining, the film doesn't really let up for a second(it is, of course, quite uneven... Kurtzman is clearly not a director). The film has a short running time and I found it to possess surprisingly high entertainment value, as well. The special effects are great. No way around it. The deaths and gore effects are original and interesting, not to mention amazingly pulled off. Fairly low budget, but it was spent right... mostly on effects, I'd wager. I recommend this to any fan of horror, particularly cheesy horror. If you're into it, you'll love this. Trust me. And be careful what you wish for. 6/10

Despite being marketed heavily as a 'Wes Craven film,' the horror mastermind neither wrote nor directed this campy nineties splatter-fest. Also, if you were drooling at the thought of seeing Freddy, Candyman and Jason on the same billing (Robert Englund, Tony Todd and Kane Hodder are all in it) then you may be a little disappointed, as their input amounts to just a few cameos here and there. Anyway, minor gripes out of the way, 'Wishmaster' is actually pretty good fun - if you're into this sort of film.

While bringing an ancient statue to America, it accidentally breaks, releasing a big blue cartoon genie, voiced by Robin Williams, who happily makes various pop culture references and grants our plucky young hero the wishes he needs to win the princess' heart. No, not really. This is one genie you wouldn't find in a Walt Disney movie - he delights in making all the wishes he grants impact on the person who made them in the most negatively-bad way possible. Plus he's not half as sweet as Robin William's classic genie - this one has fangs, red eyes and all sorts of weird, slippery appendages sprouting out of him. Now, it's up to our leading lady, Alexandra Amberson (played by a Linda Hamilton-esque Tammy Lauren) to get this genie back in his bottle - so to speak.

I know a lot of hard-core fans objected to the 'change' in the 'Nightmare on Elm Street' films when Freddy started becoming less scary and more comedic, taking pleasure in his kills with a snappy one-liner here and there. Well, if you (like me!) didn't mind this, then you should also enjoy 'Wishmaster.' The titular evil character is certainly a villain of the latter Freddy films, taking his time to mess with his victims, rather than kill them outright. I felt this possibly works better here in 'Wishmaster' than the 'Elm Street' franchise because the Wishmaster himself - technically - can't kill anyone outright. He has to mess with them enough to get them to (inadvertently) kill themselves. Yes, that sounds a bit weird and you'll have to watch the film to see how.

The film has a real 'nineties' feel; it's not just the clothes, scenery and hairstyles, but it was part of the latter half of the decade where horror films really started to make a comeback (largely due to 'Scream' I seem to recall) and they were really having fun with the budget they were given. Yes, there are hardly any A-list actors involved and the script is a little clunky as times, but there are plenty of excellent practical effects, creepy sets and a genuine desire to try and do something (a little) different.

Wishmaster' isn't 'dark and brooding' like today's horror films, but if you're in a forgiving mood and don't expect too much, this one is certainly entertaining enough to keep you occupied for an hour and a half. Plus is spawned numerous sequels (although not as many as Freddy or Jason), but that's hardly a benchmark with which to judge a horror film, is it?

Geez, after reading all the thumbs-down reviews, I feel almost embarrassed. I _liked_ Wishmaster. No, the idea of wishes-gone-awry isn't particularly original, but there are still some interesting elements done with it: a guard says he'd like to see the Djinn go through him and...it does (heh). Tammy Lauren is adequate as the spunky heroine, and Andrew Divoff (mostly consigned to minor B-villain roles - check him out in the Highlander TV series) makes a chilling threat. Jenny O'Hara makes the most of her role as resident supernatural expert. Yes, the gore is excessive, but I'm not sure if that's a concession to the 90's audience, or a directorial conceit - I'm willing to assume its the former. For a supernatural thriller/horror (as opposed to a Scream-type slasher/thriller), Wishmaster strikes me as one of the better efforts to come along since the last Nightmare and the first Candyman.

Let me begin by saying this film is not as bad as it's been made out to be sure it's a gore-fest at points and yes the dialogue is cheesy but surely that is what a B-movie is meant to be? The film has more substance than sequels that seem to spawn in the realm of horror movies. The film concerns a Djinn, Arabic for genie, who escapes from a statue to wreak havoc onto the world. He can sustain a human form if he can give someone 3 wishes. Andrew Divoff is delightfully malicious as the evil Djinn. The main cast give fair performances which can only be expected in a,remember, B-Movie. At times the film tries a bit to hard to please horror fans with various winks to other horror icons, Candyman and Freddy Kruger to name a few (Tony Todd and Robert Englund, respectively). But if you want a half decent horror movie to watch and don't care too much about substance then this film will not disappoint.

Conclusion.

A fun B-movie and a must for all horror fans. Though it does nothing to forward the genre.