The Twilight of the Golds

Unbelievably insightful movie with a profound look at how science may or may not help us in life's decisions. Absolute must see for all. Leaves you asking as many questions as philosophies you faced. Sometimes knowing all the facts keep us from dealing with life on its own terms.

I was about to turn the video recorder off after about 10 minutes, but something kept me going, and I'm glad it did.

Feye Dunaway is thoroughly annoying as the Jewish Mama (talk about an unfortunate piece of casting! Sorry, Ms. Dunaway - you've done brilliant work in your life, but you shouldn't have taken this role). Garry Marshall should also stick to producing and directing and not venture in front of a camera. Thanks to the talented Brendan Fraser and Jennifer Beals, I stayed with it, despite the - at times - heavy-handed writing and the over-the-top acting of Ms. Dunaway and Garry Marshall.

The script is a disaster, but at the end of the day, it actually has something very important to say for itself. I have never seen the subject of homophobia dealt with so directly and with such bravado as in this film. It's in your face; you can't escape it...and that's exactly the intent of this film. It asks uncomfortable questions, and gives uncomfortable answers. I just wish that Jonathan Tolins and Seth Bass had given their script to a good script doctor. They were definitely going in the right direction, and deserve praise for the effort - just didn't quite capture it on the page.

Again, Fraser and Beals are brilliant, and there are additional bon bons: Rosie O'Donnell and Jon Tenney also give memorable performances.

Bottom line: an important film that should be seen, although not perfect, but hey, what is?!

A suburban Jewish family with a married daughter and a gay son (Jennifer Beals and Brendan Fraser, respectively) have their ups and downs until the film poses the question: What would you do if you knew your child would almost certainly be gay? Though most enlightened people would say DUH!! What's the difference?, this story takes the premise and goes with it.

THE TWILIGHT OF THE GOLDS is a made-for-Showtime film, and not of theatrical quality. This is unfortunate, as it would have made an excellent theatrical release. The cast is good, but performances are a bit scattered. Somehow, Faye Dunaway doesn't hit me as the Jewish Mother type. But Brendan Fraser can do no wrong. If I wasn't already gay, I would turn gay for him! It was originally a play--- it would play beautifully on stage. Still, the film is worth seeing.

I found this film to be very offensive, because it make the "homosexual" seem to be a "disease" that people should try to stop. No matter what anyone's child is, the mother and father should love them no matter what, even though the happy ending makes everyone think that she's the good one for what she chooses, but still...she's not because of even the thought of having an abortion knowing how the kid will turn out in a few years is bad 'parenting' or whatever you want to call it. I felt that the ending was to unreal, this is the 90s and people hold grudges, if this was a true story I don't think David would have done what he did at the end, EVEN though it was touching and good because everyone wants to see family's together at the end. Call me stupid and wrong, but I think that he really would have not done what he did at the end, knowing that he might not be here on earth if they had this kind of technology back then when he was born. I know that's wrong, but it's true. Faye Dunaway was excellent, as was Brendan Fraser.

All and all, I liked this movie, even though it was kind of pathetic and offensive.

I have avoided watching this movie (or seeing the play upon which it is based) because I expected that it would be sort of low-quality and very "preachy." But, somehow I ended up with a VHS copy and fortunately in working my way through my VHS shelf, I got to it and threw it in the VCR for a look.

To my surprise, the film is actually pretty good. The number of strong actors in the cast helps a lot. I expected the storyline to feel mechanical but (although it is not wildly original and doesn't veer too far from where you'd expect) it actually is a step or two better than the the normal family-in-crisis-TV-movie. The actions and reactions of the characters feel reasonably realistic and not simply designed to create drama or lay out a series of points of view. And the author seems to assume that his audience has some intelligence, making his points without having any characters stand in front of a camera and "speechify." There are a couple of sort of annoying gay clichés that I would have loved to edit out, but nothing too wildly stupid.

And, of course, the underlying questions raised in the film about the coming problem of genetic engineering are both interesting and scary (and are related to any number of human characteristics beyond sexual orientation.) All-in-all, not a movie to set the world on fire, but a pretty solid and reasonably engaging piece of entertainment.