IMDb RATING
6.3/10
5.4K
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A group of crooks, an ex con, his friend and a gun crazy gangster plan a drug heist, but not everything goes as planned.A group of crooks, an ex con, his friend and a gun crazy gangster plan a drug heist, but not everything goes as planned.A group of crooks, an ex con, his friend and a gun crazy gangster plan a drug heist, but not everything goes as planned.
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Much-maligned Keifer Sutherland's career has taken a relative nose-dive since the heady days of his Brat-pack success in Lost Boys and Young Guns. But, here he proves to be a surprise hit behind the camera, co-starring in and directing this well paced and exciting outlaw drama. Brad Mirman's plot keeps the action moving, presents twists at every corner and establishes engaging characters. The real key is both Sutherland's own frenetic performance, his directing style and the chemistry between Kim Dickens and the superb Vincent Gallo. A rare treat, with characters you can root for from the very start. Has a great little soundtrack too!
Not a bad effort from Kiefer Sutherland on his directorial debut. This little crime caper is fairly derivative of recent Tarantino films, with the discussion of the quarter looking somewhat out of place, Tarantino could have pulled something like that off with snappier dialogue but it just didn't work. Overall though it's a nice little film with some decent action and some cool lines and a nice black convertible car though as is often the case with these little crime capers the ending is pretty weak and predictable. Vincent Gallo put in another decent performance as did Kim Dickens, who you can see more of in a better film that this, The Zero Effect. Also of note was the incredibly pretty Grace Phillips as Donna, she puts in a good performance as the shocked wife of Raymond. The idea of Raymond sympathising/envying the criminals was an interesting one, though I found the transformation to be less than credible. Overall this was a nice action film and you can do a lot worse.
Somewhat underrated, if derivative, this first time Directorial effort from the slightly off-center Actor, who will, for at least the foreseeable future be associated with the extremely popular TV Series 24, is a not that bad Crime/Road Movie.
There are some glaring ineffectiveness here and there, mostly coming from the badly written Pulpy Dialog. Some of the Pop Culture references and the extended talky Scenes come off as embarrassing rather than insightful. The "Stockholm Syndrome" element is also played out with some unbelievable and forced developments.
But there are some interesting Characters, the least of which is the DEA infiltrator overacted and annoying, that are engaging enough. The Violence is gritty if over stylized, and is attractive Action Movie stuff with guns blazing and squibs squibbing.
Another weakness is the God-Awful Music, from the sappy slow Ballads to the Road Music, it is badly selected and intrusive. Overall though, this delivers enough Gangster stuff to be Entertaining and should have a more accepting approval than it does from Critics and intolerable nit-pickers.
There are some glaring ineffectiveness here and there, mostly coming from the badly written Pulpy Dialog. Some of the Pop Culture references and the extended talky Scenes come off as embarrassing rather than insightful. The "Stockholm Syndrome" element is also played out with some unbelievable and forced developments.
But there are some interesting Characters, the least of which is the DEA infiltrator overacted and annoying, that are engaging enough. The Violence is gritty if over stylized, and is attractive Action Movie stuff with guns blazing and squibs squibbing.
Another weakness is the God-Awful Music, from the sappy slow Ballads to the Road Music, it is badly selected and intrusive. Overall though, this delivers enough Gangster stuff to be Entertaining and should have a more accepting approval than it does from Critics and intolerable nit-pickers.
Although derivitative of Tarantino and especially of Carl Franklin's "One False Move," Kiefer Sutherland's directorial debut is quite self-assured. Kevin Pollak's character as a hostage who is strangely drawn to the lifestyle of his captors is terrific despite his formulaic "coming-around" at the end. Mykelti Williamson and Grace Phillips as Pollak's girlfriend are both revelations. Vincent Gallo is an unusual actor and definitely an acquired taste, but he works well here with Kim Dickens as his Bonnie. In all, a film you'll be pleasantly surprised with as a bargain rental.
As the film starts out, you see a prison and its horrible conditions and you wonder why anyone decides this is a good place to serve time in for 20 or 50 long years and more! A convict is being released and you can see he is very happy to have served his time and a nice sexy girlfriend is waiting outside the prison walls in a nice car to pick him up and hopefully start a new and better way of life. This convict no sooner gets out jail and he meets up with Kiefer Sutherland, (Curtis Freley), who is a very wild and Soul lacking human being who will stop at nothing to put your Lights Out for GOOD ! The entire picture takes you from one car to another car and they also hold a guy and his girl hostage and take them all over the country and of course, they are heading for New Mexico. Great film, with good acting and entertaining from beginning to end.
Did you know
- TriviaNo filming ever took place in the actual city of Truth or Consequences, New Mexico.
- GoofsA shot is flipped when the group set out for Vegas to see Tony Vago (both the steering wheel and the car are on the "other" side).
- SoundtracksHeaven's Last Attempt
Written and Performed by Jude Cole
Re-mixed by Roger Sommers
Courtesy of Island Records, Inc.
by arrangement with PolyGram Film & TV Licensing
- How long is Truth or Consequences, N.M.?Powered by Alexa
Details
Box office
- Gross US & Canada
- $109,261
- Opening weekend US & Canada
- $19,528
- May 4, 1997
- Gross worldwide
- $134,831
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