Total Reality

David Bradley stars as Lt. Rand, a future soldier facing a death sentence is given a chance for freedom if he leads a group of commandos back to 1998 to prevent a group of rebel fighters from preventing the totalitarian government from ever happening. Bradley also has 40 hours to succeed or his device in his neck will explode, along the way Bradley questions his mission. David Bradley I always thought of as an awful actor, his works in American Ninja 3 and American Ninja 4 made Michael Dudikoff seem like a Shakespearan actor. However in one of his last films before his retirement (?) from films, he delivered one of his best performance to date in what is one of his very best. The movie's main flaw is simply that it tries to do too much, in that things are implied so much we often don't understand where the plot is coming from. The main story is handled fairly well but the subplots are often dropped or just barely skimmed over. Total Reality really does imply a lot more than it tells and it has some scenes off quiet effectiveness. The movie doesn't start off all that well, as it starts out just to run down time but in reality it's what sets up the motivation of Bradley's character and the movie despite ripping off Escape From New York, The Terminator, The Dirty Dozen and even Trancers the film still combines the elements well enough and comes up with its share of good ideas to make it work for Science Fiction fans. There are of course plot holes but what I found quite captivating about Total Reality, is how David Bradley's character questions his mission and indeed isn't all that inspired in his quest to save his government. In fact when he explains "When we die, they'll send someone to replace us." which gets a sad reply, Bradley's quip "Don't look at me, I just work here" is well handled. Indeed it's bizarre but it's David Bradley that makes the movie work the way it does. With someone like Olivier Gruner, the movie wouldn't have been nearly as interesting. It's somewhat sad Bradley went into obscurity because he really became not too shabby of an actor, at least on the basis of this performance. The ending is also unexpected and intriguing which earns the movie it's high marks and in the end Phillip J. Roth crafts his best work to date, which is no doubt due to David Bradley. Something I never ever thought i'd ever write ever.

* *1/2 out of 4-(Pretty Good)

This film is striking only in its banality and use of cliches. Sadly it was obvious throughout up until the ending. But don't be mistaken into thinking that it ended strongly. Only a little unexpectedly, though nothing worth watching the thing through for.

From the taciturn and wronged hero, to the Germanic baddy, to the expendable team, the characters were entirely wooden and obvious. The two FBI agents Smith and Wesson (geddit?) gave some hope of humour, but that came to nothing.

I am a big science fiction fan but it is hard to find any redeeming quality in this film. A turkey!

Film-makers and movie-goers should see this film. It high-lights major problems with this genre. If we start with the use of studios and the penchant for special effects. This means that the sets are always, dark, and more than often that they are in derelict buildings. The models used are constructed by similar thinking people. The film itself is constructed on stereotypical binaries. The German accented villain - is unfortunate, it is built on I think a less than subliminated version of the Second World War. Brunettes, blondes, Germans, Jews, dirty faced children, clean children, war, peace, black, white. They are cliches.The dialogue could have been written on a beer mat. The acting was deplorable. Wooden. Why do people waste money on such a production? Yet there are so many like this.Given the same material and same budget I could have made a much better movie. I think Philip Roth should hang his head in shame. But as I said before. Watch it and study the formulaic, the stereotypes, the cliches --indeed this film should be put on the viewing list of film courses. A must to see.

Loved this b-grade movie...

I never laughed so hard at a time travel sci-fi flick...from the moment the bald-headed baddie hopped in the back of a Ford pick-up and yelled "Hey, it's a Turk!" and his lead henchman sneered at him and said "Truck. It's a *truck*."

Funny stuff all the way through what would otherwise be a standard fare time travel flick.

In one of his last movies released as of this writing, lesser-known action hero David Bradley teamed with sci-fi aficionado Philip Roth to create an ultimately disappointing time travel adventure. TOTAL REALITY is highlighted by occasional flair in the effects and drama departments, but this far from compensates for its bland characters and mediocre action content.

The story: A soldier from the future (Bradley) leads a team of convicts in a suicide mission to 1998 to stop a deadly separatist (Thomas Kretschmann) from changing history.

The movie begins and ends with a bang, showcasing some exciting CG-driven space scenes with graphics that are pretty impressive for a low-budget film from the mid-90s. However, this seems to demonstrate where the majority of the budget has gone: while the contemporary-set scenes do well, the sets for spaceship interiors and the like are far from convincing. I also don't buy the placement of the dramatic scenes: there are a couple of genuinely well-acted exchanges late in the movie, but they arrive too late to generate much interest in the largely mundane personas, and would have been better placed earlier in the production. David Bradley gives one of the better performances of his career and Thomas Kretschmann is the closest thing the film has to genuine dramatic clout, but for the most part, they are not doing or saying much of genuine interest.

Action-wise, shootouts are the name of the game, but to be honest, there definitely aren't enough adrenaline scenes for a movie like this. David the martial artist gets one fight scene, but otherwise, he and the remaining cast engage in a handful of slow-motioned unexciting gunfights wherein taking cover is completely optional. There really is not much in the way of excitement with this one.

Almost twenty years after the release of TOTAL REALITY, I'm still disappointed that David Bradley's film career ended, but if this is what directly precluded it, I cannot blame whoever made the final decision. No one ought use this film to introduce themselves to either the actor or the director, and would do well to avoid it in general.