Andrew Anastasios and Andrew Knight.s The Water Diviner won the top prize and the gong for best original feature at the 2015 Awgie Awards.
It was the first time a feature collected the Australian Writers' Guild's Major Award and the gong for original feature since 2012 when Tony Briggs and Keith Thompson won with The Sapphires.
The prize for feature film adaptation was shared by Brendan Cowell for Scarlett Productions'. Ruben Guthrie and Tommy Murphy for Matchbox Pictures' Holding the Man.
Matchbox and Full Clip.s Deadline Gallipoli was named best original TV miniseries, acknowledging the work of writers Jacquelin Perske (also script producer), Stuart Beattie, Shaun Grant and Cate Shortland.
FremantleMedia.s Wentworth Season 3, Episode 3 The Governor.s Pleasure by Stuart Page shared the TV series award with Endemol Australia.s Offspring Episode 511 by Michael Lucas. Jan Sardi and Mac Gudgeon took the award for best miniseries adaptation for...
It was the first time a feature collected the Australian Writers' Guild's Major Award and the gong for original feature since 2012 when Tony Briggs and Keith Thompson won with The Sapphires.
The prize for feature film adaptation was shared by Brendan Cowell for Scarlett Productions'. Ruben Guthrie and Tommy Murphy for Matchbox Pictures' Holding the Man.
Matchbox and Full Clip.s Deadline Gallipoli was named best original TV miniseries, acknowledging the work of writers Jacquelin Perske (also script producer), Stuart Beattie, Shaun Grant and Cate Shortland.
FremantleMedia.s Wentworth Season 3, Episode 3 The Governor.s Pleasure by Stuart Page shared the TV series award with Endemol Australia.s Offspring Episode 511 by Michael Lucas. Jan Sardi and Mac Gudgeon took the award for best miniseries adaptation for...
- 9/14/2015
- by Don Groves
- IF.com.au
As Jock Blair reflects on a 55-year career as a writer, producer and production and development executive, he identifies the two biggest changes he.s witnessed in the screen industry.
One relates to money, the other to creativity.
.It.s incredibly difficult to finance production,. says Blair, who retired last week after 11 years as director . development at Screen Queensland.
.Television drama is now very conservative as networks are playing it safe,. he tells If. .In the 1980s things were pretty wild and you could produce things you can.t do now. As an industry we seem to have lost our edge creatively..
Blair initially joined Sq.s predecessor, the Pacific Film and Television Commission, for six months to help out in development but he liked the role so much he stayed.
He is proud to have helped the careers of multiple creative types and companies including Tracey Robertson and Nathan Mayfield...
One relates to money, the other to creativity.
.It.s incredibly difficult to finance production,. says Blair, who retired last week after 11 years as director . development at Screen Queensland.
.Television drama is now very conservative as networks are playing it safe,. he tells If. .In the 1980s things were pretty wild and you could produce things you can.t do now. As an industry we seem to have lost our edge creatively..
Blair initially joined Sq.s predecessor, the Pacific Film and Television Commission, for six months to help out in development but he liked the role so much he stayed.
He is proud to have helped the careers of multiple creative types and companies including Tracey Robertson and Nathan Mayfield...
- 8/5/2014
- by Don Groves
- IF.com.au
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