A young boy befriends a giant robot from outer space that a paranoid government agent wants to destroy.A young boy befriends a giant robot from outer space that a paranoid government agent wants to destroy.A young boy befriends a giant robot from outer space that a paranoid government agent wants to destroy.
- Won 1 BAFTA Award
- 20 wins & 18 nominations total
Eli Marienthal
- Hogarth Hughes
- (voice)
Jennifer Aniston
- Annie Hughes
- (voice)
Vin Diesel
- The Iron Giant
- (voice)
James Gammon
- Foreman Marv Loach
- (voice)
- …
Cloris Leachman
- Mrs. Tensedge
- (voice)
John Mahoney
- General Rogard
- (voice)
M. Emmet Walsh
- Earl Stutz
- (voice)
Jack Angel
- Additional Voices
- (voice)
Bob Bergen
- Additional Voices
- (voice)
- (as Robert Bergen)
Devon Cole Borisoff
- Additional Voices
- (voice)
- (as Devon Borisoff)
Summary
Reviewers say 'The Iron Giant' is acclaimed for its heartfelt narrative, exploring friendship, acceptance, and choice. Its Cold War paranoia and anti-war themes resonate deeply. The blend of traditional and CGI animation is lauded for its beauty and emotional impact. Vin Diesel's voice performance as the Giant is particularly praised. The film successfully appeals to both children and adults, offering mature themes and moral lessons, solidifying its status as a timeless classic.
Featured reviews
After seeing this movie, I was overcome by a strange feeling. I realized that I had found a treasure where I had least expected it. The Iron Giant is intelligent, funny, touching, and visually superb, and should show the world that an animated movie does not need to be A) computer-animated, or B) based on a fairy tale to be successful. One of the best American-made children's movies I have seen in a decade: 8.5/10.0
Now, I'm a 17-year-old who is slowly transitioning into the domain of movie buffdom, which basically means that I am watching a stream of movies based on recommendations from friends, critics, and the IMDb Top 250 list. I got this one almost by accident after the local rental place could not find the movie I was really after, choosing it basically on the knowledge that it was the previous project of Brad Bird, director of The Incredibles (a personal favorite). After watching it, I felt like calling up every mother I knew and telling her to have her children (and herself) watch this.
The Iron Giant revolves around an adventurous young boy in 1950s small-town America who discovers a gigantic robot out in the woods that has arrived on Earth from goodness-knows-where. He befriends the robot, while trying to keep him safe from a nosy government agent. The story seldom lags, with a series of comical adventures connected by the boy's growing relationship with his friend.
This movie is very appealing as entertainment. The voices are well-done, and the scenery is also terrific. Most importantly, though, is the animation, which is a bright spot from this time period. The characters are well-drawn, especially the Giant, who through terrific design, lifelike movements, and clever small touches (i.e., the eyes) seems both alien and human, imposing and childlike. Furthermore, the animation is comical. I don't know when I have ever seen slapstick or punchlines so well-complimented by the animation. The script, written by Bird and based off the book The Iron Man, is also very well done. Though the movie relies upon a few minor crutches common to children's movies, it is still very original and clever.
One thing that I must point out about this movie is its morals. Throughout the movie, the main moral of the story, about the Iron Giant learning and choosing to be good, is actually fairly adroitly handled. At no point when the subject comes up, including standard sentimental climax, does the idea seem contrived. Throughout the movie, evidence of Bird's influence by comic books is quite evident, and his ultimate message about heroes (variations of which will resurface in The Incredibles) is relevant and sincere. However, I do have to say that the secondary moral, about the evils of xenophobia and paranoia, both of which are embodied by the movie's antagonist, the government agent and the military, are very politically charged. While this may sound initially controversial and politically charged for a kids' movie (the second of which I do not deny), I noticed that it was in large part a thoughtful spoof of Cold War America, with jokes as well as valuable lessons about "duck and cover" and 1950s nuclear edginess that I found very clever.
On a final note, I do have to point out that this movie had me laughing hard, but more importantly, it brought me closer to tears than any animated movie I can remember (including Bambi), closer than I like to admit. I wish that I had discovered it sooner, and I hope that everyone gets the chance to experience it the way I did.
Now, I'm a 17-year-old who is slowly transitioning into the domain of movie buffdom, which basically means that I am watching a stream of movies based on recommendations from friends, critics, and the IMDb Top 250 list. I got this one almost by accident after the local rental place could not find the movie I was really after, choosing it basically on the knowledge that it was the previous project of Brad Bird, director of The Incredibles (a personal favorite). After watching it, I felt like calling up every mother I knew and telling her to have her children (and herself) watch this.
The Iron Giant revolves around an adventurous young boy in 1950s small-town America who discovers a gigantic robot out in the woods that has arrived on Earth from goodness-knows-where. He befriends the robot, while trying to keep him safe from a nosy government agent. The story seldom lags, with a series of comical adventures connected by the boy's growing relationship with his friend.
This movie is very appealing as entertainment. The voices are well-done, and the scenery is also terrific. Most importantly, though, is the animation, which is a bright spot from this time period. The characters are well-drawn, especially the Giant, who through terrific design, lifelike movements, and clever small touches (i.e., the eyes) seems both alien and human, imposing and childlike. Furthermore, the animation is comical. I don't know when I have ever seen slapstick or punchlines so well-complimented by the animation. The script, written by Bird and based off the book The Iron Man, is also very well done. Though the movie relies upon a few minor crutches common to children's movies, it is still very original and clever.
One thing that I must point out about this movie is its morals. Throughout the movie, the main moral of the story, about the Iron Giant learning and choosing to be good, is actually fairly adroitly handled. At no point when the subject comes up, including standard sentimental climax, does the idea seem contrived. Throughout the movie, evidence of Bird's influence by comic books is quite evident, and his ultimate message about heroes (variations of which will resurface in The Incredibles) is relevant and sincere. However, I do have to say that the secondary moral, about the evils of xenophobia and paranoia, both of which are embodied by the movie's antagonist, the government agent and the military, are very politically charged. While this may sound initially controversial and politically charged for a kids' movie (the second of which I do not deny), I noticed that it was in large part a thoughtful spoof of Cold War America, with jokes as well as valuable lessons about "duck and cover" and 1950s nuclear edginess that I found very clever.
On a final note, I do have to point out that this movie had me laughing hard, but more importantly, it brought me closer to tears than any animated movie I can remember (including Bambi), closer than I like to admit. I wish that I had discovered it sooner, and I hope that everyone gets the chance to experience it the way I did.
10Figaro-6
All too often, "family films" are only infantile, simplistic formulas with a few self-referential and pop-culture jokes thrown in to try and keep adults awake. But then along comes something like "The Iron Giant", which is sophisticated enough to demand respect while maintaining a mythic and pure-hearted tone that actually does appeal to the kid in everybody.
"The Iron Giant" is refreshingly non-Disney in no end of ways. Characters seem real and chosen to fit the story, instead of being a superficial reshuffling of an old formula. The animation definitely has its eye-popping moments, but there are also scenes of great wonderment, pathos, and humour that only top-drawer animation can convey. The Giant itself is a great character, who only becomes MORE interesting as the film continues (another huge break from Disney). No scene is wasted in this film, either; every set piece, even the really funny ones, helps either to establish the "world" of the movie, or to advance the plot. At no time do you feel that you are merely waiting for the story to crank up again.
"The Iron Giant" is funny, exhilarating, and touching as well. It's sad to see it failing at the box office, as a blunt reminder that the success of films is often in direct proportion to their publicity budget. Hopefully, though, word-of-mouth will come to its rescue. Go see it! Tell your friends! Then go again! (Repeat as necessary.)
P.S. I find myself comparing the Iron Giant character to Martin Donovan's character in "Amateur". If there is anyone else on earth who has seen both films you may wish to entertain the notion yourself.
"The Iron Giant" is refreshingly non-Disney in no end of ways. Characters seem real and chosen to fit the story, instead of being a superficial reshuffling of an old formula. The animation definitely has its eye-popping moments, but there are also scenes of great wonderment, pathos, and humour that only top-drawer animation can convey. The Giant itself is a great character, who only becomes MORE interesting as the film continues (another huge break from Disney). No scene is wasted in this film, either; every set piece, even the really funny ones, helps either to establish the "world" of the movie, or to advance the plot. At no time do you feel that you are merely waiting for the story to crank up again.
"The Iron Giant" is funny, exhilarating, and touching as well. It's sad to see it failing at the box office, as a blunt reminder that the success of films is often in direct proportion to their publicity budget. Hopefully, though, word-of-mouth will come to its rescue. Go see it! Tell your friends! Then go again! (Repeat as necessary.)
P.S. I find myself comparing the Iron Giant character to Martin Donovan's character in "Amateur". If there is anyone else on earth who has seen both films you may wish to entertain the notion yourself.
I have only just recently rewatched this classic and it is as good today as the first day I saw it.
I love the setting of this, back in the 50's during the height of cold war tension and fear of alien invasion.
This movie has a great balance, just enough character development, enough action scenes and enough tension to keep you glued for the hour and a half play time.
It is aimed at kids for sure but adults would enjoy watching this one just as much.
The characters are all endearing that you really get attached to them. The bad guy is less evil and more of an authoritarian trying to do their job regardless of emotions involved. It makes for a fun movie for all ages.
I love the setting of this, back in the 50's during the height of cold war tension and fear of alien invasion.
This movie has a great balance, just enough character development, enough action scenes and enough tension to keep you glued for the hour and a half play time.
It is aimed at kids for sure but adults would enjoy watching this one just as much.
The characters are all endearing that you really get attached to them. The bad guy is less evil and more of an authoritarian trying to do their job regardless of emotions involved. It makes for a fun movie for all ages.
10dpenny
I'm 25 years old. I have no children. So why am I praising a 'kid's movie' which nobody saw? Because I have never seen a film pack the emotional wallop 'The Iron Giant' provided.
The film's plot is similar to 'E.T.' - a young boy meets an alien robot from outer space, who is stranded on earth, and runs afoul of paranoid government agents. Not to knock the Spielberg film, but what makes 'The Iron Giant' the better film is that the young boy is the teacher. It is he who has to teach the Giant about the beauty of life, the difference between good and evil, and choices we have to make. The Iron Giant, it turns out, is a weapon, who has to struggle against his own nature. The film has an obvious (and timely) gun control message, but its real message is about the choice we make when dealing with other people. We can use our powers for good or lash out at everyone around us.
I dare not give away the climax. All I will say is that it features a sacrifice absolutely breaktaking and emotionally shattering (albeit somewhat blunted by the ending). The animation is gorgeous, Michael Kamen's score is perfect, and the film beautifully evokes the 1950s.
Sadly, poor marketing kept audiences away in droves. All I can say is, to heck with the box office gross. Despite Warner's appearant desire to pretend the film never existed, the word is getting around about what a magical film this is, and I have no doubt it will join 'It's a Wonderful Life' as a film which bombed in theatres but became a classic over the years. See it now, so you can say you discovered it before everyone else did.
The film's plot is similar to 'E.T.' - a young boy meets an alien robot from outer space, who is stranded on earth, and runs afoul of paranoid government agents. Not to knock the Spielberg film, but what makes 'The Iron Giant' the better film is that the young boy is the teacher. It is he who has to teach the Giant about the beauty of life, the difference between good and evil, and choices we have to make. The Iron Giant, it turns out, is a weapon, who has to struggle against his own nature. The film has an obvious (and timely) gun control message, but its real message is about the choice we make when dealing with other people. We can use our powers for good or lash out at everyone around us.
I dare not give away the climax. All I will say is that it features a sacrifice absolutely breaktaking and emotionally shattering (albeit somewhat blunted by the ending). The animation is gorgeous, Michael Kamen's score is perfect, and the film beautifully evokes the 1950s.
Sadly, poor marketing kept audiences away in droves. All I can say is, to heck with the box office gross. Despite Warner's appearant desire to pretend the film never existed, the word is getting around about what a magical film this is, and I have no doubt it will join 'It's a Wonderful Life' as a film which bombed in theatres but became a classic over the years. See it now, so you can say you discovered it before everyone else did.
The Iron Giant is a critically acclaimed piece of animated cinema. I wasn't expecting it to be that good, but The Iron Giant was an amazing movie, it is easily the most exquisite animated movie I have ever seen.
Hogarth Hughes (Eli Marenthal) is obsessed by the opportunites offered by science fiction, the possibility of an alien take-over or, at the very least, an attack from outer space. The original story, which the late Poet Laureate had set in England, saw the innocent Titan of the title emerge from the sea; here he is a visitor from another galaxy.
The Iron Giant is an amazing piece of animation, the voice-overs were done perfectly, the actors obviously enjoyed themselves, the animated art direction and cinematography was beautiful and the giant itself is just...breathtaking.
The Iron Giant is not just another silly little kiddies movie, it is perfection in filmmaking. Please, for the love of God, make your life better and see this brilliant film.
I rate The Iron Giant 10 out of 10.
Hogarth Hughes (Eli Marenthal) is obsessed by the opportunites offered by science fiction, the possibility of an alien take-over or, at the very least, an attack from outer space. The original story, which the late Poet Laureate had set in England, saw the innocent Titan of the title emerge from the sea; here he is a visitor from another galaxy.
The Iron Giant is an amazing piece of animation, the voice-overs were done perfectly, the actors obviously enjoyed themselves, the animated art direction and cinematography was beautiful and the giant itself is just...breathtaking.
The Iron Giant is not just another silly little kiddies movie, it is perfection in filmmaking. Please, for the love of God, make your life better and see this brilliant film.
I rate The Iron Giant 10 out of 10.
Did you know
- GoofsAt the beginning of the film, Sputnik is shown orbiting from East to West. All non-polar orbits of satellites run West to East, in order to take advantage of the Earth's rotation.
- Quotes
[as the Giant flies toward the missle]
Hogarth Hughes: [in the Giant's mind] You are who you choose to be.
The Iron Giant: Superman.
- Crazy creditsThe Warner Brothers logo is done in 50's art deco, as the Sputnik signal is heard.
- Alternate versionsTwo added scenes overseen by Brad Bird were animated for the theatrical release of The Iron Giant: Signature Edition.
- ConnectionsEdited into The Making of 'The Iron Giant' (1999)
- SoundtracksHoneycomb
Written by Bob Merrill
Performed by Jimmie Rodgers
Courtesy of Rhino Entertainment Company
By Arrangement with Warner Special Products
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- El gigante de hierro
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $70,000,000 (estimated)
- Gross US & Canada
- $23,315,035
- Opening weekend US & Canada
- $5,732,614
- Aug 8, 1999
- Gross worldwide
- $23,338,352
- Runtime1 hour 26 minutes
- Sound mix
- Aspect ratio
- 2.39 : 1
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