Par le fer et par le feu

If you love war epics, great sword work, and quirky characters, this movie is unbelievably good. They must have poured an incredible amount of money into the costuming, as well, because the entire production looked amazing. The film's length wore on me at times, but I loved those characters so much that I almost didn't want the film to end. If you don't like bloodshed, then don't watch a freakin' war movie. But if you do, you will not be disappointed by this film in the least. The battle sequences are at times stunning and all beautifully coordinated. I can't think of a single fight that didn't just completely kick bottom.

As for the yum factor, the bad guy Bohun is incredibly hot. He's like a Cossack Heathcliff. Both he and the "good guy" (there really aren't any good guys in this film) were droolable. The Princess was lovely, but too clean for all her adventures. That was the only real Hollywoodism of which the film can be convicted.

Many comments have been made on the movie, the plot and the acting. I saw the movie at a private screening in Warsaw and loved it. Some of the scenes were well done, some great.

But the music....the music never leaves you. The variations on "Falcons" through the second half of the movie were wonderful. The scene on the river with the male chorus was haunting. THe music should have attracted more note than it did. But, not released in English, based on a super-nationalistic plot of dubious historic value, the movie was only going to appeal to a Polish audience, which it certainly did.

(For those who have commented on its excessive pro-Polish stance, they would be surprised to hear that, in Poland, the criticism was that it was too nice to Chmielnicki. Some said that Hoffman's Ukrainian wife had too much influence.)

The music is the lasting star of the movie. I have the CD and treasure it.

I first saw Ogniem I Mieczem in Poland in 2000, where I was working and learning Polish. That is true that one has to know Polish well enough to perceive this magnificent epic drama, but at the same time this film was broad-casted in Russia, my homeland, dubbed into Russian, and many people watched it and loved it very much. I agree that you have probably to be Polish to understand this film, but this is not a must. All you need is some basic knowledge of the Polish – Russian – Ukrainian history of the 17th century. Terrible wars were waging all that time between Poland, Russia and Ukraine. Since there are three nations close to one another, that conflict made it all even worse, when true brothers were killing each other. Jerzy Hoffman is a real master of the historical movies; he had already achieved great popularity with Potop and Pan Wolodyjowski, two other films based as Ogniem I Mieczem on the novels of the Nobel Prize Winner Henryk Sienkiewicz. Thus, in OiM he managed to depict very tragic and romantic events on a really grand scale. The battle scenes are simply second to none, and you feel all that pain and suffering of people fighting there. The scene when the Ukrainian army under Bohdan Chmelnicki (played by the famous Ukrainian actor Bohdan Stupka) attacks continually the castle called Zbararz is impeccable. The casting job was also done marvelously. You cannot imagine anybody else but the Russian film star Alexander Domogarov in the part of Jurek Bohun, a riotous Ukrainian colonel. He plays with such unrestrained passion and vigor that, even being certainly a "baddie", he arouses a great sympathy and admiration. Isabella Scorupco is an excellent choice for the main female part (the love story in the movie is very touching and likewise very tragic), while Zbiegniew Zamachowski is great playing a small but brave feigner and loyal soldier. The famous Polish actor Marek Kondrat is there in a very small but highly emotional role of the king Jan Kazimierz, weak and powerless ruler whose heart aches for his Motherland. Also, pay attention to a merciless but brave Count Jeremi Wisniewiecki, who tried all his best to put an end to that horrible war. And it's impossible to forget another Ukrainian actress, Ruslana Pysanka in the role of the witch Horpyna – her performance is blood-chilling and at the same time very entertaining. In fact, all, even smaller parts of this crew (Pan Zagloba, Senator Kissiel, Tuhaj-Bej, Tatarczuk, Longin Podbipieta) are in their places and add much to the film. The nature scenes are another plus of this film; you cannot but admire the wide open plains, slow waters, deep forests and snowy mountains all shown with real gusto. Music adds another dimension, this mix of Russian, Polish and Ukrainian folk tunes serves its duty – it trills you, holds you all the time and stays in your ears long after the movie ended. I was thrilled after having watched this epic for the 1st time, and this feeling remains in me even after numerous re-runs. What I really love in this film is the main message that Mr. Hoffman made clear – a civil war is terrible, no aim and no word may justify this entire bloody massacre. The final scene when we learn that all this heroic struggle of the Poles was in fact in vain is deeply touching and I can understand all those who were weeping while watching. No, you don't have to be a Pole yourself to catch the main idea of the movie. You simply have to be a person with a big heart and sincere feelings to feel pain, suffering, strife and grief of the oppressed. This movie is a splendid work of art of the big master, having lost none of its emotional message with the run of time. Highly recommended

Everyone in Poland have been waiting for this movie for a long, long time. Some of us even twenty years. But these ones who have watched other parts of the Trilogy now are not disappointed (maybe not everyone but the most). Jerzy Hoffman made a really great movie. I agree that not every actress(read: Izabella Skorupka-this is her Polish name) was good in her role but thanks God we wouldn't have to watch many scenes with her. Of course we can forgive this to mister Hoffman. Everyone can make a mistake. But if we look at this work of art from the other side we can see many fantastic Polish actors like: Daniel Olbrychski(who played in every part of the Trilogy), Michal Zebrowski, Krzysztof Kowalewski or Andrzej Seweryn. They are really great in their roles. They are vivid and credible. I have to say that I cried watching this movie. There were two scenes at which my handkerchief was wet. First: when they found Skrzetuski crying in the village and second it was almost the last scene: when Jan finds out that Helena is alive. But one there is one thing which I hate in Hoffman's movies: his no-limits cruelty (for example in the movie "Pan Michael" he had drowned an alive horse in the stream). He loves to watch the viewers human's and animal's pain and suffering. I know this is in every Sienkiewicz's book but I just cannot accept it.I must confess that I haven't read any Sienkiewicz's book. At the cinema I can close my eyes and only listen but if I closed my eyes while reading a book I wouldn't find out what had happen. I know that many of you won't agree with my opinions(for example about Scorupco) but this is my point of view and everyone has free will and everyone can say how he looks on some things. PS. I have been learning English for 1,5 year so there can be a lot of mistakes-forgive me this.

It seems to me that all means of expression are guite justified in this movie. It forced me to read the whole source trilogy (Ogniem i mieczem, Potop, Pan Wolodyjowski) by Henryk Sienkiewicz. Characters are very humaly, realistic and true. Battles are very naturalistic.