Cenizas del paraíso

This a top of the line police thriller, crossed with sibling/father rivalry drama, criminal who-done-it, and psychological character study. Quite unique really, the film is worthy of its impressive Argentine pedigree: directed by one of the country's greatest, and starring an ensemble of its best players. They range from its eldest living legend in the father/dead judge role to its most promising and popular young ones as the three sons. In between, the talent is just as impressive. This includes returning native Cecilia Roth, and talented local actors, mostly seen on TV. A very entertaining and intelligent film worth a watch.

Viewed this movie once, liked it so much I turned around and viewed it again. I would rate it on equal terms with LA Confidential and The Usual Suspects as one of the best modern crime movies. It is edited in style similar to Memento, looking backward while advancing toward the ending, and this worked to make it unpredictable and entertaining throughout. The movie was very well cast. Letitia Bredice in particular gave an outstanding performance as a highly sexy young woman, yet intelligent and deserving of sympathy in a Marilyn Monroe kind of role. Two other fine performances at the center of the story came from Cecilia Roth as a magistrate trying to work her way through a baffling crime and political interference, and Hector Alterio, also a magistrate, caught between his sense of duty and a situation increasingly threatening to his beloved sons. Highly recommended for lovers of crime movies.

This Marcelo Pineyro's 1997 directorial effort, shows a man that understands how to involve his viewers into a story that is not only pleasant to look at, but with a message. Working with Aida Bortnik, they have created a film that will surprise a lot of people, fortunate enough to watch it.

The film involves the family of a judge in Buenos Aires and his three sons. Costa Makantasis is an honest man surrounded by corruption in higher places. He is trying to uncover the machinations of Francisco Muro, a powerful man that is involved in many dirty business in Argentina. As luck should have it, his younger son meets Muro's beautiful daughter, Ana. The young woman practically moves into the Makantasis household as she and Nicolas are enjoying their time together.

Nicolas, the older Makantasis son, falls under the spell of Ana, as well. And we also have seen how Pablo, the middle sibling stares at the sexy woman. We realize there is going to be a reckoning because the way Ana is the object of love of two of the brothers who feel passionate about her.

The film begins with events that are the conclusion of the events that culminate in horrible deaths for two key figures in the story. In flashbacks, as a special judge, Beatriz Teller, examines the facts surrounding the mysterious circumstances in the two deaths, we are given the details in order to absorb what really happened.

Mr. Pineyro gets excellent performances of his cast. Hector Alterio, is seen as the head of the Makantasis family. He is a good man who is pursuing a cause that means a danger for himself. The wonderful Cecilia Roth plays the investigating judge Teller with a fury that shows her determination and resolve. Leonardo Sbaraglia, one of the best actors from Argentina, is seen as Pablo, the middle brother. Daniel Kuzniecka makes Nicolas, the older brother, come alive. Leticia Bredice is amazing as Ana, the woman who awakens passion in all the brothers.

The film will satisfy the viewers because of the rich web spun by Marcelo Pineyro to ensnare us into this interesting tale of passion and crime.

I did not really get the point of "Cenizas Del Paraíso". The movie starts off in full swing and if the viewer doesn't pay very close attention throughout the beginning he or she is in trouble. I had to rewind the tape after about 15 minutes because I was so confused with all the details, names and events. And movies that have so much information, especially in the very beginning, usually have a story to tell, right. Well, the director did a great job at gluing the pieces together. Even with all the flashbacks I knew exactly what happened when and where and I was really dying to see what had really happened and who murdered the girl, and why. In the end I was not surprised at all, it was rather an anticlimax and I don't know what makes this movie better than an average "Matlock" episode. Sure, the acting is good (I really felt the immense love between father and sons during the dancing scene) and the plot is quite intriguing, but it's not executed in the best way. I wasn't expecting another "Usual Suspects" or something, but the movie made such a fuss about the murder I wasn't expecting predictability either. Oh, and what's up with the final scene with the brothers in the elevator. Maybe I'm complicating but is there a hidden message somewhere in there or is it just a final artistic moment. Worth for the performances, not the thrill. 7/10

Three Argentine brothers fall into the hands of a female judge, each individually claiming to be guilty of the murder of a powerful man's daughter. Having these three men in custody, the body of the dead girl, and the news that the brothers' father, who is also a judge, was also killed, Judge Teller finds herself in trying to unravel the complex mystery. The mystery which is presented with great passion and chaos from the very start of the film, is slowly unraveled by showing the main characters' individual perspectives of the previous week or so, one at a time. By showing one piece of the puzzle at a time, Marcelo Piñeyro builds up much suspense and pushes the audience to try to guess what the missing pieces will be. The story demonstrates what could happen to extremely close-knit families, such as the three men and their father, when certain destructive circumstances or people make their way into their lives. Although certain family bonds may be bent and weakened through such circumstances, these bonds are by no means easily broken.