Love Letter

Love Letter: 9/10

The first 30+ minutes of "Love Letter" were quite boring, but if you ever watched the movie again, knowing how the plot unfolds, they'd be anything but boring. The premise of this is cool and a little creepy: a woman, enstranged by her husband's untimely death, sends a letter to his old address. She knows that the house was knocked down and built over by a highway years ago, but does it anyway, perhaps out of desperation. Unexpectedly, she gets a reply. From there, the story begins, and it takes a much different direction than how the plot sounds on paper. I can't really say too much without spoiling it, but this is a tragic movie, yet beautiful at the same time. There are flashback sequences that make you really care about several characters in the movie, including the deceased man (who is shown as a school boy in the flashbacks). This is so well set out, and almost brought me to tears at times. Movies like this are what make me want to see more and more Asian cinema, because this was an absolute epic.

This is one of the best romantic movies in my life. It doesn't have a kiss scene or even a hug scene like typical Hollywood movies, except for scenes recalling the past. The setting of the movie is winter in Japan. The director Suhnji Iwai made this film with many poetic scenes. I can recall the time when I was in high school. This movie reminded me of the pure feeling of love.

Hiroko (Miho Nakayama) goes to her ex-boyfriend's memorial service. Itsuki Fujii died on a mountain climbing accident two years ago. When she visits the house of her ex-boyfriend's mother, she finds his high school year book and takes notes of his address. She struggles to overcome the grief coming from losing him at that moment. She sends a letter to Itski Fujii because of romantic reason. Surprisingly, she receives an answer from him. Hiroko knows the address does not exist any longer after it was demolished for a highway construction.

Another female, Itsuki Fujii is a Hiroko's ex-schoolmate who shared the school days with him. Coincidentally she has the same name Itsuki Fujii and she tells many stories about male Itsuki's school life when they were young. Corresponding with letters for that time between them, Hiroko looks back on Itsukii's past and feels slightly jealous about female Itsukii. Moreover, female Itsukii finds another truth that she didn't know about the past. It seems like they are in a love triangle beyond time.

Miho Nakayama plays roles of two women-Hiroko and female Itski -at the same time. Her acting is impressive, especially her crying monologue is very famous. The story is sad but she does not play her role with grief all the time. She acts with the sad feeling in moderation. With her beautiful voice, her acting sparkles pure and elegant.

The director made this film with special camera effects. Some parts of this movie don't have the clear scene and instead he used the foggy, dreamlike scene intentionally. I think he wants to express his feeling with great delicacy, not directly.

Considering only this story, it may look boring but it isn't boring at all while I watch this movie. It is filled with enormous mountain views and poetic music. The background piano music is very popular among people.

In this film, the actors don't say many words but we can feel more than their lines because the dialogue is full of suggestions.The images from this movie still linger in my mind.

Carl Jung said "What is not brought to consciousness comes to us as fate". For Hiroko Watanabe, the passing of two years has not lessened the pain brought on by the death of her young fiancé, Itsuki Fujii (Takashi Kashiwabara) in a mountain climbing accident. She longs for healing but is unable to let go of his sudden death. Fate intervenes, however, and a single letter she writes to her deceased lover as a whim sets in motion a chain of events that allows her to discover the untold secrets of their connection. Written and directed by Shunji Iwai and based on his novel of the same name, Love Letter is a simple but very moving love story about two people who must redeem the past in order to be fully alive in the present.

While looking through her fiancé's old school yearbook after the memorial ceremony, Hiroko wants to find something of Itsuki that she can hold onto, some token that will allow her to let go. Finding his name in the yearbook, she jots down the address associated with the name Itsuki Fujii and mails a short letter addressed to him in Otaro in northern Japan. She asks "How are you? and tells him, "I am fine". Thinking that she is sending a letter to heaven, she is supported by Akiba (Etsushi Toyokawa), a close friend of Itsuki who has fallen in love with her and strongly wants her to complete the past. To her surprise she receives a reply and, after the exchange of several letters, discovers that her correspondent is not a disembodied spirit but a very alive woman with the same exact name as her fiancé. Even more astonishing is that both male and female Itsuki Fujiis were classmates together in Junior High School.

While there is some initial confusion stemming from the fat that both Hiroko and the female Itsuki are performed by the superb Miho Nakayama in a dual role, each character's personality is so individual that any confusion is soon dispelled. As the letters continue, Itsuki uncovers some hidden truths about herself, her father's death, and her relationship with the shy student with the same name. Bringing to light memories from the past that she had long buried, she remembers how they were teased by fellow classmates for having the same name, how they developed a bond while working together in the library, and how the male Itsuki, checking out books from the library, wrote his name on five checkout cards saying to her in English "straight flush".

Sensing that Hiroko's quest for completion has reached a dead end, Akiba takes her on a trip to Otaru to meet the female Itsuki and to search for some memento of her fiancé. In a memorable scene in which, in the words of author Marion Woodman, "the eternal crosses the transitory", Hiroko cries out to the mountain that holds the body of her lost love, "O-genki desu ka? "Watashi wa genki desu", "How are you? I am fine", and the words echo through the winter night to be repeated by the female Itsuki sitting in her home miles away.

Love Letter is a film of exquisite cinematic poetry that explores the subjectivity of memory and the idea of redemption. Author Robertson Davies says, "One always learns one's mystery at the price of one's innocence" Like gemstones of coral and quartz that fill our life with joy, Itsuki Fujii came into the lives of two young women, then as suddenly as he appeared, he was gone, yet now both Hiroko and the female Itsuki have established a strange connection and are, in the words of Elizabeth Lesser, "no longer dead, but alive with something luminous and solid burning in their core".

I didn't find any part of it boring! The only regret of mine is that I have not seen this film in the cinema. Instead I watched it on vcd. Nevertheless, the beautiful shots came through, and the story all the more touching.

May sound silly that identical girls are related to the same man. But in fact, you wouldn't have any trouble identifying which girl is which, because they are so "different". One is sad and soft-spoken, the other humorous and tomboyish.

A light and funny show, and you'll sigh when it's over and hope it isn't yet. The ending is the climax, you'll love it!

Wonderful performance by Nagayama Miho! She speaks a few simple words (won't tell you what words) and I felt like crying, not because it was sad.

Believe me, watch it and smile for the rest of the week as you recall those "high school days".

Itsuki Fujii writes letter for her dead boyfriend who died in climbing accident few years ago. And all of a sudden, she get's reply.

The movie is warm and beautiful description of longing for a lost love and nostalgia. Miho Nakayama is ever so beautiful and innocent, and her acting as both Itsuki Fujii and Hiroko Watanabe is just professional. I rather say, couldn't be better. The music and the very atmosphere of the movie is somewhat Japanese, it has something really distant and beautiful. In movie which deals with love, always good sign is that if it does have very few or none scenes where love is physical such as kissing or making love. This movie shows love as somewhat ideal very mindfull and platonic. Works for me, for you, I don't know. Really beautiful movie what I can recommen to everyone. I rated this 10, since couldn't find any reason to give 9.