Prenez garde à la baby-sitter!

"The Babysitter's Seduction" makes a nifty little TV thriller. It starts out as a very good mystery with absolutely no suspects in who killed Bill Bartrand's wife and made it look like a suicide. Then we begin getting suspect after suspect. Alas, the identity of the culprit is given away much too soon. Director David Burton Morris must rely on suspense, chills, and thrills for the rest of the film. As the movie progresses one wonders if the babysitter is seducing Bill Bartrand or if Bill Bartrand is seducing the babysitter. Slowly we get the drift of what is really taking place. This part of the story is well written and directed. Some reviewers found it repulsive and unbelievable that a 50 year old man and a 20 year old woman (in the movie 40 and l8) could get it on. Have they not heard of sugar daddies and now sugar mamas? The babysitter wants to fill the dead wife's shoes, car, house, jewelry, and become the mother of her two children. Because of this, she doesn't see what others see, especially Det. Kate Jacobs, until it is almost too late. The final scenes in Bill Bartrand's house are edge of the seat suspense, particularly for a television movie.

The acting is above average for a TV movie. Keri Russell made her character believable once she got warmed up to the part. Stephen Collins was just right for his role, a charming creep who becomes very menacing. I prefer seeing Tobin Bell as a heavy, but he does fine as Bill Bartrand's detective friend. They played football together in school and he was close to Bartrand's wife.

The movie felt a bit longer than it should have been, kind of boring at times. The twists were decent fun. Keri Russell delivers a solid performance as Michelle, a babysitter caught in a web of lies and suspicion after the sudden death of her employer's wife. While the plot has its moments of intrigue, it leans heavily on predictable tropes typical of 90s thrillers. The pacing drags in parts, but the cast, including Stephen Collins and Phylicia Rashad, adds depth. Not groundbreaking, but it's watchable for fans of Lifetime-style dramas. An alright movie overall, something perfect for when you need something to watch and it doesn't really matter what.

A very mediocre crime movie. The dialogues feel totally artificial and bad acted. Similar situations were there in several other movies before. If it was a more interesting kind of stage-managing, I'd turn a blind eye. But this was awfully long winded und uninteresting. Somehow uninspired. I would like to have my time back. It was not a complete rubbish which turns it only worse. If I have a completely no go in my player, I turn it off, give it a 1/10 and reject the trash for something better. But it is just so good, that I hoped it will turn better over the whole runtime until the end. So I waited for the wrong thing. Badly.

Arian Waring Ash looks pretty fantastic in this flick. It's sort of beneath Keri Russell to do this movie, but at least the director seems to understand that if Keri is looking good, it's not a waste of anyone's time. And indeed, she is looking good here. I'm not even a Keri Russell fan. I found the comment about the dog doing the best acting amusing, but it's not true. Keri's acting is good. Even Keri's kid brother turns in a respectable performance, and he has what, ten lines? If you didn't like Phylicia/Mrs. Cosby's performance, you might ask yourself why so much of her energy and style here is duplicated by Khandi/Ms. Talk Radio six years later in CSI Miami. It's actually too bad that there isn't a longer theater-cut of this thing, because it does capture Ms. Russell in what must be her peak bloom, and that's not at all a bad thing. Shame shame shame on casting directors for failing to see this as an audition for the sidekick, Arian Ash, and not turning her into a big star. But who knows? maybe she was beaten out by Love Hewitt for all the subsequent roles, and that's not a bad thing either. This movie probably got pitched as a "let's take all that sexual energy from the Yale babysitter in Mystic Pizza and take it to its logical conclusion" and hey, that's a pretty good idea. At least i don't feel as dirty at the end as I do whenever I see Blame It On Rio. Incidentally, Demi Moore was the sidekick in that one, and someone DID see that and turn her into a star.

The story and plot sound rather like a typical Lifetime drama, where they combine realism within the plot and add in a few dramatic elements for effect. It's not nearly as erotic or suspenseful thrilling as it could have been- considering this is possibly PG-13 as they had restrictions.

It certainly starts off as you would expect with seeing the death scene of the wife (which is the synopsis and key plot- not a spoiler). The central plot is about how she died as it's framed as a suicide. But we know it's a murder. Certainly predictably where we expect it to be the husband who did it. As further watching, they casually throw away the reveal where it isn't shocking.

The standout is Keri Russell who made her character believable once she got confortable to the portrayal. Stephen Collins was just right for his role, playing the father who "seduces" Russell.

The conclusion was somewhat of a letdown all be it still entertaining enough. Where things unfold predictably. There's a 'cat and mouse' game within the finale which was bizarrely done and didn't make much sense considering why Collin's didn't make it more difficult for Russell to escape. It's as if he wanted her to escape. Also her escaping was rather unrealistic.

In the end, she gets away. The cops of course show up as they arrest him (seemingly he's okay after being stabbed). The film isn't anything special. The concept and Keri Russell make it worthwhile for a Lifetime 90's film and the scenery is solid as well. Perhaps slightly better than expected.