Black-Out

I just want to tell you that I found the music of that "B serie" very interesting especially while the long credits at the end of the movie : you can listen to a piano playing smoothly with a sweet echo, it 's

very pure and easy to listen, you feel even relaxed after it. I think I could buy the DVD only for listening to the music ! Great Composer "Terry Plumeri" would surely deserve greater movies to enhance his talent !...

Don't judge this one by its cover- "Black Out" is a smartly-plotted film noir piece that has surprisingly sharp writing. It is tainted by a noticeably tight budget, but this is a movie that deserves the respect it will probably never get. This is "A History of Violence" with a lesser budget and director, resulting in unfortunately generic production values.

Keep an open mind and you'll enjoy it. "Black Out" is the story of an accountant named John Gray who's perfect life falls to pieces when a tragedy sparks memories of a suppressed past double life. He finds himself on the run, trying to piece his old life back together while simultaneously fighting off mobsters who want him dead. These flashbacks are told in washed out black and white- nodding to the classic film noirs and providing wonderful homage to them.

This is a knockout story considering "Memento" and "The Bourne Identity" (the movie, anyway) wouldn't come out until years later. A better actor than former NFL star Brian Bosworth could have taken the role of John Gray-and the movie for that matter-to a higher level, but he makes do. The real problem proves to be the direction. Allan A. Goldstein achieves greatness in some areas of the film, (like the stylish flashbacks and the flawless realization of the story) but he messes up with some of the action scenes. They are awkwardly cut, which probably indicate sloppy direction of the scenes. He didn't do an adequate enough job capturing everything going on during the action, so most of the action becomes incoherent and forgettable. Also, he didn't seem to invest much in the art department, being that the production design is hopelessly bland. The constant generic feel eats away at any hope of the gritty atmosphere the story so desperately needs.

Do give this one a try, though. It is fascinatingly written and the talent involved is more than you'd expect from a movie staring Brian Bosworth, who really isn't all that bad- really! (3 out of 4)

This is a popcorn b-action flick that is better than most of the films that Brian Bosworth has made. It's an amnesia story that we've all seen before about a bank executive who after being hit by a car returns home to find his wife brutally murdered. Good action as he unravels the mystery of his life and pursues the killers. All-in-all the producers deliver an ok movie.

At the start of the movie, a prison bus is wrecked intentionally, and a group led by Thomas Payne takes some prisoners (including Scar) off the bus, though many of those on the bus are shot.

At day's end, John Gray leaves his job at the Arizona State Bank only to get into an accident that leaves him with amnesia. His wife takes him back to their fabulous home hoping he will remember something.

John keeps seeing visions and having nightmares. He sees Payne and Scar, as well as a tattoo worn by some of the prisoners who were on the bus.

John returns to work when he is well enough, but his memory is returning very slowly. Each revelation comes with excitement and even some humor.

In the process of investigating his past life, John calls The Rebel Bar in Los Angeles, where the bartender thinks he sounds like Wayne Garret. Later, Payne and Scar hear that Wayne may have turned up.

A tattoo artist refuses to help at first when John shows him the design, but after some persuasion John is told this is a tattoo worn by people he would probably not want to associate with.

John goes to Los Angeles, where he teams up with cocktail waitress Jenny to find out the truth about his past. Why does Jenny help him? Because during one of his episodes, he thinks Jenny is his wife and helps her out of a jam.

I'm glad I didn't judge the movie by its very violent opening scene. There are a few scenes that would appeal to the macho types who enjoy gunfire, explosions and car chases. As you might expect, many of these are near the end. But it was the mystery that appealed to me, watching the details of John's past life unfold slowly.

Plus the interaction between John and Jenny proved to be my favorite part of the movie. Jenny is pretty, tough, and intelligent. Not to mention funny. At one point, she reminded me of Erica Durance, the feisty young Lois Lane in "Smallville".

Scar is ... colorful. Sort of like a WWE wrestler. Payne is eerie.

It was good. Just more violent than I would have liked.

There are few words to describe just how hypnotically bad this film is, and no rational way in which I can explain my fascination with it. Brian Bosworth proves beyond a doubt that acting is not his strongest talent and seeing this proof displayed so vividly on screen is a treat like no other. An odd thing occurred the moment I saw Brad Dourif on the screen, having seen his immense acting talents on Deadwood over the last 3 seasons (what an outstanding performance) and yet here he is, in a movie so horribly thrown together that I almost wanted to imagine that he had been forced at gunpoint to even participate. Alas, everyone must begin somewhere I suppose... even if it is alongside The Boz. If you are looking for a shoddy story with mind numbing acting that will have you laughing all along the way, then this festering turd of a cinematic nightmare is your dessert. Enjoy, preferably with plenty of like minded friends. (watching it alone is just... sad)