Petits meurtres entre amis

I saw this film before "Trainspotting" came out, so I had no clue who this Ewan McGregor fellow was, or what sort of director Danny Boyle would turn out to be. "Shallow Grave" is a great enough film to have sealed the deal for me: I have sought out his work (and have, for the most part, loved it!) ever since.

You've already read vague bits about the plot, I'm sure, and I shan't give away any more than the basics - three roommates and best friends are inseparable until a suitcase full of money, found through some rather unpleasant circumstances (to say the least), causes not only friction and paranoia but also potential for violence, as they each struggle with their own morality over what to do. Do they call the cops and return the cash? Tell no-one what they had to do to keep it, and live the high life? It seems so simple in the beginning, boiled down to a single conversation over a kitchen table, but the complexities of that one decision soon become awfully clear. And as David (Eccleston) says at one point about a camcorder, bought as a new toy by his flatmates, "Yes, you PAID five hundred quid for it, but we don't know what the COST to US will be yet." Eerie foreshadowing, there. And that is where the fun...and fear...all begin.

What follows is a story that manages to ratchet up the tension at a furious pace. The whole film fits into just over 90 minutes, and it is very impressive to see how effectively the entire mood changes as these three roommates begin doubting each other, themselves, their neighbours, the police, and the occasional unfamiliar car parked outside their Edinburgh flat... The fun and hijinx for the trio (and for us, the audience) are brought to a screeching halt, and the rest of the film stays taut, never tipping its hand to let you know what might happen the next time someone comes to their door.

If you've seen and enjoyed Boyle's more recent works ("Millions," "28 Days Later," "Slumdog Millionaire," "127 Hours"...and especially "Trainspotting," as you'll see a LOT of familiar faces who got their start here), go back to this one to see where his true style came to be. It's no surprise at all that he's gone on to Oscar acclaim; he's clearly been building his craft and unique methods for some time. "Shallow Grave" is a fantastic noir-ish thriller, managing to be laugh-out-loud funny in places (the three leads are fabulous, particularly McGregor and Eccleston) and then turning very, very dark on you without warning.

And I must say...the ending alone is worth the ride. ;)

Juliet Miller (Kerry Fox), David Stephens (Christopher Eccleston), and Alex Law (Ewan McGregor) are three flatmates looking for someone to rent the fourth room. They are all sarcastic, sharp-tongued, and generally mean-spirited. They agree on the charismatic Hugo (Keith Allen) but don't know his criminal activities. When they discover his dead body, they also find a suitcase full of money.

Before Danny Boyle's breakthrough movie 'Trainspotting', this is his first big screen debut. The leads are not likable. They are all unlikeable selfish untrustworthy jerks. It's dark. It has three amazing performances. And it has a great Hitchcockian style. It is sharp and brilliant. It has some funny moments especially as they skewer the roommate interviews. It builds up to great tension. It's just good dark fun.

A great modern thriller containing all the necessary ingredients of a decent suspense story: constantly growing tension, sly humor, and genuinely surprising plot twists. It's kind of like a 90s version of a Hitchcock flick (think "Rope"), and like somebody here wrote, once you start watching it you can't stop.

The plot is deliciously wicked. Just how far are you going to go for money? Will you kill for it? Are you willing to share it? Will you give up your best friends for it? How insane will a large amount of cash drive you? And in the end, and this is the most important question "Shallow Grave" rises, will it make you happy?

If there was any more violence in this movie it would turn disgusting, but Danny Boyle knows how to measure it just right. Though he doesn't quite reach the virtuosity of "Trainspotting" here, his trademarks are all present: the fast pace, the urban background beats, the enthralling camera angles and so forth.

The three leads are all great, but there's no question about who the movie belongs to: Ewan McGregor is energetic, powerful and photogenic in his portrayal of a young journalist. No wonder he became such a star.

Good first feature film from director Danny Boyle and writer John Hodge. A good, solid thriller with a healthy dose of dark humor.

Interesting dynamic among the three principle characters, though their motivations toward each other could have been made more clear.

The age-old plot of ordinary people getting mixed up in an unexpected acquisition of dirty money and finding their worst tendencies coming to light is done with style and clever wit, with a couple of nice twists that I doubt anyone will see coming. (Although, I'm a little hazy on just HOW it ends up that way.)

Boyle is definitely one of the great, stand-out directors of the 90s-and-beyond crowd, in the upper ranks with Tarantino, Fincher, Ritchie, and a few others.

7/10 stars

It's well performed with actors who would go onto greater things. The plot is pretty thin, insomuch as it has one. The most interesting and fascinating elements come through post viewing reflection, to consider what you would have done under these circumstances. The director is asking you to accept and believe the events that took place are plausible - are they? Or are they so implausible that the story becomes fantasy? If it's fantasy it's valueless, passing ninety minutes of your time and soon to be forgotten. If you can connect on a real world level then maybe you'll learn something about yourself you didn't know already - or at least choose to seldom acknowledge. Cinema is there to make you think and connect with the world in a different way and this film does just that for the most part.