Aux bons soins du Dr Kellogg

I just can't believe the comments I read here. Pure crap? Come on! One of the worst films ever? Pah!

This film is good, well written, well directed, and really funny. What else can I say? It seems like whenever a film with real humour is made by a well-known director, it's viewed as bullsh...! While plain stupid comedies (Pretty Woman etc..) are praised by many, elegant and clever ones like "Road to Welville" are considered as crap... I just can't believe it.

I feel saddened that such a good work is being flamed. Maybe it's because it didn't reach its public... Or that the whole purpose of the film is being missed by the majority of the public... Or that people think Parker should only make serious movies... I don't know.

It's not the first time I'm so deeply amazed by the way a film is perceived by others, but gee...

Battle Creek, Michigan is hometown to me and several generations of my family. So, maybe I appreciated 'The Road to Wellville' more than most. After all, anyone living in Battle Creek either works for the Kellogg Company or is close to someone who does. Kellogg's and Post cereal companies have affected nearly every level of Battle Creek's evolution for 100 years or more.

The great cereal boom of the early 1900s is still talked about today. And tales of the legendary Dr. Harvey Kellogg (artfully played by Anthony Hopkins), Seventh Day Adventists, and the famous (or infamous) Battle Creek 'San' are fondly retold by some of the town's elder residents. The health regimens practiced at the B.C. Sanitarium led to a host of other health-related businesses in Battle Creek which made everything from dubious exercise equipment to nearly tasteless all-veggie soybean burgers.

This film is a lively, tongue-in-cheek rendition of the intriguing story about an era when entrepreneurship in the U.S. was at its peak. The cast, featuring Matthew Broderick, John Cusack, Bridget Fonda and Dana Carvey, is excellent and the humor as wacky as it gets.

Bon appetit!

It probably happens to everybody: one comes across a review on IMDb, looking for some info on a movie that one considers a personal favorite, and what does one find? A rating that points more toward the lower end of that rating spectrum and numerous devastating reviews, that point both thumbs (and probably the big toes as well) downwards. Of course everybody is entitled to their own opinion and taste, but in the case of "The Road to Wellville" I cannot help but to break a lance for a film that deserves a little better than what it has gotten thus far.

The actors shine throughout. Matthew Broderick has never played a more likable character since his "Ferris Bueller's Day Out", Tracy Lind and Bridget Fonda sparkle with feminine beauty and although one can tell that Anthony Hopkins was not altogether comfortable with his role, comedy being clearly not his first line of work, he makes the best of what he's given to work with. Same goes for all the supporting cast, who are throughout quirky and likable (including Colm Meany, who has never played a slimier character), and often look, as if they had stepped out of a "Asterix"-comic-book.

Before the disastrous "The Master of Disguise" technically ended his career (and, yes, later associating himself later with Adam Sandler wasn't a good idea either; not for Carvey or anybody else on this planet), you basically couldn't go wrong with Dana Carvey. A virtual chameleon of his trade, Carvey's various roles and guises only had one thing in common: they were always funny as hell and usually stole the scene. Such is the case in this movie. Carvey's George Kellogg is an epitome of grime, sloth and human rot (though not without the vulnerable child at the core), which keeps the viewers emotions of utter revulsion and amusement at a 50/50 level.

Special praise must go to Jacob Reynolds, playing the young George Kellogg. I say it as I see it: he's uglier than a blind horse. But not in a repulsive way, but rather so ugly, that one could stare at his strange features and over-shaped head for hours without getting tired or repulsed. Though his retrospective scenes are rather short, he steals every one of them.

So, why the low rating and plenty negative reviews, I wondered. Well, for one I can understand that some people might not feel comfortable with the scatological humor (of which there is galore). Without having done any research on it, I could imagine that this kind of film would have been more popular in Europe than it might have been in the United States. Often I found myself reminded of French comedies a la Claude Zidi and, since we're speaking of potty-humour, of course Monty Phyton. The main criticism I would place on the director himself. No doubt, Parker is a master of his trade but you can always tell that he was uncomfortable to let his comedy (a field which Parker isn't exactly at home, perhaps with the exception of "Bugsy Malone") deteriorate into slapstick or farce – which the movie is essentially, and there is nothing wrong with that. Parker seems to have aimed more in the direction of biting satire, throwing in moments of seriousness (as in the story of Fonda's dead baby or the troubled history of Kellogg with his adopted son), which seem unnecessary, out of place, almost forced.

And now, more than 20 years down the "Road to Wellville", the movie has aged exceptionally well and is just as enjoyable as it was when I first saw it. The story and message is still as contemporary as it was, perhaps even more so. Think self-appointed health-gurus, militant vegans and fitness crusaders, who'll argue that you'll die healthier if only you forsake all earthly pleasures. In fact, not too long ago, I found myself involved in a random conversation with a vegan. I listened silently, as he told me about his excellent health – and of course that I, as a "meat-eater", was clearly on the doorstep to death. While he prattled on, I measured his skeleton-like appearance, the hollow eyes and a skin-tone that had already a slight hue of greenish (no doubt due to a lack of Vitamin B12). By the time he had seemingly finished his sermon, I nodded in agreement – I mean, what else can you do? – then moved on. And while I contemplated which steak-house I was going to visit now, I found myself subconsciously whistling the movie's title-melody. And don't try to tell me, if you're a friend of the culinary world and well-being, that you don't have a distinct desire for a hearty piece of meat after watching "The Road to Wellville".

Technically a 7/10, though it ranks among one of my personal Top-50 comedies.

RTW is by all means a very funny movie. Sure, one can find it disgusting in some details, but it is nothing more than a point of view. On the formal side, you cannot say much against it: it has an excellent cast, superb costumes and buildings, it almost captured this long gone time. And, by the way, these stupid gadgets and therapies, they were real, they didn´t invent anything. OK, the story could be a little bit straighter, but thats all. Otherwise, RTW is holding a mirror for the health and fitness obsession of our times and one should be able to laugh about that too. All in all a good one. I´m sorry for those, who cannot like it because of their prudery, rest of you just try to watch a little bit more open - minded.

Not having seen this film before, it came as a total surprise the other night when it was shown on cable. Alan Parker, the director, has adapted the T. Coraghessan Boyle's book into a hilarious comedy that evidently, judging from some of the comments to this forum, is not a crowd pleaser, yet, the film rewards those with an open mind to enjoy this hysterical take of a mad scientist, a spa, and the people that tend to patronize those places.

The story about the use of cereals, championed by Dr. John Henry Kellogg, is the basis of the story. This revolutionary doctor's methods were amazing in the way they were applied to patients going for the cure of their bad stomachs caused by the prevailing eating habits of the time.

This farce is great fun because of the cast assembled for the movie. Anthony Hopkins plays the mad Dr. Kellogg with glasses and false teeth that distort his face. We have to look hard into this mad man to realize the transformation Mr. Hopkins achieves with his character.

John Cusack, as the enterprising Charles Ossining, travels to Battle Creek, Michigan in search of riches, trying to capitalize on the cereal craze. He finds a partner in the devious Bender, played with great panache by Michael Lerner, one of the best character actors in the American cinema.

As the patrons of the spa, we encounter a young couple, the Lightbodies that go for a treatment. Briget Fonda and Matthew Broderick play the Lightbodies, a pair that is separated at their arrival and who encounter satisfaction in more ways than one, as they discover their sexuality. Lara Flynn Boyle, Camryn Manheim, Traci Lind, John Neville, Dana Carvey, Colm Meany and Jacob Reynolds are all good in their small roles.

This film, with its different kind of humor, will make anyone laugh.