The Return of the Native

I saw this first when my older sister watched it for a class in high school and I was immediately taken by Catherine Zeta-Jones. She looked stunning, nearly perfect in every particular, almost like a flawless Disney heroine. Later, when I read the book (which soon became my favorite classic novel of all time), and did a research paper on Hardy heroines (Eustacia Vye from The Return of the Native, Bathsheba Everdene from Far from the Madding Crowd and Tess Durbefield from Tess of the D'Urbervilles), I read the description of Eustacia and found that Zeta-Jones was TYPECAST as the seemingly angelic, but ultimately tortmented woman. I quickly became a Catherine Zeta-Jones fan and sought out her other films. This one ranks as one of her best.

A fantastic work, especially for Hallmark, I agree that had it been made in Hollywood, Catherine would have won her first Oscar long before Chicago. Watch this heartbreaking film and then (or before), read the book. Also outstanding are Clive Owen as the equally tormented Damon Wildeve and Ray Stevenson as Clym Yeobright and the title character. Diggory Venn and Thomasin Yeobright are also well-played.

10/10.

This movie is very well done! The acting is exceptional! It is a wonderful adaptation of the novel. I was enthralled from the beginning. The gorgeous landscapes, & beautiful period costumes help to make this movie a must see! I highly recommend it!

To celebrate my 1,300th review for IMDb, I turn to a film based on the work of my favourite author. Despite his prominent position in the canon of English literature, Thomas Hardy has never really been a mainstay of the cinema in the way that, say Dickens or (in recent years) Jane Austen have been. Although there have been occasional excellent Hardy adaptations, such as Schlesinger's "Far from the Madding Crowd" or Polanski's "Tess", a number of his novels have never been the subject of a feature film. I am not just talking about his more obscure works such as "Desperate Remedies" or "The Hand of Ethelberta"; there has never been a film based upon a novel as great as "The Mayor of Casterbridge", unless one counts Michael Winterbottom's eccentric "The Claim", which alters the plot considerably and transfers it to the American West. "The Return of the Native" is another great Hardy novel which has never been filmed for the cinema; this TV movie from 1994 is the only film version.

The plot is essentially a complex love pentagon. At its heart are two unhappy marriages, those of Damon and Thomasin ("Tamsin") Wildeve and Clement ("Clym") and Eustacia Yeobright. The fifth corner of the pentagon is Diggory Venn, a young man who was a rejected suitor for Thomasin's hand before her marriage. Damon and Eustacia were lovers before their respective marriages, and both cherish the hope that their former intimacy can be rekindled. (Their spouses Clym and Thomasin are cousins).

Hardy pays comparatively little attention to the Wildeves' marriage; the simple problem between them is that Damon, an innkeeper by trade, is a handsome scoundrel with a roving eve who finds it impossible to remain faithful to one woman. He analyses the Yeobrights' marriage, however, in greater detail. Clym, the returning native of the title, has been a successful diamond merchant based in Paris. Eustacia is a proud and independent young woman, intelligent if with little formal education, who dreams of seeing the wider world. Her main hope in marrying Clym was that he would return to Paris taking her with him. He, however, has tired of the diamond trade and of the comfortable middle-class life he led in Paris. He believes that he has been called to some higher purpose in life and dreams of opening a local school where he can teach the local children of the remote heathland area in which the story is set. Eustacia hates the heathland, which she sees as bleak and forbidding, so is dismayed to realise that her husband is set upon spending the rest of his life there. It is her discontent, and Damon's faithlessness, which precipitate the story's final tragedy.

The settings for Hardy's novels are always significant. The landscape takes on such importance that it almost becomes a character in its own right, and this is particularly true of "The Return of the Native". It is therefore unfortunate that the makers of this film decided to shoot it on Exmoor rather than the Dorset heaths (or "Egdon Heath"as Hardy called them). Geographically the two areas are not too far apart, but the landscapes we see here are more rugged and mountainous than anywhere in Dorset and more conventionally picturesque. I couldn't help feeling that if Eustacia had grown up in the beautiful countryside we see here she would never have wanted to leave.

I felt that Claire Skinner was a bit weak as Thomasin (although, to be fair to her, the sweet-natured Thomasin, overshadowed by her rogue of a husband and her more glamorous rival Eustacia, is not the strongest character in the novel). These, however, would be my only criticisms of the film, which is in all other respects a very worthy adaptation of a great novel, and follows its story fairly closely. (There are, however, a few simplifications and alterations of Hardy's plot, notably the manner of Clym's mother's death). The rest of the cast are generally very good, and I was very taken with Ray Stevenson as the decent and idealistic Clym. (I am rather surprised that I have not heard more of him since 1994). The real revelation for me, however- certainly when I first saw the film- was the performance of Catherine Zeta Jones as Eustacia.

Apart from Tess, Eustacia is Hardy's greatest heroine, in my view greater even than Bathsheba Everdene. She is by temperament utterly unsuited to her sincere, kindly husband, and brings tragedy on him and on herself through her wild and impetuous behaviour, yet it is impossible for the reader not to feel some sympathy with her in a way in which we do not feel sympathy with, for example, her lover Wildeve. Like Clym, she can see all too clearly the darker side of life on Egdon Heath and the narrowness and ignorance of its denizens, some of whom quite literally still practise witchcraft. Unlike him, she is unable to see the beauty of the area or to envisage any solution to its problems other than escaping from them.

In 1994 Catherine Zeta was a striking young newcomer, strikingly and exotically beautiful, but generally regarded as most at home in light comedies like the "Darling Buds of May" television series in which she first made her name. "The Return of the Native" was her first chance to prove herself as a tragic actress, and she rose brilliantly to the challenge of playing this challenging role. She has, of course, gone on to become a major international star, although I have sometimes thought that Hollywood has used her too much as a comedienne and action heroine and has not done enough to find similarly demanding parts for her. This still remains my favourite of all her films. 8/10

It seems that all western literature have the same theme. All tragedies are due to the stupidity of men and all comedies are due to the cleverness of women.

As this movie is based on a Thomas Hardy story, it is naturally a tragedy. True to form, the stupidity of men, was the primary cause of the tragedy. Of course, a woman must be blamed especially if the woman is not content to be an obedient and docile wife to a selfish and blind husband.

Clym, as a spoiled only son, only ever thought of himself. What he wants was all he cared. It never mattered what his mother wanted or what his wife wanted. He must have his way. When his wish was challenged, he blamed his mother. When his dream was shattered, he blamed his wife. Yet, he was considered the good son, the good man, the good husband, and the hero. That's the real tragedy.

Eustasia, as a girl with a dream beyond the small backwards village in a harsh landscape, only dreamed of a better life in the shinny world. But the ignorant villagers shunned her as a witch. No matter what she does, she was the evil one. Her stupid selfish husband never understood because he only thought of himself and what he wants. In the end, she could only escape from her jail was to die. That's the real tragedy.

That was the bleak rural life of Thomas Hardy's England. I gave the movie 7 stars because it was well staged, well acted, and focused.

In 1994, Catherine Zeta-Jones sealed her fate to forever play the bad girl. She starred in two television adaptations of very famous novels, Catherine Cookson's The Cinder Path and Thomas Hardy's The Return of the Native. In the latter, she plays the bewitching village outcast whose power over men is so great the townspeople think she's a witch. She enjoys toying with their emotions, but soon learns the consequences of her actions.

With a large supporting cast of Clive Owen, Steven Mackintosh, Joan Plowright, Celia Imrie, Ray Stevenson, and Claire Skinner, The Return of the Native is a must-see for fans of historical romances. Keep in mind that it comes from a Thomas Hardy novel, so it'll be a little depressing. There's also some strange elements included in the story, like the alleged witchery and the constant red pigment to Steven Mackintosh's skin-which is explained better in the book.

It's difficult to hate Catherine because she's so beautiful, and at times during the sad story, you'll even feel sorry for her. She, Ray, Steven, and Joan give great performances, tugging at your heart and making you want more when the movie's over. While this one isn't my favorite sweeping historical drama-Thomas Hardy stories are just too sad for me-it's a very famous one to add to your list if you like that genre.