Rampo

Excellent film!

THe mystery of Rampo is about the author, Edogawa Rampo, Japans most famous mystery writier. In the movie, Rampo writes a novel which is censored about a woman who kills her husband. But later, Rampo reads in the paper that his character has come to life! What's more, he must now write a conclusion to the woman he has created, while trying not to fall in love with her. A stunningly brilliant movie, with wonderful visual effects, a film that is great even without words! A definate must see!

One of the most thought-provoking, elegant, and creative films ever made. Those who fail to come to grips with its complexity will be disillusioned by it, and they will be tempted to dismiss it as dense and pretentious. I urge them to view it again and dig deeper. If they persevere, they will find an exquisite film, rich in meaning and subtle in temper. A fantastical tale that speaks directly to man's need for self-expression in a world grown callous and intolerant. This is a deeply satisfying film - a psychological mystery that provides greater riches each time it is viewed. The soundtrack is gloriously evocative and perfectly suited to the film.

This was a wonderful movie, but a bit slow in parts. The beginning tricks you to believe that its a normal movie yet the second half picks up and captivates you till the credits roll.

In all honesty I wouldn't recommend this movie to anyone expecting a lot of linear plot action. This movie is for your imagination and that is half the beauty of it. I liked this movie but i recommend watching it with a friend so you have someone to discuss it with when its over, as it can be very confusing in many (if not all) parts.

I give this movie an 8, although it could have been better. Watch it and see for yourself what I mean...

"The Mystery of Rampo" with its lush colors, mysterious and sensual (Michiko Hada is simply captivating) storyline, and dream-like sequences is the most beautiful film I've seen in the last 10 years. Every scene in this film could be framed and sold as an art poster. I don't want to give the impression that this movie is simply another demonstration of "form over substance," there is a story to tell here, a strange one worthy of Rampo ("the Japanese Edgar Allen Poe") himself, but what really makes this film stand out is the way it unfolds: the direction and cinematography are innovative. There may be many who fault this movie on its really weird/kinky/convoluted plot -- but this is one film I could watch over and over again.

For the record, I gave this film a "10". It's one of my favorite films. Then again, it's not for everyone. If you're looking for a linear film that spells everything out and leaves nothing to the imagination, pass this one up. I've read criticisms that it's too disorienting and "stream of consciousness". I'm shocked at this criticism, because that's precisely what makes this film a work of art. I've seen Mystery Of Rampo half a dozen times and everytime I see it, I discover something new. There are so many metaphors and so many layers of meaning and interpretation. On one level, Shizuko is trapped by in a world that is "unreal" while Rampo is trapped in a world that is "real". And their love breaks the chains that bind them as the line between the real and the unreal disappears. All the actors are brilliant. There are no one-dimensional good or bad main characters. Michiko Hada and Naoto Tokenaka show a full range of subtle, conflicting emotions; fear, heroism, intimacy, callousness, attachment, detachment, resignation, and hope.

Michiko is hauntingly beautiful, almost other-worldly, and perfect for the part. And the difference between Naoto's character in Mystery and Shall We Dance show what an excellent actor he is. The visual metaphors, such as the increasingly elaborate doors, are brilliant. And the soundtrack is one of my favorite. It creates a magical space that envelopes the audience. While this film is incredibly beautiful and stylish, the story goes much deeper, leaving the audience to wonder over it long after the film is over.