Last Seduction

An incredibly amoral and very sexy woman (Linda Fiorentino) is on the lam from her husband (Bill Pullman) after stealing thousands of dollars from him. She travels to a small town and gets involved with a sweet, innocent man (Peter Berg)...but he's just her next victim.

There's a lot more to it but I won't give it away. The plot is intricate with many twists and turns. The dialogue sounds like it came from a 1940s noir (updated with swearing) but this isn't anything like those movies. This movie has graphic sex scenes and incredibly cruel acts that they could never get away with back then. It also has good acting by Berg and Pullman (who is very obviously enjoying himself). There's also good direction by John Dahl and an excellent score by Joseph Vitarelli which totally fits the tone of the film. But it's Fiorentino's show all the way--she's on screen almost all the time and her performance is superb. She's sexy and evil and actually enjoys using people--notice how she laughs after a few evil acts. Too bad this film premiered on cable--if it were a theatrical film first she would have been up for Best Actress.

Only two quibbles--at 110 minutes the nonstop evil and cruelty wears you down and I didn't buy a few things that happened at the climax. They seemed really unlikely and spoiled things a little. But those are minor complaints.

This is a good, evil film noir--well worth catching.

Clay Gregory borrows some money to buy drugs and sell them on at profit. However his wife steals the profit and flees – leaving him with the loan shark to pay off. Bridget ends up in a small town where she hooks up with Mike Swale (her designated f***). She uses him to hide from Clay private detectives but it's only a matter of time before she's found and she begins to plan a way to use Mike's love to get out of trouble.

It's rare that a film has a strong female lead and is successful – female roles are hard to come by. Here this film is based around the ultimate femme fatale (or b***h as she's called here) and the story is clever and sexy. Bridget appears to be cold and manipulative – and every frame of the film confirms that. The story is clever and twisty – very enjoyable, right up to the end where you can't help but feel sorry for anyone that tries to stop her getting her way.

Fiorento is excellent and has yet to get as good a role since. She is sexy and manipulative and totally believable. Berg is good as the backwater boy who gets taken for a ride. Bill Pullman is good in a smaller role (he only once is seen outside of his apartment). While Bill Nunn and J.T. Walsh (when will I stop feeling his loss?) add class in roles that almost count as cameos they are so small.

Dark, wicked, sexy and intelligently twisty. Modern noir at it's best….but did we really need a sequel?

I loved this one because I couldn't get over the heights of carnality and the depths of sociopathic evil the characters were capable of achieving. Linda Fiorentino played perhaps the most despicably rotten, heartless, conniving, using bitch I've ever had the pleasure of watching. Pullman was great as the reaper of retribution intent on giving evil for evil. Peter Berg may have stolen the show with his total inability to say no to his own destruction. It was hard to believe the abyss of stupidity these 2 dopes had the capacity to plumb. Guess that's what happens when the little head takes over the thought processes for the big head, eh? The picture started out a little slow but developed into a real blowout with a jaw dropping finale. All the folks got exactly what they deserved. All of them.

There are many films that revolve around fatal women, who use sensuality and seduction for obscure purposes. In fact, there are even women in real life who do it skillfully. In the film before us, we will face perhaps one of the most perverse and diabolical female minds that cinema has ever known.

In fact, I have no other adjectives for Bridget Gregory, a woman who looks angelic and the kind of wife our mother always dreamed of for us, until we see her dark side. The film elaborates a web of intrigue and malice where Bridget is the main character, the spider in the middle of the web, ready to devour his male prey. She was married to a guy who traffics in drugs, but decides to run away and take with her a huge amount of trafficking money, which infuriates her husband (any husband, I think). She hides in a small town where she decides to settle down without being noticed. She meets Mike Swale and quickly becomes involved with him, to the point of convincing him to kill her husband... without him knowing that he is, in fact, her husband.

The success of the film is largely based on a well-written script by Steve Barancik and a very intelligent direction by John Dahl. Some scenes, like the bar scene where Mike tries to seduce Bridget and ends up seduced by her, are truly anthological, and although this is not a very explicit film (some teen films show much more skin than this one), it gives us with some of the most perverse and hotest sex scenes in cinema (regular commercial cinema, I'm not taking into account porn films), not so much for what it shows but for the intensity, beauty and commitment of the cast.

In the middle of the cast only one name stands out and it is around him that the whole film is built: Linda Fiorentino got, with this film, the most remarkable work of her career. She is viciously wicked, cruel, cynical, malevolent and highly seductive. The way she worked on the character is almost palpable. Bill Pullman and Peter Berg are also very good and interact perfectly with Fiorentino, but she is the one who carries the lead and makes the whole movie work.

Being a film that is a neo-noir with touches of satirical comedy in the middle, the most notable technical aspect is clearly cinematography, which wisely uses light and shadow. However, it is not a film as dark as most noir films, nor as dark in the way it approaches themes. The comedy is there, the satire is present and it lightens the atmosphere, makes the film more fun and less dense. The dialogues are incredible and deserve our full attention, as well as the scenarios and the superb soundtrack, by Joseph Vitarelli.

A devious sexpot steals her husband's drug money and hides out in a small town where she meets the perfect dupe for her next scheme.

The rumor is that this film was intended to be a "skin flick" but the people involved wanted to make something a little bit better. What they ended up with was a thriller not unlike "Basic Instinct" and "Fatal Attraction". In a world full of stupid men, a crafty woman can control her destiny.

How well this film is known, I do not know. I wasn't aware of it. But enough people have rated it on IMDb that it must have been big at the time. Heck, there are rumors that it almost got an Oscar nomination. (Lots of "rumors" with this film... not sure what to believe.)