The comedic misadventures of a person of indeterminate gender.The comedic misadventures of a person of indeterminate gender.The comedic misadventures of a person of indeterminate gender.
- Awards
- 1 win & 7 nominations total
Julianne Christie
- Strip Club Hostess
- (as Juliane Christie)
Elizabeth Ziff
- Strip Club Waitress
- (as Bitzi Ziff)
Featured reviews
Mercy what an awful excuse for a film. Sexless (meaning impossible to tell whether male or female) Pat (Julia Sweeney) wants to get married to another equally sexless person in this amazingly poor motion picture that was just a ploy by those morons at Saturday Night Live to make a few quick bucks. They made very few bucks as the movie-going public saw through this mess before they ever set foot into a theater. Tasteless and worthless. Turkey (0 stars out of 5).
I actually liked the sketch "Pat" on SNL. It was a fresh idea - honestly, how many other "andrognenous character-sketch" routines can you name? It had its limitations, and it sure as hell could have been pushed past the "Pat almost reveals his/her gender but then doesn't" joke that seems to have been the limit of its humor.
So when there was a movie, I thought, "Hey, they're finally going to push the character beyond the one-joke limit. I like Pat, sure, I'll like the movie!" Well, I was stunned at how ineptly and poorly executed the whole thing was. The Pat character is immediately portrayed as boorish, intrusive, insensitive, and a host of other undesirable characteristics. Who decided this is what Pat was about? Who thought this would be funny? And how does this relate to the SNL character, anyway? I see no resemblance at all.
Even Dave Foley, whom I love and who is well-known for his excellence at portraying long-suffering comic characters, cannot soften the unrelenting ugliness that Pat exudes. In addition, I really think they took the low road with the "Chris" character. Of all the androgynous names they could have chosen (Terry, Bobby, Sam, the list is long), "Chris" is so boring! And the style of androgyny that was chosen, "70's-esque flower child", complete with page-boy haircut, while certainly complimenting Pat's dowdiness, was just one more joke with a very short lifespan.
By the time you finally realize the ugly boorishness that Pat is all about is not going to be a short-lived bit, but is instead the main (and only) joke, and that you will get no reprieve at all, ever, through the entire film, it will be too late. You will have suffered through the whole film, with very few laughs, and entirely missed out on a "naive-but-loveable-doofus" version of Pat, that you might have expected to get.
So when there was a movie, I thought, "Hey, they're finally going to push the character beyond the one-joke limit. I like Pat, sure, I'll like the movie!" Well, I was stunned at how ineptly and poorly executed the whole thing was. The Pat character is immediately portrayed as boorish, intrusive, insensitive, and a host of other undesirable characteristics. Who decided this is what Pat was about? Who thought this would be funny? And how does this relate to the SNL character, anyway? I see no resemblance at all.
Even Dave Foley, whom I love and who is well-known for his excellence at portraying long-suffering comic characters, cannot soften the unrelenting ugliness that Pat exudes. In addition, I really think they took the low road with the "Chris" character. Of all the androgynous names they could have chosen (Terry, Bobby, Sam, the list is long), "Chris" is so boring! And the style of androgyny that was chosen, "70's-esque flower child", complete with page-boy haircut, while certainly complimenting Pat's dowdiness, was just one more joke with a very short lifespan.
By the time you finally realize the ugly boorishness that Pat is all about is not going to be a short-lived bit, but is instead the main (and only) joke, and that you will get no reprieve at all, ever, through the entire film, it will be too late. You will have suffered through the whole film, with very few laughs, and entirely missed out on a "naive-but-loveable-doofus" version of Pat, that you might have expected to get.
The androgynous character from "Saturday Night Live" spins-off into a comedy movie. The annoying "Pat" (Julia Sweeney) has trouble finding a job. "Pat" is an abominable postal carrier and sneezes globs of snot on a customer's sushi. Like in the TV skits, we get close to determining if "Pat" is a man or woman, then something happens to put the character's gender back in question. Herein, "Pat" finds romance with likewise androgynous "Chris" (Dave Foley). Also, "Pat" has a neighbor (Charles Rocket) who becomes obsessed with catching "Pat" in a gender-proving moment.
More proof that SNL skits do not necessarily make good movies.
*** It's Pat (8/26/94) Adam Bernstein ~ Julia Sweeney, Dave Foley, Charles Rocket, Kathy Griffin
More proof that SNL skits do not necessarily make good movies.
*** It's Pat (8/26/94) Adam Bernstein ~ Julia Sweeney, Dave Foley, Charles Rocket, Kathy Griffin
It's Pat is one of those movies that will have you thinking "This can't be as bad as everyone says", due to it's cult status. Rest assured, the film is bad, but it is a far cry from being one of the worst films ever. The main problem is that the film has no direction. It spends 75 minutes shifting between being a farce and character comedy,failing to be both. In order to function as a character comedy, the lead must be likable, which Pat is anything but. He/she is boorish, rude, insensitive and downright unpleasant. Even if the character is written this way on purpose (which I suspect), there is little else to find interesting, save for a few mediocre jokes, which are not funny enough for this film to function as a farce. That being said, the actors do well with what they are given, but overall the movie's lack in direction or character development and mediocre jokes are its downfall.
What starts off as a promising comedy quickly turns into mindless dribble quicker than you can say "Chalupa". The problem is that Pat can't carry a movie. If Pat had been in a very small supporting role in a movie, that would be barable, but this is just one of the most agonizing films ever. Even though there are many scenes that let Dave Foley bring out his cross-dressing best, they don't really point into any direction. The plot? Well, it's just a 5 minute Pat sketch stretched out to be 77 agonizing minutes. The movie relies on spit jokes and gender benders to carry the film. Not good. Luckily, SNL (The best show on TV) rebounded with the classics Stuart Saves His Family and Night at the Roxbury.
Did you know
- TriviaQuentin Tarantino, a good friend of Julia Sweeney, worked on the script uncredited.
- GoofsAt the beginning of the movie, Mrs. Riley's obstetrician tells her she is the mother of a 7-1/2-pound baby. The birth certificate Pat shows Kyle later in the film displays a birth weight of 8 pounds, 2 ounces.
- Crazy creditsDuring the closing credits, audio of Kathy Griffin and Kyle is heard. Kathy is now back on her radio show and one of her callers turns out to be Kyle, whose obsession with Pat has now caused him to become a cross-dresser.
- Alternate versionsA scene in the film explains Pat's sex with Japanese subtitles, then had a worker walking in front of the subtitles while vacuuming so that viewers couldn't determine Pat's sex. When shown on TV now, the subtitles are no longer included.
- SoundtracksIt's Pat Theme
Written by Christine Zander, Julia Sweeney, and Cheryl Hardwick
- How long is It's Pat: The Movie?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- It's Pat
- Filming locations
- San Pedro, Los Angeles, California, USA(Harbor & Cruise Ship scenes)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- £8,000,000 (estimated)
- Gross US & Canada
- $60,822
- Opening weekend US & Canada
- $31,370
- Aug 28, 1994
- Gross worldwide
- $60,822
Contribute to this page
Suggest an edit or add missing content