User reviews

"Place Vendome" tells of the rise of a widow from an abyss of alcoholism to rescue her late husband's prestigious and bankrupt jewelry store on the renown Parisian mall Place Vendome. Her daunting task is to make her way though the shadowy word of diamond trade from whence she came some 18 years before while hawking several rare cut diamonds. With sinister undercurrents and a polished veneer, the film swirls around an emotionally void Deneuve, her encounters and long over due reconciliations. Those used to Hollywoodish hardball drama with exaggerated characters will likely find "Place Vendome" refreshing or underdone or both. Good stuff for Europic buffs in which Deneuve proves again she's more than just another pretty face.

By the time she made this Catherine Deneuve was already a veteran of over seventy films and almost twenty years had passed since she came of age as a 'mature' actress in 'Le Dernier Metro' for director Francois Truffaut. Her entry into films was undeniably aided by her good looks but it is a combination of astute career choices and a tireless work ethic that have sustained her long career. In Nicole Garcia's film she again proves that she is a mistress of her craft as Marianne, alcoholic wife of a diamond merchant. Facing bankcrupty he commits suicide and her subsequent attempts to sell diamonds that he had stolen get her into all sorts of trouble with an assortment of well-tailored, well-groomed low-lifes. This is definitely for those who like their films to be stylish and glamorous. It looks wonderful courtesy of Laurent Dailland's cinematography and Thierry Flamand's art direction. It is decidedly not for those who prefer worthy vehicles with a social message. This is the kind of film that usually attracts the comment: 'Style over substance'. There is little substance here to be sure but Garcia has assembled a good cast, notably splendid actor/writer Jean-Pierre Bacri, best known for his collaborations with his wife Anges Jaoui and the delectable Emmanuelle Seigner whose character beds not only Marianne's husband but her former and current lover also. Small world! Granted, Mlle Garcia's film might not be flawless but it is certainly well-polished.

I loved this movie. Yes, I can understand that it is often opaque and may make you reach for the rewind a few times to understand what it was you were just seeing - yes, there are many characters and not too much explanation - but it's not more complicated than, say Funeral in Berlin or The Maltese Falcon.

This is the sort of movie that people who think they might want to try a European movie should see - the clothes, the style, the characters, the stunning contemporary settings, the 85% explained plot, the beautiful women, the roles of jewels and mistresses, striving and excess, guilt and recrimination, forgiveness and imbalance, and an underworld pressing close up against a very haut monde.

I think this and My Favorite Season are as good as anything Deneuve has ever done. Both are quite remarkable given that she has been in movies for over forty years. All the actors are quite remarkable - and Emmanuelle Seigner (whom you may remember from Frantic with Harrison Ford, Bitter Moon with Hugh Grant) is all slender strong beauty - and a wonderful blonde contrast with the older blonde, heavy-set/blowsy (in character) Deneuve.

The movie completely jumps any moral compass headings - and yet somehow one doesn't mind.

So even though you may feel you must watch it twice, you'd enjoy it both times.

It's as cool and elegant a movie as I've ever seen. And yet almost as sad a movie as I've ever seen. It's wonderful.

Catherine Deneuve did an excellent job in this role. She carried the whole movie. I find her so beautiful to watch. Really love her. Period.

Unlike that silly In The Bedroom, This was the perfect movie to watch when I had nothing much else to watch. As far as a french film, it was so so, but I felt it was rather good in it's suspense. Not too well setup, but it was a fairly good rental. Emmanuelle Seigner is simply stunning. The dvd contains severall interesting movie trailers too.

7/10

Quality: 5/10 Entertainment: 7/10 Replayable: 4/10

Deneuve steals the movie as central character Marianne, a juicy part of recovering alcoholic that allows her to act randomly, both as a shrewd business woman and as an irrational, weak creature.

In her youth, Marianne had a love affair and a business relationship with jewels thief Battistelli, who dumped her into the hands of a victim twenty years previously. Being a fast operator, Marianne married Vincent, the victim, who was also a famous Paris jeweller.

Her new life of luxury drove Marianne crazy with boredom and depression - obviously, being rich is such a bore - and finally to alcoholism. Fast forward and Vincent's business is on the brink of bankruptcy, therefore he steals five huge diamonds and commits suicide, like everybody in his position would.

Marianne wakes up from her stupor and decides to sell the diamonds herself. Unfortunately, the diamonds owners are already on her tracks and convince her to frame ex-flame Battistelli, because he's damaging their business. But - guess what? - Marianne still has feeling for Battistelli...

To this mix are added two extra roles: Seigner as an eye-candy, younger version of Marianne and Bacri as a definitely not eye-candy, destined to be the third man who will support Marianne.

Could have been a decent tale, but it is told at a glacial pace, with bizarre scenes (Marianne on the train playing cards), and without ever gaining momentum.

Only for Catherine Deneuve's performance, this movie deserves your attention. She is troubling, beautiful, captivating. A whole life's experience is generously invested in this performance. The story is not bad, some other performances are not as satisfying (e.g. Dutronc), but it is an enjoyable movie overall. And again, a great lesson in acting.

I love French movies, and Catherine Deneuve is one of the actresses I like the best. In the 90's, she has done outstanding work in Thieves/Voleurs and My Favorite Season/Mon Saison Favori.

I was extremely disappointed in this film...a diamond scam film that has been done before, and better. It does have some good points: there is a very nice vintage noir atmosphere, and Deneuve gives a nuanced performance has the alcoholic wife of the owner of an upscale jewelery store (in Place Vendome...Paris, hence the title). He commits suicide and she is suddenly thrust into a world where there is no one to take care of her and she must find her own resources.

She does a nice job of this, but unfortunately, the film didn't make me care very much about her or any of the other characters. The plot involving stolen diamonds is convoluted, and doesn't appear to make make much sense. It looks like it was re-written too many times and some of the motivating scenes and explicatory scenes got left out.

I really wanted to like this movie, but I felt like this was perhaps the worst movie I've ever seen Catherine Deneuve in.

It's not bad like a really bad Hollywood movie is godawful bad, with explosions and trash talk trying to fill the emptiness, but it's just dull and not fun.

Two stars.

If you are looking to rent a film with Catherine Deneuve, try "Thieves" or "My Favorite Season"

-Bruce

"Place Vendome" makes a few strange decisions early on. You would expect a thriller set in the Paris jewel industry to be glamorous and sexy, but Nicole Garcia has other ideas. Instead, she presents the industry as corrupt, jaded and full of downbeat, sleazy people. Deals take place behind closed doors, in cheap hotel rooms, and dimly-lit office suites. Garcia does everything to make this atmosphere suffocating - there are few outdoors scenes initially. When the action shifts briefly to London, there are no establishing shots. The only clue that we're no longer in Paris is that the dialogue switches to English.

This, no doubt, is an attempt to add realism to the milieu. It succeeds, but at the cost of draining the film of interest. Little narrative momentum is created, and the low-key lighting, presumably aimed at creating a noir atmosphere, ends up murky instead.

The main interest lies, predictably enough, with Catherine Deneuve, in yet another mid-life crisis role. Of course, she holds the attention like the old pro she is, but this is itself a problem. We're introduced to various mysterious characters when Deneuve is off-screen, but they seem lifeless and uninteresting by comparison.

And yet, the final half-hour actually works. Much is explained about the characters' motivations in a haunting flashback scene, set in an unforgiving wintry landscape. Following on from that the film finally develops some tension. However, this seems to be too little, too late. This is a wasted opportunity.

The plot of this film may centre around scams in the the diamond trade but don't expect slick plotlines and witty, glamorous characters. The film offers instead a look behind the glamour at individuals worn down by their lives, by wrong decisions and damaging relationships. These relationships have developed between characters involved at some time in questionable aspects of the trade and appear to suffer as if mirroring the dishonesty and deceitfulness of the scams. It is a story told at a slow pace allowing the details to unfold and to enable us to get to know the characters and understand their motivation. The acting is superb, particularly Catherine Deneuve, and the film ends on a note which suggests some kind of atonement and reconciliation.

This had a good start, a good plot. However, all that was completely set back by the script. A script that has huge gaps in it, very few explanations about some characters and even about some of the actions shown. It seems like the script was rewritten many many times.

Rare storyline, very beautifully told, at a slow pace that matches the dishearting of the main protagonist. And, as we discover later on, of the second as well. Those two happen to have a similar vibe, that makes their attachment visible and understandable. Unholliwoodian ending though, thank heavens.

Superb acting of Deneuve. And of the others too.

If this movie had been better paced and had more likable and 3-dimensional characters I would have liked it a lot. As it is, it's at best an average movie. But, the movie is slow as molasses and the pacing crawls like a snail. But, given that Catherine Deneuve's character seems underdeveloped and unlikable, the movie SEEMS even longer and slower than it is. It's really a shame, as there were elements of a good story but it just looks like the film was rushed into production before the complex plot was worked out--sort of looking like it was improvised. And, because of that, it's difficult to know WHO Deneuve is--a drunk, an idiot or a person who LOOKS like a drunk idiot but isn't. Regardless, the film just seemed unreal and pointless. In addition, it abounds with shaky camera work--obviously it was shot with cheap equipment. I'm sorry to sound so negative, but the French are capable of much better stories than this.

The movie was fine. Only in French films do beautiful women have sex with ordinary looking guys. Having said that, in the 50 years I have been watching movies there has never been a more beautiful actress than Catherine Deneuve. And, in addition to her incredible beauty, she is a wonderful actress. So, even if the movie doesn't appeal to you, you can always appreciate a true beauty. Oh yes, by the way, I did enjoy the movie, too.

This movie is neither complicated nor complex, but its reading is rather incomprehensible. I have the feeling that Nicole Garcia tries to artificially fill an emptyness with a kaleidoscopic narrative, fuzzily alternating with the different characters on the one hand, the present and the past on the other hand, but without giving any explaination about who, what, when, why, ... like within a slow, very slow hubbub. Although the high level actings and the permanent elegance, this movie is globally frustrating and boring.

The story of a woman that for meny years remained distracted from her own life, from the passions that made her feel alive. The importance of true love is compared with the material value of diamonds. Only one of these two truly lasts in time. She's got to choose witch one values most for her, the thing that will make her find happiness and psychical steadiness again. Award for Deneuve in Biennale di Venezia 1998 (55 festival d'arte cinematografica di Venezia)

This film would get absolutely no attention otherwise. Story/plot are a convoluted mess; direction and editing are mediocre or worse. Production values are high, but that's pretty typical these days. Lurches from one jarring and opaque scene to another. Especially bizarre is a scene where Deneuve is quite abruptly shown on a train, drunkenly involved in a tough game of cards. Also a very annoying thread runs throughout the film, where various women are showing yelling at men who are bothering them "no leave me alone", then there's a jump to the next scene where they are in bed together.

elegance is the basic virtue of this beautiful film. the elegance of story and performances, the elegance of details and the tension. and, sure, obvious, the elegance of Catherine Deneuve. a film about the confrontation against the past, the revelation about old experiences, the struggle for survive and the rules of a small world in which the gems are more important than the people. short, a seductive film. for the theme and for the inspired way to translate it in the image. for the beautiful science of trip in essence of the gestures and states of characters. for the air of an universe who seems be artificial. and for the great job of Deneuve.

I've been checking out the comments for this movie and am slightly surprised that no one has noted what appears to be a fairly obvious metaphor. Diamonds are cold, hard, many faceted and beautiful. Catherine Deneuve is the star here. I rest my case. There is, of course, more to it than that but not a lot more. It's French so it's stylish by definition but Nicole Garcia, like so many French actors/writers/directors, was born in Oran, Algeria - gateway to Lisbon and, by definition, a free world, as we learned in the first reel of 'Casablanca' - so there's also something of the outsider element, the shopgirl who came to the ball because her beauty captured the heart of the Second Son, and who feels always slightly uneasy that it all may end tomorrow. So, what do we get for our money? Style, opulence, quasi-noir, great acting. Is that enough? You tell me. 7/10

The Deneuve's film. The story has not any original element, the action is confuse, the theme of widow in rout is very old. But, the value of this movie exists. And it is present in every scene.

Catherine Deneuve's art is the solution. The art to transmit gestures of an ambiguous fight is subtle and powerful.

The elements of resignation are pieces of beautiful miniature.

The tiredness, relation with the past, limits of memories, color of words, revenge's intentions, search and fear, gems and victims are episodes of an essential trip .

Marianne is not only a character of a French actress but reflexion of a magnificent art, in every acting detail is a touching drop of precision.

A film with faint brightness and misty soul.