Tennessee Valley

Don't save love for a rainy day is a true thing to say. In this film love has been saved and in the end the lives of two people have been wasted to bitter tears. A true mistake of these people. But they had a mission. They had to protect the lives of their children. A nice film which deserve more viewers.

The film grips you because of strong performances from Keaton and Shepard, with great help from the make-up department. The editing of the script may not be noticable in the beginning but as the film progresses one is mesmerised as the film captures time with deft strokes in the editing room. The film editor and the scriptwriter use two generations in tandem to reinforce the the central theme of love and miscommunication between individuals. The play itself is an interesting one but the film is able provide visual perspectives (the father in the old store among old clothes that needs better housekeeping as the film unfolds or the conversation at the edge of a cliff for a crucial turning point in the film) with a felicity that the stage could never offer.

The film may not be a masterpiece but is definitely interesting in the departments of acting, editing and scriptwriting.

I watched this movie about three times. I think many people will see themselves, at least at some point in their life, as one of these characters. It may seem slow for those who want action.. but this is one of those movies that makes you think.. and hopefully teaches that if we don't communicate what we want, how can we expect to be understood? You have to make life work.

I happened to catch this movie after it had already started on one of the movie channels. I probably saw about an hour of it and enjoyed it immensely. The actors were truly outstanding.

I was amazed when I viewed the credits to see that I had never even heard of this movie. I am wondering how such excellent acting was overlooked.

It is worth seeing and I look forward to seeing the whole movie.

Reece (Sam Shepard) is a used clothing store owner who meets up with Carol (Diane Keaton) when she asks for his help. She would like his referrals for potential sewing jobs, as she is a widow supporting her young daughter. Reece's wife is in a vegetative state, with no chance for improvement. Yet, despite the attraction between Carol and himself, Reece keeps Carol at arm's length and does not acknowledge his feelings. This goes on for years and years. Meanwhile, Carol's daughter falls for Reece's son but they, too, play a cat and mouse game for more than a decade. Seems Catherine, the daughter, wants her freedom and moves about the country, returning to connect with the son from time to time. Will anyone of these people wake up and smell the roses? This love story, with an only an undercurrent of emotion, might leave the viewer cold. The principal actors are all very fine but the story is a total downer, despite a bit of hope at the finish. The Texas setting is nicely realized and the costumes quite lovely, if that counts for much. If you love Keaton or Shepard, you might want to take a chance with this film. But, anyone who sits down to view the movie, beware. You will not be watching a typical love story, only a long drawn out look at the possibilities of romance.