Et plus si affinités

Erin's boyfriend leaves her after years together with nothing more than a video tape featuring the reasons why he has left. Finding herself single again, Erin is forced back into the market when her mother puts her in the classified ads. Meanwhile Alan is a plumber pursuing his dream of becoming a marine biologist. However volunteering at the local aquarium doesn't earn him any money which is a problem given the gambling depths that his father has amassed with loan shark Frank.

A very slight film, this indie-romance will appeal to those who see the false sentiment of Hollywood romcoms as below them but yet also yearn for the sweet, fated romance that they normally contain. This compromise is well delivered in this film that will appeal to the same audience that seek this mix. The plot has the elements of the contrived hand of fate and it is amusing the way the two characters drift around one another. It doesn't have a great deal of substance to it and it will annoy some viewers because of how knowingly "kooky" it all it is. It is rarely hilarious but it is sweet and amusing throughout. The presence of Anderson as writer and director drew me to this film as I know him as a name from Homicide, The Shield and the brilliant The Wire. This film has little in common with these but is still worth a look for doing what it does do well.

The cast help matters greatly by turning in "indie" performances while delivering the rather sentimental material. Davis is a fine example of what I mean as she is very much a "kooky" type while also having enough humanity about her to make her character interesting. Gelfant is very much a secondary character of the two but he does well enough considering he is supposed to representing Mr Right. The support cast compliments the overall feel of the film with turns from Argo, Hoffman, Buono, Zúñiga and The Wire's Gilliard Jr all in small roles.

Overall then a kooky romance for those who want the silly emotion of the Hollywood romcoms without all their gloss and sweeping music. Slight and an acquired taste perhaps but amusing and sweet even if it is quite forgettable.

"Next Stop Wonderland" is a lovely, very underrated indie romantic comedy, co-written and directed by Brad Anderson ("Happy Accidents", "The Machinist"). The always wonderful Hope Davis stars as Erin, a nurse from Boston who's dumped by her boyfriend, Sean (Philip Seymour Hoffman). Her liberal mother (Holland Taylor) places a personal ad for her in the paper (without Erin's consent). Initially appalled by the idea, Erin's life starts to change when she decides to meet the guys who answer the ad.

"Next Stop Wonderland" gets away from stupid Hollywood clichés, and is romantic without being corny. Anderson's and Lyn Vaus's witty script has some amazing dialogue, and Hope Davis brings the right emotional depth/low-key humor to her character. This movie is similar to the recent "Broken English" (starring another indie goddess, Parker Posey), only better. Honduran actor José Zuniga plays a Brazilian guy (hopeless romantic or prick?), speaking a very mannered Portuguese (more like some kind of "portuñol", a mixture of Portuguese and Spanish) that doesn't beguile the most naïve Portuguese speaker - which is very annoying for native Brazilians, specially considering that there are so many talented Brazilian actors out there that would've fitted the part. Of course I'm not saying foreign people can't play someone of a different nationality, but when the actor can't pull a decent accent, that's a problem. Anyway, that's a minor flaw, and "Next Stop Wonderland" is definitely an adorable flick. The soundtrack, full of classic Brazilian bossas (a rarity in American movies) is a plus, and the perfect complement to the movie's bittersweet atmosphere. 8.5/10 in my books.

Spiffy little romance/comedy which didn't follow in the footsteps of most in this genre. Perfectly paced with nice doses of nifty dialogue, a plethora of all sorts of characters, and a pair of leading players who came off as real people with the same needs as all of us. The leading lady was torn between her need for a mate and her distaste for all the hubbub that such a search entails. The leading man didn't appear to need a mate as much as he needed to shuck his routine job in favor of the more interesting marine biologist. This, at times, paled in comparison to his money problems and having to deal with a shady character and his muscle bound crony lurking menacingly just behind. Good film, and you'll love that aquarium.

Erin (Hope Davis) is recently single (her boyfriend moved out), a nurse and looking for Mr. Right. Alan (Alan Gelfant) works at the New England Aquarium, is a student and has no time for love. Naturally they're made for each other. We watch their separate lives all through the movie slowly intertwining them and drawing them to each other.

This is a very small independent film, shot in Boston and picked up by Miramax. If you know Boston and the surrounding cities some of this is amusing. Erin lives in a huge apartment in Beacon Hill--there's no way a nurse could afford that. Also she meets all her dates a bar called the Burren which is located two towns away in Somerville! But they did get Wonderland right--that's a station on the Blue Line subway where Alan lives near.

Those little goofs aside (actually they're pretty funny) this is a very nice, romantic film. A perfect date movie. It's got a very laid-back feeling that is absolutely charming. This is helped with a very soothing music score. But be warned--this movie is only for true romantics! If you look at it in a serious frame of mind you're gonna hate it. But if you're a romantic (like me) you'll love it! Davis gives a very nice low-key performance (but she could have lightened up a little); Gelfant is good also--and has beautiful eyes. Also well-directed by Brad Anderson. Not believable for a moment but boy--is it romantic! I recommend it. I give it an 8.

"Next Stop Wonderland" is a fresh, fun, smart, and sassy romantic comedy which sticks Davis out in front as a typically jaded revolving door dating single who is on a collision course with Mr. Right (Gelfant). There's not an ounce of fat on this lean little indie which is imbued with a sense of destiny, the sound of Brazil, and scene to scene unpredictability with periodic poignant pauses and brief philosophical passages all seeming unique to Anderson's auteursmanship. Intelligent and hip fun for romcom junkies. (B)