Anne Hathaway has already proven herself to be more than a capable singer by performing a duet with Hugh Jackman at the Academy Awards a few years ago, now she is set to do it all over again as she has signed on to join Hugh Jackman and Russell Crowe for Universal Pictures’ Les Misérables. This will be the first time that The Dark Knight Rises star will sing in a full on musical. Anne Hathaway’s involvement has been speculated for quite some time.
Based on the Victor Hugo novel and stageplay of the same name, Anne Hathaway will play the role of Fantine opposite Crowe’s Inspector Javert and Jackman’s Jean Valjean. Helena Bonham Carter will also star, but there are other roles to fulfill. Roles such as Thenardier and Eponine and Cosette. William Nicholson wrote the script and the music is by Claude-Michel Schonberg and Alain Boublil.
Based on the Victor Hugo novel and stageplay of the same name, Anne Hathaway will play the role of Fantine opposite Crowe’s Inspector Javert and Jackman’s Jean Valjean. Helena Bonham Carter will also star, but there are other roles to fulfill. Roles such as Thenardier and Eponine and Cosette. William Nicholson wrote the script and the music is by Claude-Michel Schonberg and Alain Boublil.
- 10/19/2011
- by Mike Lee
- FusedFilm
Anne Hathaway cast in Tom Hooper‘s Les Miserables with Hugh Jackman and Russell Crowe. Anne Hathaway joining Les Miserables (2012) with Russell Crowe and Hugh Jackman puts to rest who will be playing the central characters in the film. Anne Hathaway will be playing the role of Fantine, Russell Crowe will play Inspector Javert, and Hugh Jackman will play Jean Valjean. Helena Bonham Carter will be playing Madame Thénardier and supposedly Geoffrey Rush is in talks to play Thénardier.
What producer Cameron Mackintosh said about the casting:
“I’d been hoping we could make a film on Les MISÉRABLES ever since it opened on Broadway…I’ve got a marvelous cast so far with Hugh Jackman as Jean Valjean, Russell Crowe as Javert and Anne Hathaway as Fantine,” producer Cameron Mackintosh told BBC Radio today. “We’re busy casting the rest of the parts.”
About the release of Toby Hooper...
What producer Cameron Mackintosh said about the casting:
“I’d been hoping we could make a film on Les MISÉRABLES ever since it opened on Broadway…I’ve got a marvelous cast so far with Hugh Jackman as Jean Valjean, Russell Crowe as Javert and Anne Hathaway as Fantine,” producer Cameron Mackintosh told BBC Radio today. “We’re busy casting the rest of the parts.”
About the release of Toby Hooper...
- 10/18/2011
- by filmbook
- Film-Book
Les Misérables aka Les Mis, one of the most famous musicals worldwide, based on the novel Les Misérables by Victor Hugo, will star Russell Crowe as Inspector Javert playing opposite Hugh Jackman‘s Jean Valjean. Of course, you don’t need to show your face at the theater because Universal has set Tom Hooper’s adaptation of Les [...]
Continue reading Russell Crowe Joins Hugh Jackman In Tom Hooper’s Les Miserables on FilmoFilia
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Continue reading Russell Crowe Joins Hugh Jackman In Tom Hooper’s Les Miserables on FilmoFilia
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- 9/9/2011
- by Nick Martin
- Filmofilia
Hugh Jackman has reportedly entered talks for the lead role in a big-screen adaptation of Les Misérables. The movie version of the Victor Hugo novel will be directed by Tom Hooper, who won an Oscar for The King's Speech earlier this year. X-Men and Australia actor Jackman will play protagonist Jean Valjean if a deal is completed, according to The Hollywood Reporter. The Da Vinci Code actor Paul Bettany is in the frame to play police inspector Javert, according to Deadline. Cameron Mackintosh, who adapted the original French musical version of Les Misérables for the West End, will produce the movie alongside (more)...
- 6/16/2011
- by By Kate Goodacre
- Digital Spy
Producer Cameron Mackintosh is already in talks with British opera tenor Alfie Boe for the lead role of Jean Valjean in musical adaptation of Victor Hugo‘s Les Misérables.
Tom Hooper, who won a best director Oscar for The King’s Speech, is in the final negotiations to deal with Working Title and Cameron Mackintosh to direct the picture.
The main leads are Jean Valjean, the brave ex-prisoner, and Inspector Javert, his persistent pursuer. Mackintosh wants the opera tenor Alfie Boe to screen-test for Valjean since Boe played Valjean at the 25th-anniversary Les Miserables concert when the sentiment of a singer’s voice matched the character he was playing. That’s the rank of quality needed for the film by Mackintosh opinion.
If producers cast famous tenor they must follow that step by casting major names to play the other characters such as Javert; the thieving Thenardiers; Marius; Cosette; and Fantine.
Tom Hooper, who won a best director Oscar for The King’s Speech, is in the final negotiations to deal with Working Title and Cameron Mackintosh to direct the picture.
The main leads are Jean Valjean, the brave ex-prisoner, and Inspector Javert, his persistent pursuer. Mackintosh wants the opera tenor Alfie Boe to screen-test for Valjean since Boe played Valjean at the 25th-anniversary Les Miserables concert when the sentiment of a singer’s voice matched the character he was playing. That’s the rank of quality needed for the film by Mackintosh opinion.
If producers cast famous tenor they must follow that step by casting major names to play the other characters such as Javert; the thieving Thenardiers; Marius; Cosette; and Fantine.
- 4/3/2011
- by Nikola Mraovic
- Filmofilia
A Plethora Of Names Being Considered For Film Including Robert Downey Jr., Anne Hathaway & Marion Cotillard Even though director Tom Hooper isn't yet totally committed to directing the film adaptation of Victor Hugo's iconic musical "Les Misérables," it seems like the producers are already eyeing talent for the potential project. The Daily Mail's Baz Bambigoye reports that not only is Hooper imminently set to conclude negotiations and begin scripting with Bill Nicholson but that producer Cameron Mackintosh is already championing British opera tenor Alfie Boe for the lead role of Jean Valjean, the heroic ex-convict protagonist whose road to…...
- 4/2/2011
- The Playlist
Oscar-winner Tom Hooper is officially in talks to film his follow-up to The King’s Speech. A spokesperson for the British director confirmed a Deadline report that he’s in negotiations to bring a musical adaptation of Les Misérables to the screen for Universal. The 1985 musical, based on Victor Hugo’s 1862 novel, is one of the most successful theatrical productions of all time.
Read more:
‘The King’s Speech’ to be re-released as a PG-13 version on April 1
Tom Hooper on PG-13 ‘King’s Speech’: ‘I wouldn’t support cutting the film in any way’...
Read more:
‘The King’s Speech’ to be re-released as a PG-13 version on April 1
Tom Hooper on PG-13 ‘King’s Speech’: ‘I wouldn’t support cutting the film in any way’...
- 3/25/2011
- by Jeff Labrecque
- EW - Inside Movies
'Inception' nabs four awards, one more than early awards-season fave 'Social Network.'
By Eric Ditzian
Colin Firth poses with his award for Best Performance by an Actor in a Leading Role in "The King's Speech"
Photo: Jason Merritt/Getty Images
"The King's Speech" entered the biggest night in Hollywood as the clear front-runner to win top honors and did not stumble at the 83rd Academy Awards, nabbing four wins out of 12 nominations, including Best Picture, Best Actor for Colin Firth and Best Director for Tom Hooper.
"Inception" ended up roping in four wins as well, one better than "The Social Network," which lost out in all the major categories after beginning awards season as a potential dominant Oscar presence yet losing momentum over the past month. The evening, in fact, unfolded without a single upset in the major categories, from Melissa Leo's ("The Fighter") early Supporting Actress win...
By Eric Ditzian
Colin Firth poses with his award for Best Performance by an Actor in a Leading Role in "The King's Speech"
Photo: Jason Merritt/Getty Images
"The King's Speech" entered the biggest night in Hollywood as the clear front-runner to win top honors and did not stumble at the 83rd Academy Awards, nabbing four wins out of 12 nominations, including Best Picture, Best Actor for Colin Firth and Best Director for Tom Hooper.
"Inception" ended up roping in four wins as well, one better than "The Social Network," which lost out in all the major categories after beginning awards season as a potential dominant Oscar presence yet losing momentum over the past month. The evening, in fact, unfolded without a single upset in the major categories, from Melissa Leo's ("The Fighter") early Supporting Actress win...
- 2/28/2011
- MTV Music News
'Inception' nabs four awards, one more than early awards-season fave 'Social Network.'
By Eric Ditzian
Colin Firth poses with his award for Best Performance by an Actor in a Leading Role in "The King's Speech"
Photo: Jason Merritt/Getty Images
"The King's Speech" entered the biggest night in Hollywood as the clear front-runner to win top honors and did not stumble at the 83rd Academy Awards, nabbing four wins out of 12 nominations, including Best Picture, Best Actor for Colin Firth and Best Director for Tom Hooper.
"Inception" ended up roping in four wins as well, one better than "The Social Network," which lost out in all the major categories after beginning awards season as a potential dominant Oscar presence yet losing momentum over the past month. The evening, in fact, unfolded without a single upset in the major categories, from Melissa Leo's ("The Fighter") early Supporting Actress win...
By Eric Ditzian
Colin Firth poses with his award for Best Performance by an Actor in a Leading Role in "The King's Speech"
Photo: Jason Merritt/Getty Images
"The King's Speech" entered the biggest night in Hollywood as the clear front-runner to win top honors and did not stumble at the 83rd Academy Awards, nabbing four wins out of 12 nominations, including Best Picture, Best Actor for Colin Firth and Best Director for Tom Hooper.
"Inception" ended up roping in four wins as well, one better than "The Social Network," which lost out in all the major categories after beginning awards season as a potential dominant Oscar presence yet losing momentum over the past month. The evening, in fact, unfolded without a single upset in the major categories, from Melissa Leo's ("The Fighter") early Supporting Actress win...
- 2/28/2011
- MTV Movie News
The La times is reporting that Tom Hooper, director of The King's Speech, could be directing a possible film adaptation of the novel Les Misérables by French author Victor Hugo.
The movie rumour mill reports that he actually turned down Iron Man 3, now probably being helmed by Lethal Weapon writer Shane Black.
Les Misérables has been a long-running London West End and Broadway Musical favourite for many years as well as on Broadway (currently the third longest-running musical), and has been the subject of a potential movie adaptation on many occasions. Alan Parker was thought to be attached to the project in the late 1980s, and in the early 1990s a Tri-Star adaptation with Bruce Beresford at the helm seemed to be in the works. The motion picture adaptation of Victor Hugo's epic of early 19th-century rural France was even promised at the end of the DVD of...
The movie rumour mill reports that he actually turned down Iron Man 3, now probably being helmed by Lethal Weapon writer Shane Black.
Les Misérables has been a long-running London West End and Broadway Musical favourite for many years as well as on Broadway (currently the third longest-running musical), and has been the subject of a potential movie adaptation on many occasions. Alan Parker was thought to be attached to the project in the late 1980s, and in the early 1990s a Tri-Star adaptation with Bruce Beresford at the helm seemed to be in the works. The motion picture adaptation of Victor Hugo's epic of early 19th-century rural France was even promised at the end of the DVD of...
- 2/24/2011
- Shadowlocked
The La Times seems to have spies situated deep in the camp of The King’s Speech director Tom Hooper, and they’re spilling all of the beans when it comes to what his next film may be. One shady, unnamed source says that Hooper has already been offered and turned down the chance to direct Iron Man 3. As has been previously reported, Lethal Weapon scribe Shane Black will be the one taking on the further adventures of the red and gold Avenger, so this suggests that Black was not Marvel’s first pick for continuing the series. What is Hooper going to do instead of a super hero sequel? Well, another source close to the director told the Times that he is considering an offer to direct a film version of Les Misérables. What started as a 1860s era novel by French icon Victor Hugo has spawned countless republishings and adaptations since it’s release...
- 2/24/2011
- by Nathan Adams
- FilmSchoolRejects.com
King’s Speech director, Tom Hooper, has been asked to helm a new film-adaptation of the world-famous musical, Les Misérables.
24 Frames reports that Hooper turned down an offer to direct Iron Man 3, and is currently weighing up whether to take up the offer for Les Misérables.
Les Misérables is being developed by Working Title, producers of Atonement. The project is set to be a big-budget musical, surrounding the life of Jean Valjean, an ex-convict and revolutionary in 19th Century France.
A non-musical adaptation of the novel on which the west-end musical is based was released in 1998, co-incidentally starring King’s Speech’s Geoffrey Rush.
Hooper is definitely in his element when it comes to making period and historical dramas, following the King’s Speech and his 2005 Elisabeth I mini-series for Channel 4. He apparently rejected Iron Man 3 because he was enthusiastic to pursue another historical piece; so the...
24 Frames reports that Hooper turned down an offer to direct Iron Man 3, and is currently weighing up whether to take up the offer for Les Misérables.
Les Misérables is being developed by Working Title, producers of Atonement. The project is set to be a big-budget musical, surrounding the life of Jean Valjean, an ex-convict and revolutionary in 19th Century France.
A non-musical adaptation of the novel on which the west-end musical is based was released in 1998, co-incidentally starring King’s Speech’s Geoffrey Rush.
Hooper is definitely in his element when it comes to making period and historical dramas, following the King’s Speech and his 2005 Elisabeth I mini-series for Channel 4. He apparently rejected Iron Man 3 because he was enthusiastic to pursue another historical piece; so the...
- 2/24/2011
- by peter.stuart@lovefilm.com (Peter Stuart)
- LOVEFiLM
Geoffrey Rush is one a select few actors who have earned the "Triple Crown of Acting" -- an Oscar, a Tony and an Emmy.
The Australian actor earned his fourth Academy Award nomination for his portrayal of Lionel Logue, the King's speech therapist in "The King's Speech." Rush not only stars, but also served as an executive producer of the film, which is nominated for Best Picture of the Year.
Rush's talents were discovered long before his currently acclaimed role.
The Australian actor earned his fourth Academy Award nomination for his portrayal of Lionel Logue, the King's speech therapist in "The King's Speech." Rush not only stars, but also served as an executive producer of the film, which is nominated for Best Picture of the Year.
Rush's talents were discovered long before his currently acclaimed role.
- 2/11/2011
- Extra
Confirming the news previously posted on BroadwayWorld, Cameron Mackintosh has formally announced that his hugely acclaimed new 25th anniversary production of the World's Longest-Running Musical, Les Misérables, will tour North America beginning in fall 2010, visiting many cities on a multi-year tour. The production will feature new staging and reimagined scenery inspired by the paintings of Victor Hugo and will make its United States premiere this November at the iconic Paper Mill Playhouse in Millburn, NJ for a multi-week engagement.
- 4/9/2010
- BroadwayWorld.com
Return to Sender
Screened at the Toronto International Film Festival
TORONTO -- A low-key crime thriller navigating the path to moral redemption taken by an ethically challenged lawyer, Return to Sender marks a return to form for Pelle the Conqueror director Bille August, whose more recent films, including Smilla's Sense of Snow and the 1998 version of Les Miserables had problems finding their center.
While very deliberately paced, the picture re mains compelling courtesy of a script by Neal Purvis and Robert Wade that, for the most part, chooses not to connect the usual dots -- as well as nicely modulated performances by Aidan Quinn and Connie Nielsen.
It may lack the commercial drive of a John Grisham vehicle, but Return to Sender could still carve out a modest theatrical niche with the right distributor.
Quinn has landed one of his more complex roles as Frank Nitzche, a defense lawyer on a serious losing streak. He's lost his last three capital cases, with his last client going to the electric chair.
Broke and cynical, he has started up a lucrative little side business by corresponding with death row convicts and selling their letters to the highest bidders.
But when his biggest score yet -- a woman (Nielsen) awaiting execution after being found guilty in the kidnap and murder of a young child -- has stopped writing to him, Nitzche heads to Oklahoma to pay her a jail visit.
At first, their encounters have a predictable cat-and-mouse dynamic, but soon something deeper and more interesting develops between them, leading to a major crisis of conscience for Frank as he begins to question her guilty verdict.
August runs a tightly controlled ship here, if perhaps a little too controlled, especially during the film's expositional first half-hour, which occasionally takes on the visual equivalent of a Southern drawl.
Once the story clicks into gear, however, the level of involvement remains relatively high.
The subtle mood shifts give Quinn and Nielsen plenty to play with, while Kelly Preston, as the lawyer fighting a losing battle to exonerate her client, Sara-Marie Maltha, as Nielsen's blind sister, and Timothy Daly, as Maltha's sight-impaired husband, round out the well-chosen cast.
Return to Sender
Intandem Films
Credits:
Director: Bille August
Producer: Michael Lunderskov
Executive producers: Gary Smith, Paul White, Michael H. Laursen, Peter H. Laursen, Andrew Brown
Screenwriters: Neal Purvis & Robert Wade
Director of photography: Dirk Bruel
Production designer: Viggo Bentzon
Editor: John Scott
Music: Harry Gregson-Williams
Cast:
Charlotte Cory: Connie Nielsen
Frank Nitzche: Aidan Quinn
Susan Kennan: Kelly Preston
Martin North: Timothy Daly
Stella: Sara-Marie Maltha
MPAA Rating: Not yet rated
Running time -- 103 minutes...
TORONTO -- A low-key crime thriller navigating the path to moral redemption taken by an ethically challenged lawyer, Return to Sender marks a return to form for Pelle the Conqueror director Bille August, whose more recent films, including Smilla's Sense of Snow and the 1998 version of Les Miserables had problems finding their center.
While very deliberately paced, the picture re mains compelling courtesy of a script by Neal Purvis and Robert Wade that, for the most part, chooses not to connect the usual dots -- as well as nicely modulated performances by Aidan Quinn and Connie Nielsen.
It may lack the commercial drive of a John Grisham vehicle, but Return to Sender could still carve out a modest theatrical niche with the right distributor.
Quinn has landed one of his more complex roles as Frank Nitzche, a defense lawyer on a serious losing streak. He's lost his last three capital cases, with his last client going to the electric chair.
Broke and cynical, he has started up a lucrative little side business by corresponding with death row convicts and selling their letters to the highest bidders.
But when his biggest score yet -- a woman (Nielsen) awaiting execution after being found guilty in the kidnap and murder of a young child -- has stopped writing to him, Nitzche heads to Oklahoma to pay her a jail visit.
At first, their encounters have a predictable cat-and-mouse dynamic, but soon something deeper and more interesting develops between them, leading to a major crisis of conscience for Frank as he begins to question her guilty verdict.
August runs a tightly controlled ship here, if perhaps a little too controlled, especially during the film's expositional first half-hour, which occasionally takes on the visual equivalent of a Southern drawl.
Once the story clicks into gear, however, the level of involvement remains relatively high.
The subtle mood shifts give Quinn and Nielsen plenty to play with, while Kelly Preston, as the lawyer fighting a losing battle to exonerate her client, Sara-Marie Maltha, as Nielsen's blind sister, and Timothy Daly, as Maltha's sight-impaired husband, round out the well-chosen cast.
Return to Sender
Intandem Films
Credits:
Director: Bille August
Producer: Michael Lunderskov
Executive producers: Gary Smith, Paul White, Michael H. Laursen, Peter H. Laursen, Andrew Brown
Screenwriters: Neal Purvis & Robert Wade
Director of photography: Dirk Bruel
Production designer: Viggo Bentzon
Editor: John Scott
Music: Harry Gregson-Williams
Cast:
Charlotte Cory: Connie Nielsen
Frank Nitzche: Aidan Quinn
Susan Kennan: Kelly Preston
Martin North: Timothy Daly
Stella: Sara-Marie Maltha
MPAA Rating: Not yet rated
Running time -- 103 minutes...
- 9/16/2004
- The Hollywood Reporter - Movie News
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