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IMDbPro

Martín (Hache)

  • 1997
  • 2h 3m
IMDb RATING
7.6/10
4.9K
YOUR RATING
Juan Diego Botto and Federico Luppi in Martín (Hache) (1997)
Drama

19-year-old Argentina Martin has a nearly fatal drug overdose. After that his mother sends him to Madrid, where his film director father (also called Martin) lives with his new much younger ... Read all19-year-old Argentina Martin has a nearly fatal drug overdose. After that his mother sends him to Madrid, where his film director father (also called Martin) lives with his new much younger lover Alicia and bisexual actor friend Dante.19-year-old Argentina Martin has a nearly fatal drug overdose. After that his mother sends him to Madrid, where his film director father (also called Martin) lives with his new much younger lover Alicia and bisexual actor friend Dante.

  • Director
    • Adolfo Aristarain
  • Writers
    • Adolfo Aristarain
    • Kathy Saavedra
  • Stars
    • Federico Luppi
    • Juan Diego Botto
    • Eusebio Poncela
  • See production info at IMDbPro
  • IMDb RATING
    7.6/10
    4.9K
    YOUR RATING
    • Director
      • Adolfo Aristarain
    • Writers
      • Adolfo Aristarain
      • Kathy Saavedra
    • Stars
      • Federico Luppi
      • Juan Diego Botto
      • Eusebio Poncela
    • 23User reviews
    • 10Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 18 wins & 8 nominations total

    Photos8

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    Top cast28

    Edit
    Federico Luppi
    Federico Luppi
    • Martín
    Juan Diego Botto
    Juan Diego Botto
    • Hache
    Eusebio Poncela
    Eusebio Poncela
    • Dante
    Cecilia Roth
    Cecilia Roth
    • Alicia
    Ana María Picchio
    Ana María Picchio
    • Blanca
    • (as Ana Maria Picchio)
    Sancho Gracia
    Sancho Gracia
    • José M.ª Navarro
    José María Sacristán
    • Schauve
    • (as José M. Sacristán)
    Will More
    Will More
    • Coracero
    • (as Joaquin A. Colmenares)
    Ángel Amorós
    Ángel Amorós
    • Productor Teatro
    • (as Angel Amoros)
    Kojun Notsu
    • Joven Oriental
    Esther Herrera
    • Niña Andrógina
    Marisa Cabezón
    • Mujer Espejo
    • (as Marisa Cabezon)
    Enrique Liporace
    Enrique Liporace
    • Migue
    Claudia Gallegos
    • Lea
    Leonora Balcarce
    • Nadia
    Nahuel Mutti
    • Godo
    Nicolás Pauls
    Nicolás Pauls
    • Leo
    • (as Nicolas Pauls)
    Gustavo Chantada
    • Dardo
    • Director
      • Adolfo Aristarain
    • Writers
      • Adolfo Aristarain
      • Kathy Saavedra
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews23

    7.64.9K
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    10

    Featured reviews

    hamletkronprinz

    there is much more than couldn't be said

    On this movie,or IN this movie is not the acting-intense-and it is not the dialogs-piercing-or the camera,filming,sound,etc.techs..It's the everyone watching and missing,quiet in guilts of no participation,like the Eusebio Poncella's Dante playing a Russian revolutionary remarks as he stops acting in the play in the film and sacrifices his career for some much urgent and realist play to the benefit of his protégée. What this movie is calling to watch is not its own show,but a reaction from the silent,passive,inmature in all of us.Egoist parent,petrified males,desperated women,flashed out gaybombs,and scared youths,not to be any of these ways but the opposite,our gentler selves. Our own movie to make,is compared to this one,like the messaged one by the boy of the title to his "profesional" father,the gone losing... A great mirror on a shattering real World.Seldom so well done the real duty of a Play.As Dali used to say,a piece of Art must not only entertain but must definitely provoke disturbing.
    10kinolieber

    superb

    Wonderful film that sadly was not released in the U.S. Beautifully written and acted character-driven piece about many things, among them the role of a parent in our modern civilization - and the role of the child as well; the relationships between men and women, and the friendships between straight men and gay men; the role of artistic expression in the lives of artists and in the lives of those who will never be artists. The film is also noteworthy for its portrayal of the hypocrisy of adults who impose upon their children "values" that they themselves reject in their day-to-day lives. The gay character is refreshingly unapologetic. And the female lead is heartbreakingly real, a brilliant and deeply moving performance by Cecilia Roth. If you ever get a chance to see this film, I highly recommend it.
    8joalogon

    Giants at work

    Aristarain strikes back again.

    After the beautiful "Un lugar en el mundo", he gives us this film which is nearly a theater work.

    He repeats with two beasts of Argentinian's cinema. Cecilia Roth (whom half the Spanish talking world has been in love with), and one of the five best actors of all times, FEDERICO LUPPI.

    It's impossible not to think about my own father seeing his personage, with this overwhelming love for his son and yet unable to communicate with. Maybe I've seen it over five times, and still I cry each time when Federico Luppi stands on the balcony talking about the desperation of life after the idea of loosing his son misunderstood. It's the nearest you will get to understand fatherly love if you don't yet have a baby.

    The plot is banal, and the filming nothing complicated, just a camera fixed to let all the attention to actors........but then, the hit. What an acting!!!!!. You hardly are going to see something similar, Luppi is a monster, a giant, he fills the screen with a strength rarely seen away.

    A must see in Spanish, where you can really judge their beautiful work. The pity is that it would surprise me a lot if the titles are able to reproduce all that complicated and quick talking.
    7ma-cortes

    A character studio of four people who present themselves as prisoners of their own actions.

    19-year-old, Argentina-born Martin (Juan Diego Botto), nicknamed H, has a nearly fatal drug overdose. After that his mother sends him to Madrid, where his film director father (Federico Luppi), also called Martin, lives with his new much younger lover Alicia (Cecilia Roth) and bisexual actor friend Dante (Eusebio Poncela). Since no one knows for sure whether the incident was an accident or an attempted suicide, and since there is no place for Hache in his mother's life anyway, his father takes him to Madrid. The two try to bridge the obvious difficulties between father and son, and above all to fill Hache's life with new courage and cheerfulness.

    The quartet of the great actors are wonderful: Juan Diego Botto as Hache, as those who know him call him, he is a young man who, after an almost fatal encounter, comes to Madrid to live with his father, stunningly played by Federico Luppi as a film director who has been in Spain for many years and who left Buenos Aires when he separated from his mother and does not want to return to his previous life or his country. His life is stable and without commitments with his lover Alicia, nicely acted by Cecilia Roth, and his best friend, the actor Dante, a splendid Eusebio Poncela. But his coexistence with his 19-year-old son will force him to face the problems that he had hidden behind a barrier of years. The film makes an introspective study of four characters, although throughout it we may seem somewhat pedantic, people who always have the word on point, philosophizing and giving opinions on everything and all around; however, finally we realize keep in mind that they are all imperfect people with their vital defects and failures in their actions. In such a way that as the film progresses it improves noticeably until reaching a sensitive and intelligent ending.

    In "Martín (Hache)", the experienced filmmaker Adolfo Aristarain weaves a film whose plot unfolds above all through intelligently conducted, thought-provoking isssues and profound dialogues. The story focuses on the four protagonists, whose characterization becomes clearer and deeper as the plot progresses. Despite half-hearted attempts to break out of their current lives, they always return to the starting point remorseful. It is thanks to the outstanding acting performance of the actors that boredom does not arise at any moment. On the contrary, the dialogues captivate and fuel the tension until the decisive and unsettling finale. Many feelings are only hinted at, thus giving free rein to the audience's ability to interpret. "Martín (Hache)" has received numerous awards at international festivals, including the 1998 Goya Award for Best Female Actress for the terrific Cecilia Roth.

    The motion picture was competently directed by Adolfo Aristaráin, At the same time, the director does not make the mistake of trying to describe everything down to the smallest detail in words. Adolfo has extensive experience as assistant director to Mario Camus, Sergio Leone, Lewis Gilbert and Melvin Frank, debuting as a director in ¨The Lion's Share¨ (1978) but that was a failure that led him to direct two bad films to survive: ¨The Beach of Love (1970)¨ and ¨ The nightclub of love¨. He returns to the detective genre with the attractive ¨Tiempo de revancha (1980) ¨and ¨Los ultimos Días De la Victima (1982) ¨giving a sordid portrait of Argentina during the military dictatorship. Later he made the TV series: ¨The Adventures of Pepe Carvalho¨ in Spain about the notorious detective written by Manuel Vázquez Montalbán. He then films in English in co-production with USA three police irregulars: Deadly¨. The Stranfäger¨, and ¨Past Perfect¨. His best and most personal work is "A Place in the World" (1992), a heartfelt love story seen through the political prism with which he wins the Golden Shell at the San Sebastian Festival. Later, he makes the irregular "La Ley de la Frontera¨ (1995), where he defends the cinema of love and adventure and the much more personal Martin (Hache) in which he narrates the tense relationships between a film director, his lover, his son and an actor. Rating: 6.5/10. Better than average.
    8olivercabo

    Feed your brain

    When you see four times a film and you discover new contents each time, evidence: this piece is worth-. I see my own evolution with this movie, my opinion growing, I notice concepts I hadn't before.

    Martin (Hache) talks about life through incredibly deep characters, specially Martin (father), whose very balanced but also extremely dark side drives spectator into a superior intellectual world, in which you are overwhelmed by messages, looks, behaviors, feelings.

    All actors are superb, there is a maximum connection with their characters, you forget you are in front of a TV, flowing in the story like a fish in the water, even understanding both sides of all the great and rich arguments they have. Everything is valuable, don't miss a minute!

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    Storyline

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    Did you know

    Edit
    • Trivia
      Eusebio Poncela and Cecilia Roth had previously acted together in Arrebato (1979) almost 20 years before this movie was made.
    • Quotes

      Dante: Women belong to nobody.

    • Connections
      Referenced in Preserving Memory: Fernando Martín Peña on Argentine Cinema (2024)
    • Soundtracks
      Orden y ley
      Written by Aristarain, Monjo, Martínez, Gabrielli

      Performed by N.N.

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    FAQ15

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    Details

    Edit
    • Release date
      • April 17, 1997 (Argentina)
    • Countries of origin
      • Spain
      • Argentina
    • Language
      • Spanish
    • Also known as
      • Martin (Hache)
    • Filming locations
      • Mojácar, Almería, Andalucía, Spain
    • Production companies
      • A.V.H. San Luis
      • Adolfo Aristarain
      • Canal+ España
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • ESP 200,000,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 3 minutes
    • Color
      • Color
    • Sound mix
      • Dolby
    • Aspect ratio
      • 1.66 : 1

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