Jane Eyre

This is a superb adaptation of the novel -- the leads couldn't be better cast, or better acted. Jane, who is intelligent, introspective and highly-principled, yet shy and insecure, and Mr. Rochester, who is emotionally-distant, secretive, and conflicted. Both are lonely, but they do serendipitously meet and fall in love.

Samantha Morton is the first Jane who looks, acts and speaks like the Jane I know from the novel. And Ciaran Hinds, with his awkward, gruff demeanor and off-putting behavior is perfect. The excellent production values enhance the emotion and direction of the plot. If you are as passionate about British literature as I am, this film will thrill you. Even as I write this, I am re-experiencing the very intense emotion of the scene when Jane is about to leave Rochester's estate. It is a very moving scene and I have never forgotten it.

This is the real thing.

The only thing that really recommends this movie is the scenery--it was beautifully filmed. However, the hammy acting and seemingly constant yelling of Ciarán Hinds & Samantha Morton spoil much of the beauty of the story. One of the things that attracted Mr. Rochester to Jane Eyre was her serenity. I saw none of that restful quality in this performance. This being one of my all-time favourite novels, I do enjoy watching all versions but I must admit this one was a disappointment. The British versions of the classics are usually better.

I usually like Samantha Morton, but her blankness didn't serve her well as Jane Eyre. She seemed too passive as well. Hinds just overwhelmed her (and maybe that was their point because the character does do that in the book ...at first).

I really thought they lacked any kind of sexual energy however and Hinds was generally too gruff and wild. Of course I've just seen him in Rome. He's an amazing actor and able to play "big" very well. But when you play a romantic lead, it's the little details that count. He came off more as a bully than a man desperate to find love and redemption.

Of course, any performance is better than William Hurt's! Shudder. Rochester should never, ever be played by a fair-haired man. Unless Daniel Craig decides to play him. Against Keira Knightly! Just teasing.

So frustrating that every adaptation of a great story *almost* gets it right. This one has something that a lot of other adaptations do not have, a spirited and thinking Jane. Most other versions have Jane as a mouse who never says anything or gives looks of annoyance. This Jane, however, makes it clear that she has something going on up there in-between her dialog. This is due in part to the narration but also excellent acting where you can believe that she is thinking but at the same time not being inappropriate to the time period. I can't see much else about this version really being excellent. It is of course a large book crammed into a two hour movie. I think they do what they can. Mr. Rochester is far too severe. Other than the manipulations he plays out on Jane you wonder why or how she could possibly be attracted to him. It isn't bad, just sort of by the numbers.

I am an unforgiving purist and my favourite version of Jane Eyre has to be the BBC version with Timothy Dalton playing Rochester as an attractive, witty, sensitive, firm and fascinating man. Edward Rochester is one of fiction's greatest romantic heroes and Ciaran Hinds played him as a selfish bully to whom I had difficulty believing Jane would have been attracted. There wasn't enough time to show the development of their friendship, so Jane's love appeared unconvincing. In fact, I felt that taken at face value, this Jane would only have loved this Rochester because she had no previous experience with men and was pushed into it. The truth of their relationship as written in the novel is completely different: that of mutual respect and understanding, as two solitary people often misunderstood by others but who become soul mates. This is what draws me to the book and why I often feel dissatisfied with adaptations. The development of Jane Eyre as a person is its most important theme - she has a deprived and abused childhood and only by finding Thornfield and its inhabitants is she allowed to blossom. One important thing missing here was Jane's financial independence at the end, which emphasises her real status and voluntary return to Rochester. I also didn't like the re-writing of almost all the dialogue, because Charlotte Bronte's original text is wonderful and more evocative. I don't believe it is possible to do justice to this unique story in any adaptation of this length - only a multi-part mini series can give enough time to fill in all the important details. I look forward to the latest BBC version with Toby Stephens as Rochester!

Above all, read the book!