An imprisoned I.R.A. fighter is freed to help stop a brutal, seemingly "faceless" assassin from completing his next job.An imprisoned I.R.A. fighter is freed to help stop a brutal, seemingly "faceless" assassin from completing his next job.An imprisoned I.R.A. fighter is freed to help stop a brutal, seemingly "faceless" assassin from completing his next job.
- Awards
- 1 win & 4 nominations total
Featured reviews
The main purpose of this movie is to show Bruce Willis in a villain character, the very first of his career. He will do a few more, later, in the late 2010's, in direct to DVDs craps. I like this Michael Caton Jones feature, it is a fast paced action movie, tense, on the condition you don't compare with the Zinneman's feature of course. I was waiting for a face to face between Gere and Willis, I found it very interesting, exciting and I was not deceived. But I still don't know what Sid Poitier, already an old timer, did in this film. But he's good, as usual. And for the first time in his career, he doesn't play a Black man role; his character could have been played by a Chinese, Arab, White actor. Poitier who, all long his life, symbolized the Civil Rights fight. The best moments are when Willis kills people, watch out for this face; he is absolutely exquisite.
I entered the theater with fond memories of Fred Zinnemann's 1973 "Day of the Jackal", expecting a chance to scoff at a butchered remake of a fine, suspenseful and tensely-paced film. After the first half-hour or so, it suddenly occurred to me that what I was seeing was not a remake at all, but a parody. Then I began to enjoy myself.
Watching to see what modern filmmaking sensibilities had made of the more memorable scenes from the original kept me thoroughly entertained for the rest of the show. Edward Fox's neat little sniper's rifle--with its disguise constructed from a marvelous, high-tech material called "stainless steel"--metamorphosed into an immense carbon-fiber contraption suitable for demolishing an armored battalion. Fox's deadly silent assassination of a cantaloupe turned into a market-garden recreation of the Battle of the Bulge. And so on.
I don't think my companion, or anyone else in the theater, appreciated my snickers and occasional belly laugh. Too bad. I had a great time.
Watching to see what modern filmmaking sensibilities had made of the more memorable scenes from the original kept me thoroughly entertained for the rest of the show. Edward Fox's neat little sniper's rifle--with its disguise constructed from a marvelous, high-tech material called "stainless steel"--metamorphosed into an immense carbon-fiber contraption suitable for demolishing an armored battalion. Fox's deadly silent assassination of a cantaloupe turned into a market-garden recreation of the Battle of the Bulge. And so on.
I don't think my companion, or anyone else in the theater, appreciated my snickers and occasional belly laugh. Too bad. I had a great time.
I've never understood why The Jackal has been cursed with poor reviews from pretty much everybody. From the day I saw it as a 17-year-old in January 1998 I always found it entertaining and exciting. This might be down to the fact that I have never seen the 1973 original.
Brucie plays a nameless assassin, cool as ice and utterly emotionless. Richard Gere is the only man to have seen him. He's let out of prison to assist the FBI in catching the Jackal before he takes out an uncertain high-ranking official. Willis and Gere are, for the most part, leading their own movies as they never meet until the climax. It's very interesting watching them both go about their business, Willis hatching a master plan and Gere methodically picking apart his trail and hunting him down. There is great support from Sidney Poitier and cutie-pie Diane Venora as a scarred Russian cop.
With a wide variety of brilliantly photographed locations across the US and Canada, and plot with a medium-level of complexity it's not entirely brainless viewing but not too taxing as to alienate lazy viewers. I honestly do not get why so many people hate it. Willis has done far worse films (even seen Mercury Rising?) that get off scot-free somehow, but The Jackal doesn't get off so lightly. Aside from Gere's slightly dodgy Oirish accent I have no complaints about this film. Give it a chance and you might just be entertained.
Brucie plays a nameless assassin, cool as ice and utterly emotionless. Richard Gere is the only man to have seen him. He's let out of prison to assist the FBI in catching the Jackal before he takes out an uncertain high-ranking official. Willis and Gere are, for the most part, leading their own movies as they never meet until the climax. It's very interesting watching them both go about their business, Willis hatching a master plan and Gere methodically picking apart his trail and hunting him down. There is great support from Sidney Poitier and cutie-pie Diane Venora as a scarred Russian cop.
With a wide variety of brilliantly photographed locations across the US and Canada, and plot with a medium-level of complexity it's not entirely brainless viewing but not too taxing as to alienate lazy viewers. I honestly do not get why so many people hate it. Willis has done far worse films (even seen Mercury Rising?) that get off scot-free somehow, but The Jackal doesn't get off so lightly. Aside from Gere's slightly dodgy Oirish accent I have no complaints about this film. Give it a chance and you might just be entertained.
I was sure this movie was going to be a disappointment, but after seeing it I have to say I was deeply wrong. Sure, the story has numerous big holes (Gere knows the operating technique of his opponent so well and down to the last detail, you'd think they used to live together from the moment they were born - total exaggeration, another example are the lame effects when he's between two trains), and Gere's dialect is way off (for some reason it didn't bother me at all), but the rest is pure action and entertainment extravaganza. Bruce Willis was a perfect choice for the Jackal and Sidney Poitier was as always amazing and really helped the atmosphere of the movie with his role. The ending was a bit short, but in my opinion necessary, because I knew what was going to happen, so why delay it. Nicely done, and great music. 7/10
Not sure why this movie seems so low rated, it's well worth a view ! It's fast paced with a number of strong actors and characters portrait very well by them. Maybe the story is not entirely believable, it seems that some leads are obtained a bit too easy, but does that matter? It's just great, action packed, clever, and if you like crime it should keep you on the edge of your chair. No, it's not like the original but I don't think the makers set out to do this. It would have been a crime to do that actually as the original is in it's own an excellent movie and remakes are most of the time disappointing. Go watch it, buy the DVD!
Did you know
- TriviaFrederick Forsyth, who wrote the novel "The Day of the Jackal", insisted his name be taken off the credits of this film, which is why it is billed as "based on the screenplay".
- Goofs(at around 57 mins) When the weapon is first test fired from the mount and misses, the problem is unlikely to have been with the mount and more likely to be poor alignment of the targeting system.
The mount is the only moving part of the gun platform. That's how the gun is aimed, by adjusting the mount. It *is* the targeting system.
- Quotes
Valentina Koslova: She's Basque, isn't she?
Declan Mulqueen: Aye.
Valentina Koslova: They say Basques live by the vendetta. If they hate someone it's to the death. It's the same when they love.
- Alternate versionsDVD special edition features additional scenes deleted from the theatrical release and an alternative ending, where the Jackal is killed by Isabella.
- ConnectionsEdited into The Jackal: Deleted Scenes (1998)
- SoundtracksStar
Written by Bobby Gillespie (as B. Gillespie), Robert Young (as R. Young),
Martin Duffy (as M. Duffy), Andrew Innes (as A. Innes)
Performed by Primal Scream
Courtesy of Creation Records Ltd./Sony Independent Network Europe/Reprise Records
By Arrangement with Warner Special Products
Details
Box office
- Budget
- $60,000,000 (estimated)
- Gross US & Canada
- $54,930,280
- Opening weekend US & Canada
- $15,164,595
- Nov 16, 1997
- Gross worldwide
- $159,330,280
- Runtime2 hours 4 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content