Les seigneurs de Harlem

Hoodlum.....what can I say, if you had cool Grandparents that grew up in Harlem in the 1930's who liked to party, dress and play numbers then maybe you'd of heard some of the stories about the going ons in Harlem U.S.A. during that period. Numbers were literally the Black mans lottery back then and communication between runner and player no matter how small the amount played was the lug that connected dreams with hope for the little guy; Hoodlum is a story about the preservation of those hopes and dreams by a one Bumpy Johnson. The music, wardrobe and cinematography is superb, I highly recommend this tale of Harlem history.

Macheeste~

"Hoodlum" is a film that deserved much better. Bill Duke, its talented director, gives us a picture of what the Harlem of the thirties was like. In fact, "Hoodlum" suffers when it's compared to Coppola's "The Cotton Club". Mr. Duke, an actor himself, was able to amass a great cast and he got performances that are amazing from this first rate ensemble.

The cast headed by the brilliant Laurence Fishburn is amazing. Mr. Fishburn is basically the whole reason for watching the film. His Bumpy Johnson is a larger than life figure in that era. Tim Roth also is quite amazing as Dutch Schultz, a white man who saw the hidden treasures of the black community of Harlem and tried to capitalize in that world. Andy Garcia plays Lucky Luciano, an Italian man who also was instrumental in the criminal activities one sees in the film.

Also in the cast, Vanessa Williams, Cicely Tyson, Loretta Devine, William Atherton, Queen Latifah, and the rest, respond well to Mr. Duke's command.

The film is entertaining and will not disappoint fans of the genre, or of Mr. Duke.

I really enjoyed this film. As far as crime dramas go it is up there with The Godfather to me. Laurence Fishburne was great in his role as Bumpy Johnson. Tim Roth gave a great performance also.

The film did a great job portraying the inner turmoil of people. Also it did a great job at showing the racist attitudes of the times. Example: Dutch asking his main guy, who is black to wrap up his (shultz) sandwich scraps so that he (the black guy) could take them home to feed his grandkids. Classic subtle racism.

The clothes and the music were also good for the period. One scene was even shot at the cotton club which no movie during this period is complete without.

Great Job! Great Film!

It seems to me like in today's film world, critics, whether it be Ebert or the viewers, are quick to down a film if it has a large budget. I think Hoodlum fell victim to this epidemic. With a bankroll of wonderful actors and actresses, and some of the best historical recreation of the locations, the movie delivers. The plot was simple, but it doesn't need to be complicated in a gangster flick like this. It was based on real people, so the creators of the film cannot go ballistic on changing the story. Maybe the 'critics' would like it better if it had a little green man who uses the force, or maybe a future crime prevention device. Well, you won't find this here. It's a wonderful, semi-true story about the way things were in Harlem and the surroundings areas back then. Fishburn turned in a wonderful performance, and Roth played a great villian as he always does. Just relax, and take it for what it's meant to be. Entertainment.

The 1997 movie `Hoodlum' takes place during the depression. A black man named Ellsworth `Bumpy' Johnson (Lawrence Fishburne) was released from prison and went back to Harlem. Then he joins his cousin, Illinois Gordon, and gets back into an illegal lottery racket ran by Madame Queen. They call the game `numbers.' They say that numbers is the only business in Harlem which provides them with work. A white man from uptown named Dutch Shultz (Tim Roth) is also trying to run the numbers downtown in Harlem, and there ends up being a battle between Shultz and the Queen. Madame goes to jail and leaves Bumpy in charge. Bumpy meets a fine woman, Francine (Vanessa Williams), who sees good in him and wants him to stop messing around with `numbers.' But she stays by his side while things get chaotic. Will he realize what he should do in time or will he lose everything?

The director Bill Duke has a message in this movie. It says when people are left limited options, they are going to find a way to get by. In one scene, Bumpy is telling Illinois because of the depression there isn't very many jobs and white men didn't leave them any jobs, so they had no options for making money other than through the numbers racket.

This movie had fast paced action. I liked the part where Dutch Shultz wants Madame Queen's organization out of the numbers racket in Harlem, so he can make all the money from it. Bumpy, who works for Madame Queen, comes up with a plan for eliminating the problem of Dutch, by getting Lucky Luciano (Andy Garcia), another gangster, and Dutch in a fight. This movie is a `classic gangster movie.'