Homegrown
- 1998
- Tous publics
- 1h 42m
IMDb RATING
5.7/10
5.2K
YOUR RATING
Three marijuana farmhands see their boss killed, ending their peaceful existence in NW California. They decide to harvest, process and sell the crop themselves. Crime bosses, corrupt cops, k... Read allThree marijuana farmhands see their boss killed, ending their peaceful existence in NW California. They decide to harvest, process and sell the crop themselves. Crime bosses, corrupt cops, killer pilot, greed etc. ensue.Three marijuana farmhands see their boss killed, ending their peaceful existence in NW California. They decide to harvest, process and sell the crop themselves. Crime bosses, corrupt cops, killer pilot, greed etc. ensue.
Michelle C. Bonilla
- Nurse
- (as Michelle Bonilla)
Featured reviews
A fun romp...a lot of good twists and turns! (and we were not even baked!)
Didn't know this movie even existed until watching the extra trailers on a Monty Python DVD...(oddly it was there along with The City of Lost Children, and The Adventures of Baron Munchauhsen)
The plot keeps you wondering throughout.
The acting was awesome...Hank Azaria shows his talent again, Bill Bob is Billy Bob...(wecis?)
Definitely worth watching.
Didn't know this movie even existed until watching the extra trailers on a Monty Python DVD...(oddly it was there along with The City of Lost Children, and The Adventures of Baron Munchauhsen)
The plot keeps you wondering throughout.
The acting was awesome...Hank Azaria shows his talent again, Bill Bob is Billy Bob...(wecis?)
Definitely worth watching.
What a great film. Any movie that can be advertised to look like a CHEECH AND CHONG-type weed comedy and than turn around to be a stone-cold suspenseful drama is automatically an A+ in my grading book.
Billy Bob Thornton is as usual unbelievably good. I am a huge fan of his work, ONE FALSE MOVE is probably one of the most low-scale thrillers in the history of film, a well-written flick which doesn't rely on cheap thrills for quality and leaves out the shocking violent portion of the film until the last scene. His performance in A SIMPLE PLAN should have earned him more than an Oscar nomination, and SLING BLADE was possibly one of the best indie flicks I've ever seen. He is a talented actor/screenwriter/director and brings a great deal of flair to this movie.
Azaria and Philippe bring good supporting roles as well, and Ted Danson is hillarious as a hot-tempered Mafioso. Lithgow has a small role, but brings interesting twists to the film whenever on screen.
All around I was surprised by HOMEGROWN, for originally I expected it to be a comedy on par with HALF BAKED and DAZED AND CONFUSED, while the only comedy intended in the flick is tongue-in-cheek, the best kind of all.
Billy Bob Thornton is as usual unbelievably good. I am a huge fan of his work, ONE FALSE MOVE is probably one of the most low-scale thrillers in the history of film, a well-written flick which doesn't rely on cheap thrills for quality and leaves out the shocking violent portion of the film until the last scene. His performance in A SIMPLE PLAN should have earned him more than an Oscar nomination, and SLING BLADE was possibly one of the best indie flicks I've ever seen. He is a talented actor/screenwriter/director and brings a great deal of flair to this movie.
Azaria and Philippe bring good supporting roles as well, and Ted Danson is hillarious as a hot-tempered Mafioso. Lithgow has a small role, but brings interesting twists to the film whenever on screen.
All around I was surprised by HOMEGROWN, for originally I expected it to be a comedy on par with HALF BAKED and DAZED AND CONFUSED, while the only comedy intended in the flick is tongue-in-cheek, the best kind of all.
The first half hour of "Homegrown" was rather boring and not absorbing, but as the film progressed, so did my interest in the characters and the plot. Several scenes are really scary and you fear for the main characters who you actually grow attached to. The story is about three hired hands on a hidden illegal marijuana farm in southern California. They witness the murder of the farm's owner, Malcolm (John Lithgow), and they take over the weed for their own. The three rather simple-minded farm hands soon get swept up into a scary world of mafia and local interest, while all of the time trying to convince everyone that Malcolm is still alive. While the movie had several faults and a slow beginning, it turned out to be worthwhile. 7/10 stars.
Well, it's a weird movie. That Stephen Gyllenhaal seems to LIKE weirdness, really.
The fact that the film is billed as a comedy should not be considered an indictment. A film is made because someone decided to try to share this particular story with you--NOT because he wanted to add another movie to some given drawer/shelf in a video rental store, nor because he wanted to make things easy for the marketing department.
I know the film wasn't well-promoted, but looking at the movie itself, I think it's actually a pretty innovative piece of work.
What really makes the film work is the ambiguity and (ok, I admit it) PARANOIA of it.
If you've found yourself wondering what any particular scene adds to this movie, I fear you've fallen victim to lack of imagination. The characters never know "who knows what," and that is the single most essential premise of the movie. The film uses a far stronger perspective of first-person perspective than such bubble-gum fare as the Matrix. When the hapless dope-growers meet the first distributor they're looking to do business with, they don't know whether he's "in on everything." When BB Thornton talks to Sienna, he has no idea what SHE knows about the situation...and in fact, no matter how you choose to interpret that particular scene, you really ought to acknowledge that perhaps the "reality" (cinematically speaking) is the complete opposite of what you first thought when you watched it. Almost every meaningful dramatic scene in the film is completely ambiguous in possible interpretation. At least up until the climax.
This is a film that truly does get better with repeated viewings, IF you have the patience for a movie that doesn't spell everything out for you. If you want a heavy musical score and a didactic moral "point," stick with Spielberg. He'll never disappoint. If you want to WONDER what the characters are really up to in a film, check this one out.
The cast is terrific, the story is novel if not earthshaking, and the polish and presentation are first-rate. It has a few minor editorial flaws--I could've done without Lithgow's late appearance, or some of the "feel-good" moments laced into the script early on, but I certainly don't think someone else would have done a better job with the concept and script...unless Kubrick or Fassbinder were still alive.
8.5 out of 10.
The fact that the film is billed as a comedy should not be considered an indictment. A film is made because someone decided to try to share this particular story with you--NOT because he wanted to add another movie to some given drawer/shelf in a video rental store, nor because he wanted to make things easy for the marketing department.
I know the film wasn't well-promoted, but looking at the movie itself, I think it's actually a pretty innovative piece of work.
What really makes the film work is the ambiguity and (ok, I admit it) PARANOIA of it.
If you've found yourself wondering what any particular scene adds to this movie, I fear you've fallen victim to lack of imagination. The characters never know "who knows what," and that is the single most essential premise of the movie. The film uses a far stronger perspective of first-person perspective than such bubble-gum fare as the Matrix. When the hapless dope-growers meet the first distributor they're looking to do business with, they don't know whether he's "in on everything." When BB Thornton talks to Sienna, he has no idea what SHE knows about the situation...and in fact, no matter how you choose to interpret that particular scene, you really ought to acknowledge that perhaps the "reality" (cinematically speaking) is the complete opposite of what you first thought when you watched it. Almost every meaningful dramatic scene in the film is completely ambiguous in possible interpretation. At least up until the climax.
This is a film that truly does get better with repeated viewings, IF you have the patience for a movie that doesn't spell everything out for you. If you want a heavy musical score and a didactic moral "point," stick with Spielberg. He'll never disappoint. If you want to WONDER what the characters are really up to in a film, check this one out.
The cast is terrific, the story is novel if not earthshaking, and the polish and presentation are first-rate. It has a few minor editorial flaws--I could've done without Lithgow's late appearance, or some of the "feel-good" moments laced into the script early on, but I certainly don't think someone else would have done a better job with the concept and script...unless Kubrick or Fassbinder were still alive.
8.5 out of 10.
Another example of a really good small film that didn't get the promotion or distribution it deserved. Billy Bob Thornton just gets better and better. This little film about the Northern California Dope Growers, is great. I disagree with the categorization of the film as a comedy. It is more of a drama with moments of comic relief, but it certainly entertains. There are no great life lessons to be taken from it. (well maybe there is one lesson. If you're doing something illegal, it's best not to have a gunfight in the parking lot thus calling attention to yourself) An incredibly good cast, cleverly written and well performed I'd give this one a solid 8.
Did you know
- TriviaJamie Lee Curtis is the godmother of Jake Gyllenhaal and Maggie Gyllenhaal and friends with their father, Stephen Gyllenhaal.
- GoofsAfter an establishing shot that shows Jack Marsden driving into San Francisco via the Golden Gate Bridge, the close-up of him in the BMW shows he's traveling on a different bridge - one that's constructed of gray metal trusses and girders, rather than the famous red-orange of the Golden Gate Bridge.
- ConnectionsReferences L'île fantastique (1977)
- SoundtracksDevil's Train
Written by Brent Daniels & Daniel Lenz
Performed by Hednoize
Courtesy of Wax Trax!/TVT Records
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Cannabis express - L'héritage de Malcolm
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $77,910
- Opening weekend US & Canada
- $77,910
- Apr 19, 1998
- Gross worldwide
- $77,910
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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